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Cyberpunk 2077 Player Makes V Look Like Rebecca From Edgerunners


Using mods and custom edits, a Cyberpunk 2077 player customizes V to look like fan-favorite Edgerunners character Rebecca.

A talented Cyberpunk 2077 the player used mods and their mastery of editing to make Protagonist V look like a fan favorite cyberpunk edge runners character Rebecca, and the results are impressive, to say the least. With several promising updates, a critically acclaimed anime, and a planned expansion on the horizon, Cyberpunk 2077 is enjoying a renaissance as the game enjoys the recognition that many feel it has always deserved.

Cyberpunk 2077 managed to maintain a ragtag group of fans after the controversial launch nearly two years ago, but the once highly anticipated game was in danger of falling into relative obscurity. That was until earlier this year, when a perfect storm converged consisting of consistent updates, a major expansion announcement, and an anime considered one of the best video game adaptations of all time. . Cyberpunk 2077The number of players has skyrocketed, with 1 million players active every day for four consecutive weeks, recording a resurgence that many had written off. Many have attributed the main driver of this renewed interest to cyberpunk edge runnersan anime supervised by CD Projekt Red and produced by Studio Trigger.


RELATED: Cyberpunk 2077 Fan Discovers Legendary Weapon Hidden In-Game

In an image posted to Reddit by OrionVTuber, their V is seen posing, captured by Cyberpunk 2077in photo mode, and looking a lot like a beloved character from Cyberpunk Edge Runners. A hot-tempered and feisty member of the Maine crew, Rebecca immediately charmed the cyberpunk community, becoming a fan favorite virtually overnight. To achieve the look, the player used a hair mod dedicated to Rebecca and modified in-game assets with Blender to create a more accurate face for the adorable firebrand.

She wears David’s jacket, a replica of the cyberpunk edge runners the protagonist’s iconic outfit, which was added as part of the Edgerunners Content DLC. Undoubtedly inspired by the gargantuan cybernetic hands Rebecca wields in the series, the pictured V had a Gorilla Arms doc ripper installed, mechanically enhancing their limbs to be able to rip through doors.

Rebecca’s shotgun was another addition cyberpunk edge runners introduced. Considering the fate of his character, he turned the story of Cyberpunk 2077 on a quest for revenge, elevating the sentiment surrounding a particular antagonist from ambivalence to unbridled hatred. After discovering that Rebecca’s shotgun recoil was enough to avoid fall damage, a cruel and ironic allusion to the character’s final moments, numerous compilations edited together to make Cyberpunk 2077The final boss suffers in every way imaginable.

Cyberpunk 2077 is available for PC, PS4, PS5, Stadia, Xbox One and Xbox Series X/S. The phantom freedom DLC releases in 2023.

MORE: Why Cyberpunk 2077’s Phantom Liberty DLC Is Likely To Feature Mr. Blue Eyes

VideoProc Converter welcomes Black Friday 2022 deals with coupons and updates


VideoProc Converter Black Friday Deals

Digiarty’s VideoProc launches Black Friday 2022 deals today. It features up to 52% off coupons and the updated version of VideoProc Converter (5.2).

Our Black Friday and Cyber ​​Monday 2022 sale is falling early, and you can get 52% off our VideoProc Converter software right now.

—Angie Tane

CHENGDU, SICHUAN, CHINA, November 22, 2022 /EINPresswire.com/ — The VideoProc team at Digiarty Software, an innovative multimedia software development company, launches the annual Black Friday deals today and runs until December 1, 2022. It features a whopping 52% discount and the updated version of VideoProc Converter (5.2). Buyers can save big on the software “bundle” to convert, compress, download, save and edit media files while enjoying new features:

“Our Black Friday and Cyber ​​Monday 2022 sale is dropping early, and you can get 52% off our VideoProc Converter software right now,” says VideoProc Marketing Manager Angie Tane.

“About 4.6 million users have chosen our software to solve their problems with video/audio/DVD conversion, processing, etc. They love VideoProc Converter for hardware acceleration, 4K capability, intuitive high-quality user interface, and more. The new version 5.2 supports preserving alpha transparency, adds more audio bitrate presets and has made user-friendly improvements.

1. Preservation of Alpha transparency when converting videos to MOV (ProRes 4444) or WebM (VP8/VP9).
Many users need to convert videos for further editing in their nonlinear editing (NLE) systems, and they don’t want to lose alpha transparency. VideoProc Converter 5.2 encompasses videos with alpha channels such as Apple ProRes 4444 (up to 16-bit), QuickTime Animation, GoPro Cineform and VP8/VP9 and allows customers to retain transparency when exporting to MOV (ProRes 4444 ) or WebM (VP8 /VP9). It allows to change the format of the container (for example, convert MOV to WebM), resolution, fps, bitrate or audio codec of a ProRes/VP8/VP9 video file without losing the original alpha transparency.

2. Added 160kbps and 320kbps presets in audio bitrate.
160 kbps and 320 kbps are popular audio bitrates. With the update, users can export virtually any video/audio file at 160 or 320 kbps for different needs.
At 160 kbps, users can get acceptable audio quality, like a noticeable but not distracting, or almost imperceptible (Spotify) Ogg Vorbis MP3. It’s a good choice for mobile users to save bandwidth with little listening difference in perceived quality compared to higher bitrates.
320 kbps delivers near CD quality and provides an enjoyable music listening experience. For example, Deezer applies 320 kbps MP3 for Premium+ users, Spotify provides 320 kbps Ogg Vorbis in super high quality for Premium users, and Tida uses 320 kbps AAC for high quality streaming. At 320 kbps, users can retain the high audio quality and make details more detailed and accentuated.

3. Allow users to increase the bitrate value in manual mode.
VideoProc Converter is fast enough to convert video up to 47 times the speed in real time. But some users prefer quality over encoding speed. The new feature allows users to increase the default bitrate value in manual mode to get a better result, or on the contrary, decrease the value to get a smaller output file size.

4. Save the custom bitrate as a new profile.
VideoProc Converter 5.2 allows users to save changed bitrate value as a new profile. Users can save the custom bit rate to determine the output video quality and file size for more convenient use in the future.

5. Mac version adds display of M1 or M2 on hardware acceleration interface
If they have an Apple M1 or M2 silicon chip on Mac, a user may see M1 or M2 as an option under the hardware acceleration engine and during the hardware acceleration process.

Price and availability
Buyers can opt for Premium 365 License, Lifetime License or Family License of VideoProc Converter. The prices and discounts are different:
Premium 365 (1 year / 3PC subscription): 33% off, original price $38.90, now only $25.95;
Lifetime License (Lifetime / 1 PC): 49% off, original price $78.90, now only $39.95;
Family License (Lifetime / 3-5 PC): 52% off, original price $119.90, now only $57.95.

About Digiarty Software, Inc.
Digiarty Software, Inc., the developer of VideoProc, is one of the leading desktop software development companies in the multimedia industry. Founded in 2006, it has been involved in various fields and expanded its business scope to diversified fields including but not limited to video/audio editing, converting, downloads, recording , DVD conversion, DVD copy and iPhone data backup. This customer-oriented company has accumulated a large user base around the world and has evolved into a successful company in the industry. To get more information about the company, please visit its official webpage: https://www.videoproc.com/

Han Zhicai
Digiarty Software Inc.
+86 28 8513 4884
write to us here
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Advanced Proteome Therapeutics Announces Appointment of Mr. Cory Brandolini to the Board of Directors


The MarketWatch News service was not involved in the creation of this content.

Vancouver, British Columbia, Nov. 21, 2022 (Newsfile Corp via COMTEX) — Vancouver, British Columbia–(Newsfile Corp. – Nov. 21, 2022) – Advanced Proteome Therapeutic Society (TSXV: APC) (FSE: 0E8) (“APC” or the “Company”) is pleased to announce that it has appointed Mr. Cory Brandolini to the Board of Directors.

Mr. Brandolini has over 3 decades of experience in capital markets and as an advisor to high-growth, disruptive software companies across numerous technology industry verticals. During his career, he has helped raise hundreds of millions of dollars for public and private companies specifically in the technology sector. Mr. Brandolini’s experience includes two decades in the investment industry.

Mr. Brandolini was the Founder, CEO and President of RESAAS Services Inc., an award-winning global real estate cloud platform. Under his leadership, RESAAS experienced its greatest phase of growth, growing from a raw start to over 400,000 subscribed real estate agents worldwide, including the biggest brands in real estate. Mr. Brandolini made RESAAS one of the first true IPOs on the Canadian Stock Exchange and helped the company raise over $30 million in investment. Most recently, Mr. Brandolini is the co-founder, president and CEO of Railtown AI Technologies Inc., developers of a SAAS solution for software development teams that uses AI to drive optimizations and provide insights to every stage of software development. Railtown converts CI/CD systems into complete CI/CD/CM (continuous monitoring) systems – monitor, diagnose and prioritize faults across the entire CI/CD environment on a single platform. Railtown’s continuous machine learning application will enable developers to accelerate innovation while ensuring the reliability and increased speed of their applications. In addition, he continued to provide capital markets and M&A advisory services to technology companies, including Teleo (VoIP platform acquired by Microsoft), WISR (Artificial Intelligence Incubator), AuthenTicket (Ticket Verification Technology).

Paul Woodward, CEO of the company, said, “We are delighted to have Cory join the board; he is a seasoned entrepreneur and investor with extensive experience in technology and financial markets. I have known Cory for many years and look forward to his contributions to the APC.”

Advanced Proteome Therapeutics Corporation, through its subsidiary, Advanced Proteome Therapeutics Inc., has invented a proprietary protein conjugation technology that enables the development of superior antibody-drug conjugates through improved site-specific labeling, control of drug-antibody ratio and activation of combined payloads. The technology has compelling preclinical data demonstrating improved homogeneity and increased in vivo potency compared to current state-of-the-art binding technology. The company believes the technology will enable the development of safer and more potent antibody-drug conjugate therapies and is seeking licensing and partnership opportunities to advance development and create shareholder value.

Advanced Proteome Therapeutic Society
Paul Woodward
President and CEO
Tel: 604 690-3797

Neither the TSX Venture Exchange nor its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange) accepts responsibility for the adequacy or accuracy of this release.

This press release contains forward-looking statements relating to the Company’s future operations and other statements that are not historical facts. Forward-looking statements are often identified by words such as “will”, “may”, “should”, “intend”, “anticipate”, “expect” and similar expressions. All statements other than statements of historical facts included in this release, including, without limitation, statements regarding the Company’s future plans and objectives, are forward-looking statements that involve risks and uncertainties. There can be no assurance that such statements will prove to be accurate and actual results and future events could differ materially from those anticipated in such statements. Important factors that could cause actual results to differ materially from the Company’s expectations are the risks detailed from time to time in the Company’s filings with securities regulatory authorities.

Readers are cautioned that assumptions used in the preparation of any forward-looking information may prove to be incorrect. Events or circumstances may cause actual results to differ materially from those anticipated due to numerous known and unknown risks, uncertainties and other factors, many of which are beyond the Company’s control. Accordingly, the Company cannot guarantee that any forward-looking statements will materialize, and readers should not place undue reliance on forward-looking information. Such information, although considered reasonable by management at the time it was prepared, may prove to be incorrect and actual results may differ materially from those anticipated. The forward-looking statements contained in this press release are expressly qualified by this cautionary statement. The forward-looking statements contained in this press release are made as of the date of this press release and the Company will not publicly update or revise any of the forward-looking statements included except as expressly required by Canadian securities law.

To view the source version of this press release, please visit https://www.newsfilecorp.com/release/145204


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The PIE Story Theater Holiday CD Turns 10


The PIE Story Theater Holiday Stories and Carols CD turns ten this month. Produced in 2012, the CD contains original Christmas stories and carols adapted to celebrate the season. The program was originally a live show that premiered at the North Pier Festival Market in Chicago in 1993. Since then the program has been presented by Arts Horizons in the Tri-State area and also at Casa 0101 in Los Angeles, produced in collaboration with All Seasons. Theater Company.

The CD celebrates Christmas, Kwanzaa, Hanukkah traditions with classics like The Elves and The Shoemaker and a ten minute adaptation of A Christmas Carol titled Old Mr. Scrooge. It also features original company stories: The Armadillo’s Feliz Navidad and A Kwanzaa Story as well as interactive material.

Featured on the CD is two-time Drama Circle Critic Award winner Kellie Johnson who has acted in theatre, film and television and is best known for playing Jackie Cochran in the New York premiere of The Fastest Woman Alive written by Outer Critics Circle Best Play nominee Karen Sundeand. Kellie also starred as Annie Oakley in Annie Get Your Gun at the Sharon Playhouse and Evita Peron in Evita, Mrs. Johnstone in Blood Brothers and Audrey in Little Shop of Horrors. She is also known for her incomparable cabaret shows and is an accomplished pianist. Michael Menger, Babsy Malecki, Melissa Center and Patrick Riviere also share their talents on the CD. The cover was created by Shane Adams.

Inspired by the work and legacy of Viola Spolin and Paul Sills, PIE (which stands for Projects In Education) has been providing educational and interactive “story theater” for children of all ages since 1990, when it began in Central Park. It was an evolution of a program that its founder, Patrick Rivière, presented and led at Niagara University and ArtPark – ART that was developed by the late Brother Augustine Towey, CM and Mary Furlong. The PIE Story Theater recently had a touring company produced by Wellfleet Harbor Actors Theater on Cape Cod.

The CD can be found on iTunes and Amazon just in time for the holidays!

Why the manual transmission might still have a future in the age of electric vehicles – Robb Report


It was around the middle of the last decade that Alan Macey realized how bad things had gone for the manual transmission. The clutch pedal had started disappearing from American-made vehicles before it was born, but suddenly a shifter wasn’t even available as an option on a muscle car like the Dodge Charger. So in 2015 he started The Manual Transmission Preservation Society.

The group is made up of the kind of drivers who believe that physically changing gears is as important to driving as putting your foot on the gas or turning the steering wheel. Macey isn’t so dogmatic – his garage houses both a manual and an automatic – but the longtime car enthusiast and industry veteran is concerned about how automated driving has become.

“I grew up in the rural suburbs of Detroit. I spent a lot of time driving jeeps and smaller cars on those back roads and had a lot of fun,” Macey said. Robb Report. “If I had to make one observation about how cars have evolved in my life, it’s that they’ve become less and less engaging.”

Alan Macey knew it was a bad sign when Dodge stopped selling the Charger with a manual transmission

Photo: Courtesy of FCA US LLC

Macey is under no illusions. He knows the manual transmission won’t experience a sudden resurgence in popularity. In the early 1980s, the percentage of cars rolling off American production lines with a stick shift was only 35%, according The New York Times. In 2020, that number was just over 1% (or about 188,000 cars), which might explain why only 18% of drivers in the country even know how to drive one. But Macey isn’t choosing a costume for the Manual Gearbox funeral, either. In fact, the growing popularity of electric vehicles – many of which are sold on the promise that they will further automate the driving experience – has actually given him renewed optimism for the manual transmission.

“I think it was in the 70s when quartz watches came out,” he said. “And there were probably a lot of people who thought that Swiss automatic watches would be a thing of the past. It even appeared more recently with the Apple Watch. But I think we’re all quite aware that luxury [mechanical] the watch industry is very lively and prosperous.

2022 Porsche Taycan GTS

Porsche Taycan GTS sedan


If you know anything about how electric vehicles work, chances are you think Macey’s hope is misplaced, mostly because one of the biggest selling points of an all-electric powertrain is that it doesn’t need a multi-speed transmission to work. Unlike an internal combustion engine, which has a narrow rpm range in which it can operate efficiently – the reason you have to change gears to keep it from stalling – an electric motor has a much wider optimum range that doesn’t requires only one speed. That’s why almost all electric vehicles come with a single-speed direct-drive transmission.

But there are exceptions. Take, for example, the Porsche Taycan. Introduced in the fall of 2019, the German brand’s first electric vehicle is a true high-performance vehicle capable of going from zero to 60 mph in 2.6 seconds and reaching a top speed of 161 mph. But what really caught the attention of some enthusiasts was the two-speed transmission on its rear axle.

The Taycan’s gearbox is an in-house invention, so we don’t know all its intricacies, but this Wired article does a good job of breaking things down. Basically, first gear gives the Taycan more access to torque, allowing it to accelerate even faster; second allows the motor to run at a lower speed while maintaining speed, improving efficiency.

Porsche Taycan Turbo S

Porsche Taycan Turbo S


The Taycan automatically shifts between the two gears – at around 62 mph, according to Engineering Explained– but the presence of a multi-speed transmission opens up the possibility that drivers can make gear changes themselves. And although Porsche does not yet grant this privilege to its electric vehicle drivers, other brands are already open to this possibility.

Over the past year, three different companies have shown their willingness to put a shifter in an EV. During last year’s Monterey Car Week, Gateway Bronco introduces an all-electric version of its popular restomod available with an optional five-speed manual transmission. Then, in February, a The Toyota patent has been unveiled which described a system for electric vehicles that includes a shifter and clutch (albeit a fake). Finally, in April, Jeep unveiled its second concept Wrangler Magnetowhich is fitted with a six-speed manual gearbox for “ultimate control of the propulsion system”.

Bronco Luxe GT EV Gateway

Bronco Luxe GT EV Gateway

Bronco gangway

There’s only one electric vehicle you can buy today with a manual transmission: the Gateway. Luxury-GT Ford Bronco. The latest addition to the Illinois boutique’s line of restomods starts at $265,000 and is indistinguishable from its gas-powered models until you open the hood. You will find there a Legacy EV electric crate motor which develops 400 hp and 800 lb-ft of torque. As is the case with most electric vehicles, the 4×4’s torque is instantly available, but if you want even more control over that output, the shop will connect the drive unit to a manual gearbox. five-speed that sends power to all four wheels.

If you opt for the manual transmission, which costs an additional $11,229, you’ll see two major benefits, according to Gateway founder Seth Burgett. The first is self-explanatory: the feeling of shifting gears yourself. You won’t use the first two gears much (it’s not like you have to worry about stalling), but anyone used to rowing themselves will feel comfortable in gears three through five. The second benefit is added control, especially off-road, which can be tricky with an internal combustion engine, requiring real patience and control, feathering the clutch to get the perfect power and torque . Not so with Gateway’s EV, where twist and propulsion are available immediately, with a kick, once in the correct gear setting.

“When you have an electric, it’s extraordinarily accurate,” Burgett said. “You press the accelerator pedal until you have the torque and speed you need, then you step back. You have much tighter control with an electric off-road vehicle than with a essence.

Inside the Gateway Bronco Luxe GT EV

The Luxe GT EV is available with a five-speed manual transmission

Bronco gangway

Burgett is not alone in finding this to be the case. Jeep brought the Battery Powered Wrangler Magneto to the final two installments of its annual Moab Easter Safari. The vehicle is a retrofit that started out as a gasoline-powered 4×4, but saw its old engine replaced with an electric drive unit. One aspect that hasn’t been changed, however, is its six-speed manual transmission. While by no means necessary, the automaker has seen real benefits from this feature, especially when it comes to off-roading.

“What’s really good is the off-road control and finesse, especially in a very tight situation,” said Mark Allen, design manager at Jeep. Robb Report. “The vehicle reacts like a manual gearbox, where it is a direct drive. I don’t have a torque converter to go up or down. But the good thing is you can’t stall it – and that’s always the dread when driving a manual transmission in a tough off-road situation. But it can’t stall, because it doesn’t work.

Unfortunately, that doesn’t mean a manual transmission will make it to any of Jeep’s production EVs, the first of which is should start next year. The automaker sees the Wrangler Magneto and the upgraded 2.0 as “an open door to the lab. . .a testbed” that offers Allen and his team a chance to cobble together a working vehicle, with help from some of the marque’s most diehard supporters. The battery-powered 4×4 also shows hardcore enthusiasts that they haven’t been forgotten.

A front 3/4 view of the all-electric Jeep Wrangler Magneto 2.0 concept

Concept Jeep Wrangler Magneto 2.0 EV


These enthusiasts, some of whom may well be members of the Manual Gearbox Preservation Society, aren’t ready to give up the shifter. They’re like music lovers who have stuck with vinyl through the cassette, CD, MP3 and streaming eras because they think it just sounds better. There’s no reason for Gateway to include an optional manual transmission on the Luxe-GT, except that there are drivers who really want it. As long as this interest persists, regardless of their niche, someone will continue to install manual transmissions in cars, SUVs and trucks whether they technically need them or not.

“Some technologies kind of fade into history because they never had anything really rewarding about them,” Macey says, describing the satisfaction of a particularly nice downshift. “While other types of technologies or activities, there is something about them that transcends their functionality.”

Adam interviews the owner of Bop Shop Records


Rochester, NY (WROC) – Tom Kohn wanted to do something special to celebrate his 40 years in the business.

Bop Shop Records opened in 1982 and remained a Village Gate staple until it moved to its current location on Monroe Ave.

There, he continued to sell vinyl records while bringing in artists and performing live music.

This year, he has pledged to put on 40 shows to mark Bop Shop’s milestone anniversary.

This project will be crowned by the 40e Anniversary Jazz Festival the weekend after Thanksgiving with shows every night from November 25-28. For more information, click here.

Below is Adam Chodak’s interview with Tom Kohn.

Adam Chodak: You’ve been in the recording industry for about 50 years…

Tom Kohn: I started in high school when I was 16 in a record store with long hair and became fascinated with records and the story they told. Just like books. Today’s records and even now have stories to tell and that’s really important and the felt sharing was really important. I’ve never had the bug of playing an instrument that the musicians who play here find weird. I’m not so coordinated. So it was the passion all along. When I was 16, I had 2,000 records, which is crazy. Discovered garage sales and started going to garage sales. In the 70s you could buy tons of records for 10 cents, it was great.

AC: Do you still have the same passion?

TK: 100%. 110%. But like some people, it’s not just the disc, but also the music that’s on the product. I think it’s important to have touch, I mean, I don’t care if it’s a CD, if it’s a musician that I love and I can only afford a CD, I will buy a CD. I buy music. I prefer not to download, to diffuse because the artist does not touch money. And it’s confusing, at least for me, I’m older and I need something physical and tangible for this to make sense to me and I think that’s just my age, part of it . But if you download 2,000 or 3,000 songs, how do you know what you have? You don’t. You don’t.

AC: But there are a lot of people my age and younger who buy vinyl now. Where is that from ?

TK: It happened in the mid 2000s, slowly but surely some people like Neil Young started getting into it, metal bands, Pearl Jam, there was always a limited number of records being pressed and things were becoming more and more interesting and as things exploded then it became a hipster thing. And sound recordings sound better, not always, in general, but you need a decent rig to do that, though. Not the little Crosleys that people should be trashing. I knew it was coming. When the CDs came I was like Oh my god I can buy a lot of records. So I was accumulating records in the 90s. I didn’t really expect it to be so crazy. And more and more jazz artists are releasing records, some of which are very limited, others extremely limited, 300 tracks, depending on what it is. There is no specific thing that the artists or the labels do, sometimes it’s a choice of label, sometimes of the private press, today it takes a year to press it so much the factories are late. It sort of grew on its own and I try to teach people how to buy records, what to buy, what not to buy, what to avoid…

AC: How do you buy a record?

TK: With money (laughs). It’s hard for me to say because I’ve been on this end of things for so long (pointing to the cash register). Some people try to come in and buy to invest and that’s a bad idea. Buy what you like. Always pursue that. And it’s the same with books and other things, movies. Buy what makes a difference in your life. Then finally this song that did that. There are a few Turtles 45 that have done this for me and it’s like the best. corny now, but important when I was 14. And there is all that, constantly. I remember the first jazz record I bought when I was 17. It was Miles Davis, Jack Johnson and it was amazing. McLaughlin is like, wow, this is ridiculous. And it went from there. I also embraced the punk stuff a lot, but it wasn’t much different from creative jazz, there wasn’t such a big gap between those things.

AC: Do you have a prized possession? A recording?

TK: It’s not a precious commodity but there is a record that I tell everyone instantly: Oliver Nelson’s Blues and the Abstract Truth. It’s the only record I would take to the island with me.

AC: Why?

TK: Because he does everything for me. It’s just a perfect jazz record for me. It encompasses all styles. For me, it really dives deep inside and it’s the same motivation that drives me to bring these bands to town. And some of the people who have played here are longtime friends, legends of the jazz world.

AC: And to celebrate 40 years of activity, you are organizing 40 concerts. How’s it going?

TK: A little crazy, but that’s okay. You need curiosity. You need a spark of curiosity and that’s what drives people to buy different records. That’s what drives people to listen to different music. They must first have this curiosity. There was a gig we did a few years ago with a guitarist named Pete McCann. Just a monster electric guitarist and he just does this crazy solo and there’s this kid by the counter and he shakes his head and says I have to rethink everything.

Is TikTok’s Powkiddy Handheld legit?


If you’ve been spending a lot of time on TikTok lately, you might have come across the Powkiddy line of laptops over the past few months. The small form factor emulation machine has garnered a lot of attention on social media for coming pre-installed with notable titles from many retro systems, but is the Powkiddy legit?

The Powkiddy is a family of Android-based handheld consoles that utilize the open source nature of the mobile operating system and allow it to run popular emulation programs. There are many different styles available at the time of writing, with the most requested variants being the RGB20S, RBG10 Max 2 and A20.

These portable consoles are heavily inspired by manufacturers’ existing hardware. For example, the hugely popular RGB20S bears a striking resemblance to the Game Boy Color, with very similar color schemes. The main distinction that separates the two, aside from the obvious digital innovations, is the button layout. The Gameboy uses the standard D-pad and two-button setup, while the Powkiddy adds two thumbsticks and a pair of triggers to the back, which undoubtedly makes 3D games easier to play.

There are also Powkiddy models based on models such as the Nintendo Switch and Nintendo Switch Lite, such as the X12p and RGB10Pro, respectively. What has made this line of portable consoles so in demand, however, is the fact that many variations of the hardware offer the ability to play retro titles.

Are Powkiddy handheld consoles legal?

There is always a gray area with budget devices like this. Powkiddy handheld consoles are available at established retailers such as Amazon (opens in a new tab) and walmart (opens in a new tab) in the US, so you don’t have to buy them from the company or from specialty outlets. In terms of legal legitimacy, however, it comes down to understanding intellectual property rights.

You see, the consoles themselves don’t come with any games pre-installed if purchased as standard – but they do have a MicroSD card slot, so it’s entirely possible to load ROMs of games you own. The process varies from system to system, especially if you are changing from proprietary cartridges to a CD. Depending on the hardware inside the Powkiddy system, they can emulate everything from NES to PSP.

TechRadar does not condone or encourage the downloading of illegal ROMS. If you get your hands on a Powkiddy handheld to play your existing physical game library, it could be a good way to relive older games for that nostalgic kick we all crave. Chances are, if you’ve kept old consoles, there are hundreds (if not thousands) of different titles you can translate from your home setup to the Powkiddy handheld.

Some best microSD cards are also supported by Powkiddy handheld consoles. Capacities seem to go up to 128GB and 256GB depending on the model, which is more than enough to store many of your games. When it comes to retro game size, your average NES ROM typically runs under 1MB, with PSP ISOs up to 1.8GB, as that’s the ceiling for UMDs.

How powerful are Powkiddy handheld consoles?

The power of different Powkiddy consoles varies largely with their price, as prices can range from $40 to $150. The cheaper models were marketed on their ability to play the least demanding games, with the more expensive iterations able to handle more advanced 3D systems.

It seems that emulation quality varies depending on the specific model you have. That means a mid-range system like the RGB20S (around $100 / £135 / AU$199) might be the more cost-effective choice.

If you’re looking to spend a bit more on a premium third-party gaming handheld, you should check out the Ayn Odin. It can be configured with Xbox Game Pass and GeForce Now, allowing you to stream a huge library of games to the device.

Run to that Schiit: the $129 Modi+ DAC


The Schiit Modi DAC celebrates its tenth anniversary this year and to celebrate this milestone, the California/Texan company has announced a new release.

The incoming Modi+ is built around an ESS ES9018 DAC chip – tuned by Schiit co-founder Mike Moffat – and can be powered by one of three digital inputs: coaxial, TOSLINK or the Unison USB input of Shiit. All digital inputs support PCM up to 24-bit/192kHz; no MQA; no DSD; carefree.

Long-time Modi enthusiasts will note the switch from micro-USB to USB-C sockets for USB data and outboard power inputs. The latter is used to power the DAC when coaxial or TOSLINK feeds are in play. But as the other Schiit co-founder Jason Stoddard pointed this out in a recent Head-Fi article: “It’s just a connector” and that “firmware is more important”.

Other improvements over previous Modi models include an aluminum push button switch with LED source status lights and a new USA-made seamless steel chassis that Stoddard says dramatically enhances the exterior appearance. of the DAC to make it the most beautiful Modi to date.

Back inside, Schiit reports that Modi+ features “the same very high quality parts used in much more expensive products – Microchip microcontrollers, TI OPA1656 operational amplifiers, precision thin film resistors and film capacitors, DC coupling, advanced power management…”

Why might you want a Modi+? To improve the sound quality of the analog output (assuming it exists) found on your favorite games console, TV, CD player, network streamer or PC/Mac.

Price? $129.

More info: Schiit Audio

Photos: Lee Shelly

How Adopting DevOps Will Revolutionize Your Contact Center


Agility is perhaps the defining characteristic of contact centers today.

In the past, speed was the name of the game. How can a contact center be as efficient as possible, maximizing the volume of calls each agent can handle and minimizing average handle time? While these factors still play a role in contact center operations, customer experience (CX) now takes center stage. This CX is fluid and omnichannel, which means your contact center should be as agile as possible.

So it’s only fitting that DevOps, an operational approach that grew out of the Agile software development practices of the 1990s, is finally catching the attention of more contact center executives. As more and more contact center managers have embraced cloud technology, a more agile and faster approach to CX development and delivery has become possible.

How the cloud paves the way for DevOps

Contact centers are rapidly shedding old on-premises technologies in favor of the cloud. The Global Contact Center-as-a-Service (CCaaS) Offerings Market is Expected to Grow by 26.1% per year from 2022 to 2027, increasing from $17.1 billion to $54.6 billion.

While there are many reasons for this change, it ultimately comes down to customer experience and cost management. The cloud allows contact centers to scale more efficiently, providing more flexible and personalized CX solutions while reducing the cost of service. It enables a more seamless blend of human agents with artificial intelligence technology in an omnichannel service environment.

The cloud does more, however. It also paves the way for a DevOps approach in the contact center. Consider a few key changes that come with migrating to the cloud:

  • Silos break down and communication opens up. When a contact center is not tied to a physical location, collaboration and communication become essential ingredients for delivering customer service.
  • Automation becomes easier. Cloud contact center technology is built on a modern architecture, which makes it more compatible with the small, frequent changes that characterize DevOps. Automating key processes, from CI/CD to testing, becomes key to realizing the DevOps vision.

All of these changes lay the groundwork for a more comprehensive shift to DevOps in the contact center. Because it is rooted in the Agile software methodology, DevOps relies on the open and collaborative culture inherent in an Agile approach. It relies on breaking down silos between development and operations so that these two departments can work together throughout the development cycle to deliver faster and better software releases.

In the contact center, it’s much easier to embrace this kind of mindset shift when the overhead of legacy technology is no longer an obstacle. And when contact center management embraces this change, it lays the foundation for even more powerful results.

Continuous Testing in DevOps: The Perfect Recipe for CX Insurance

At the heart of the DevOps mindset is the commitment to continuous iteration and continuous development (CI/CD). Rather than separating development and testing into distinct stages, DevOps connects them throughout the software development lifecycle.

This shift from a dev-test-release approach to a more fluid exchange between the three relies on continuous testing. Instead of isolated checks at the end of development, which often lead to significant delays or failures in discovering software issues, “change left” testing occurs much earlier in the cycle. This allows development teams to discover issues much earlier, resolve them more efficiently, and reduce costs associated with premature deployment.

When done right, the result is a massive improvement in execution. According to 2021 Accelerating State of DevOps According to Google Cloud DevOps Research and Assessment (DORA), organizations with elite DevOps teams are outperforming those with low-end DevOps teams by leaps and bounds. Consider some striking comparisons:

  • Elite groups are 6,570 times faster at making software changes and restoring service outages.
  • They deploy code updates 973 times more often.
  • The changes they deploy are a third less likely to fail.

What do these types of performance improvements mean for the contact center? By deploying CI/CD, automated testing, and other DevOps approaches, contact centers can reduce outages, improve voice quality, improve chatbot performance, and more. And while it’s possible, in theory, to do this without fully embracing the DevOps mindset, a complete mindset shift will dramatically improve what’s possible for the CX contact center.

Adopting a DevOps approach in your contact center requires a change in mindset. You can no longer treat your system development and upgrades as separate from CX – they should be an integral part of it. At Cyara, we call it “DevCXOps.”

Our CX Assurance Platform helps the world’s most prestigious brands accelerate the transition to DevOps because the entire system is CI/CD-based. Using powerful automation, our clients deploy functional, regression and performance testing, as well as live CX monitoring, to get a complete view of the customer experience.

This type of automated continuous testing and monitoring allows development and operations teams to ensure that CX software, whether it’s an existing version or a new update, is working at optimal levels. Instead of detecting service issues in a piecemeal fashion or after they’ve already impacted CX, Cyara helps detect them proactively so they don’t become serious issues.

One of our clients, a canadian major bankuses Cyara to get a unified picture of its contact center operations and an end-to-end view of the customer journey that helps it detect issues in real time and resolve them faster.

Just one example: countless other contact centers have used Cyara to kickstart their transition to a DevOps way of doing business. If you’re ready to deploy DevOps in your contact center, you don’t have to do it alone. look at this White Bookr to learn more about how Cyara can help you.

CD Projekt RED Confirms The Witcher 3 Next-Gen Update Release Date


After several days and months of waiting as well as multiple leaks, CD Projekt RED has finally given a release date for the next-gen patch for The Witcher 3: Wild Hunt.

One of the prettiest games on consoles is about to look prettier on PS5 and Xbox Series S/X.

CDPR originally confirmed the next-gen update to its best-selling title two years ago and gave it a release date of October 19, 2021 before delaying it to this year then indefinitely and finally pushing it back to fourth quarter of 2022. But, with literally zero concrete news on when it will hit store shelves, fans were bracing for another delay. At least, that was until a game store employee in the UK leaked its December 9 release date.

Now we know that said leak has been missing for just a few days.

According to CDPR, the PS5, Xbox Series S/X, and PC version of The Witcher 3: Wild Hunt will be released on December 14. Unlike other next-gen upgrades for “older” games, CDPR is releasing the upgraded version of the award-winning open-world RPG for free to those who already own an edition of the base game. So if you bought the cheapest version of The Witcher 3: Wild Hunt right now, you’ll get enhanced visuals, all DLC packs for the game, plus other content releases inspired by Netflix’s The Witcher. , without paying a penny.

The Witcher 3: Wild Hunt is widely regarded as one of the best open-world games of all time.

Mind you, you don’t need to have a current gen console to take advantage of all the upgrades. CDPR has confirmed that the update will also bring “many improvements” to the PS4, Xbox One, and Nintendo Switch versions of The Witcher 3: Wild Hunt.

CDPR’s next-gen patch for its flagship title is a breath of fresh air. It’s free, unlike others on the market where you have to pay the price of a full game for what’s actually just a remaster but repackaged as a remake.

We’re not saying that’s what Naughty Dog did with The Last of Us Part 1 for the PS5 (and PC) but if the shoe fits, why not?

The Witcher 3: Wild Hunt is one of the most ported games of its generation.

CDPR is currently managing several projects that will keep it busy for the next decade or more. The first is the expansion for Cyberpunk 2077, Phantom Liberty. CDPR is also working on the next The Witcher trilogy, which will debut with The Witcher 4 on Unreal Engine 5. Also, since we’re on the subject, the fan petition to keep Henry Cavill on Netflix’s The Witcher continues to grow. Netflix recently confirmed that Liam Hemsworth will replace Henry as Geralt of Rivia.

Getting rid of my late father’s CD collection proved tricky – Gaby Soutar

Nicola Benedetti performs onstage during the 62nd Annual GRAMMY Awards at Microsoft Theater on January 26, 2020 in Los Angeles, California. (Photo by Timothy Norris/Getty Images)

She’s moving, so I was dumping my late dad’s CDs and trying to explain that the format is pretty redundant these days. I don’t know if she was joking.

She has a dry sense of humor, but is also an extreme technophobe who can barely get the TV switch to work. I gave up trying to explain Spotify.

Anyway, we took them, in the trunk of the car. About 500, stacked in two cardboard boxes I had bought at the local Margiotta.

We accidentally jumbled up his meticulous alphabetical order, so Beethoven was hanging out next to Glenn Miller. His record player and speakers were collected by a charity shop the following day.

They also took his personal CD player, which was a time capsule for the last album he had listened to. The eject button was stuck and I couldn’t open the thing, although I didn’t bother to persevere with a butter knife. I don’t want to know what was in it, it makes me so tearful.

All of these gadgets were top of the line at the time.

Although their number is still stored in my phone as mom and dad, it’s been four years since I last called home and heard his music playing in the background. Mom was saying, wait, as she closed the living room door, where he was listening to a record or playing the piano. He rarely answered, as he probably couldn’t hear it ringing.

The plan was to take the CDs directly to one of Oxfam’s music stores. I’m not going to keep them, because owning unlistened albums could be compared to keeping a bird in a cage. They are wasted on me.

Since the store was at capacity, I slowly fed them into the local free library instead. It’s basically a closet at the end of the park near my house. It’s mainly used to convey dog-eared books, although sometimes people put other things in it – a toy zebra was the meat in a Donna Tartt and Jenny Colgan sandwich yesterday.

It would probably have been psychologically easier to get rid of it all at once. Instead, I feel like a sadomasochist for tearing that cast off slowly.

Someone picks them up and they disappear in chunks of about 30 at a time. This mysterious person has never met him, but they will soon own my father’s collection, much of which was purchased during visits to a music store near Usher Hall.

As they pass away, I am aware that this is a chance for me to appreciate the music that was my father’s passion. “Listen to me,” the Alice in Wonderland label would say.

I don’t know, because I don’t want to go down this sorrow-ridden rabbit hole.

There’s Rachmaninoff, Tchaikovsky, Schubert and Chopin, plus a wildcard for one hundred composers. I don’t know how he became the owner of Susan Boyle, The Divine Comedy or Barry Manilow. Maybe they were gifts.

Anyway, every day there is a reminder of what he loved.

There are also all the Christmas compilations. They got on our nerves, especially once he was a bit deaf, and turned them up loud, so we couldn’t argue while opening presents together.

There were singers of Mendelsson or carol singing, as we shouted “THANK YOU” to whoever our gift came from. Glory Hosanna, until our ears ring.

Every time he left the room, we turned the volume down a notch. I feel bad about it, although I don’t think he ever noticed.

Although he was also fond of Edinburgh native jazz musician Tommy Smith, as well as Scott Joplin and Fats Waller, Dad always wanted me to get into classical music. One of his moments of happiness was when I agreed to see Nicola Benedetti in concert with him. He kept asking me what I thought. I think he expected a great conversion. I liked it, and I told him, but I would have liked to get a little more excited.

In general, I opposed it, for some reason. Perhaps it was an aversion to pressure, even though it would have been a direct path to becoming the golden child.

I like music too, but my tastes are different. I don’t listen to him the same way he does either. His style was totally immersive. He would put on his headphones, close his eyes and relax.

I prefer to listen on the go. I take advantage of a soundtrack to propel me to the gym, or while I look out the window of the bus. I have compulsions to dance or sing. Sometimes I hesitate to move, if there is no one to see me except the spuggies. It may be a question of generation. Anyway, there are no lyrics for Symphony No. 9 in C.

As kids, my sister and I had to listen to piano concertos at full blast during car trips. We were captives, and I think he thought we could absorb him that way.

“Please can we turn on the radio?” my sister and I would whine. He would capitulate occasionally, but turn down A-ha or Michael Jackson until we could barely hear Take on Me or Billie Jean. As a slightly older parent – he had me at 43 and my sister at 45 – he was never in pop.

So, I continue to slowly get rid of his classic collection. If I see a Benedetti, I might keep it.

MPC-BE 1.6.5 – Neowin



Razvan Serea

Nov 12, 2022 6:02 a.m. EST

Media Player Classic – BE is a free and open source audio and video player for Windows. Media Player Classic – BE is based on original “Media Player Classic” project (Gabest) and “Media Player Classic Home Cinema” project (Casimir666), contains additional features and bug fixes. The BE mod (Black Edition Mod) is a skinned version of Media Player Classic Home Cinema, much more aesthetic than the old MPC.

MPC-BE 1.6.5 Changelog:


  • Fixed reading images from ID3v2 tags.


  • The filter will not connect to finished broadcasts.


  • Added support for multiple ID3 tags at the start of a file or stream.


  • Added metadata update when playing radio broadcasts.


  • Unsupported G.722.1 audio tracks for Hikvision camera files (IMKH) will be skipped.
  • Added support for AVS3 video codec.

Matroska Separator

  • Fixed crash on some MKVs.
  • Added support for AVS3 video codec.


  • Added support for MP4 with multiple headers.


  • Added color gamut and color location support for YUV4MPEG2.


  • Fixed output media type properties for RAW video when MPC Video Converter is used.
  • Fixed angle switching for Stereo 3D.
  • Added support for AVS3 video decoding.


  • Added ability to specify “User Agent”. The default is “Mozilla/5.0”.
  • Fixed flickering preview window.
  • Fixed remembering history when opening BD ISO.
  • The display of the list of player translations has been optimized.
  • Fixed player behavior when unable to change playback speed.
  • Added ability to temporarily disable (and re-enable) the current file preview window by clicking the middle mouse button.
  • The function to add all files in a folder now ignores playlists.
  • Fixed decoding error for some JPEG files.
  • Fixed “Information” panel update for Ogg radio.
  • Fixed detection of file extensions for URLs.
  • CD/DVD presence detection optimized for certain drives.
  • Fixed playback from webcam after resetting settings.
  • Various interface fixes.


  • Updated Hungarian translation (by mickey).
  • Turkish translation updated (by cmhrky).
  • German translation updated (by Klaus1189).
  • Updated Chinese (Simplified) translation (by wushantao).
  • Dutch and Chinese (Traditional) translation updated (by beter).
  • Updated Japanese translation.
  • Italian translation updated (by mapi68).

Updated Libraries

  • ffmpeg git-n5.2-dev-1381-g65f96a965a;
  • Little-CMS git-lcms2.14rc1-3-g496293a;
  • MediaInfo git-v22.09-8-gb4863b677.

To download: MPC-BE 1.6.5 64 bit | 64-bit MPC-BE Laptop| ~16.0 MB (Open Source)
To download: MPC-BE 1.6.5 32 bit | 32-bit MPC-BE laptop | ~12.0 MB
Link: Media Player Classic – BE Homepage

Get notified of all our software updates on Twitter at @NeowinSoftware

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GitHub details developer trends and releases new tools to the 2022 universe


GitHub hosted its Universe 2022 event on November 9-10, announcing a slew of new tools and capabilities for developers.

Among the new features announced at GitHub Universe was a preview of the new voice feature for the GitHub co-pilot service which provides artificial intelligence (AI) to help developers write code.

Additionally, new project roadmap tracking features are being added to GitHub projects, and GitHub actions continuous integration/continuous development (CI/CD) The service is getting a new migration feature to help users move from other CI/CD platforms to GitHub.

Related: What is GitHub and what is it for?

And for organizations that need or want to run their own private code repositories with full control, GitHub Enterprise 3.7 has been released with many usability improvements.

GitHub also used the venue to publish its latest Octovere report, which provides trends and insight into the current state of DevOps.

“Ten years ago, for the very first time, we released the Octoverse and reported just 2.8 million developers on GitHub,” said Thomas Dohmke, CEO of GitHub. (Photo) said during his GitHub Universe 2022 keynote. “I’m beyond thrilled that to date, 94 million developers are calling us home.”

GitHub Octovere 2022 Report Developer Insights

Among the high-level findings in the October 2022 Report is that over 90% of businesses today use open source software to some degree. In publicly available open source projects, there were 3.5 billion contributions in 2022, a 20% increase from 2021.

Related: GitHub vs. GitLab: Which is Best for Your Business?

Global GitHub usage is also growing. In 2022, 85.7 million new code repositories were added to GitHub, representing a 20% year-over-year growth. In these repositories, the GitHub Actions CI/CD system for automation is increasingly used, with 263 million automated tasks running in 2022.

In terms of programming languages ​​used by developers on GitHub, the top three languages ​​- JavaScript, Pythonand Java – remain unchanged from 2021. It should be noted, however, that the report identified HCL (HashiCorp Configuration Language), which is used to define Terraform infrastructure-as-code (IaC) policies, as the fastest growing language on GitHub.

Coming soon: GitHub Copilot for Business, Hey GitHub, Roadmap View for Projects

During GitHub Universe 2022 Opening keynote Rizel Scarlett, Developer Advocate at GitHub, announced a slew of upcoming innovations for the Copilot AI pair programming service.

An increasingly popular service, GitHub Copilot uses AI to help developers write code. While Copilot is largely focused on individual developers, that will soon change, with a commercial release of GitHub Copilot coming in December, Scarlett announced.

GitHub Copilot for Business will allow organizations to manage teams of developers using the service with centralized policies and configurations, she said.

Currently, the only way to interact with Copilot is via SMS. However, a Hey GitHub! voice service is under development.

GitHub is also looking to make it easier for teams to get better visibility into project management. Roadmap View, which is now in private beta, will provide teams with an integrated way to understand what they’re working on and what’s coming, according to Allison Weins, senior product manager at GitHub.


GitHub Roadmap View provides new visibility into development project management.

Also announced GitHub Universe 2022 was GitHub Enterprise Server 3.7, which according to Maya Ross, Senior Director Enterprise at GitHub, will include over 70 new features. Ross summarized the key new features by saying they enable reusable workflows as well as collaboration across business teams.

Security also gets a key boost with a new security overview dashboard that provides a unified view of code security across an enterprise.

“Building, running and maintaining all the software for the world has never been more complex,” said Dohmke. “As the home of all developers, we’ve made it our mission to create this one integrated platform where developers can do it all.”

About the Author

    Portrait of Sean Michael KernerSean Michael Kerner is a computer consultant, technology enthusiast and handyman. He consults for industry and media organizations on technology issues.

‘Winter House’ Season 2, Episode 5 Recap: ‘Cold Shoulder’


winter house

Cold reception

Season 2

Episode 5

Editor’s Note

2 stars

Photo: Well done

Expect. That’s it? Tom and Tom were parachuted into the winter house for a night of partying, a day of snowboarding, and a night of kicking off a 90s-inspired rave, then extracted after about 36 hours like it was some kind of military reality TV operation? The money they spent on their plane tickets was not enough to justify all this trip. I only had to write one Tom-and-Tom slash-fiction scene. Just like natural toothpaste lovers, the public is crying out for more Toms.

After a long day of shredding, the Toms tell everyone they’re having a rave, and everyone asks about the dress code. The Toms say it’s “whatever you want it to be”. No, sorry. That’s not how this show works. You set a theme for the party, everyone dresses up for it, and then we sit down and mock them for their outfits. It’s the natural order of the universe, and for the Toms, it’s ridiculous to upset it. Everyone basically decides the theme is “brilliant”, but it definitely looks like the movie’s marketing photo shoot Go minus Katie Holmes.

Not much happens at the party, although Tom tells Kyle and Amanda that things with him and Katie are “complicated”, but he respects her privacy enough not to tell them that she is planning a divorce. . To be fair, it’s the only time Tom has ever respected Katie, so at least he’s doing something right in retrospect. However, it was foolish to sit back and listen to all of Kyle and Amanda’s relationship advice (which is a bit like taking financial advice from Nicolas Cage) when he knew his proverbial goose was already sorely cooked. proverbial.

Paige and Craig have a moment at the party when Craig says he spent days yelling at all of Paige’s friends and she didn’t even say a single thing. He says that like it’s a good thing, like it’s a compliment. Um, maybe he should stop yelling at his partner’s friends, and if he can’t, maybe Paige should start saying something? She leaves that chat saying, “As long as Craig admits what he did was wrong and takes ownership of it, I’m such a peach.” But, wait, he didn’t apologize Where taken any amount of property. Did Paige overhear the same conversation as me? Is she just looking for reasons to forgive him?

Most of the action at the party, however, takes place between the new couples. Rachel and Jason have a cute little kiss right in front of everyone that leaves them both giddy and heads for some more smooching in Jason’s room after hours.

It was cute and all, but Jess and Kory really bring the boom chicka wow wow like a CD-rom Larry Leisure Suit. They’re lying on the couch together and Jess says, “I really want you inside me.” (Same, sister.) I can’t believe Kory’s plan is actually working. He played so cool with Jess that she’s now all hot and bothered about it. Until the very end, he says he’s just going to tuck her in – he’s not going to sleep with her. She literally says, “Why don’t you want to sleep with me?” Some men have trouble getting consent, but not our Kory. He makes them beg for it. He wants consent so powerful he could be in a Marvel movie. And then, when he finally gives in, he’s gentleman enough to cover the camera in the middle of the night.

The next morning, Jess is full of good reports. She says not only was he so good in the bag that he made her “squirt all over the place”, but her – ahem – ski pole is so long she couldn’t even hold it all in two hands. Oh, Jesus. Is Kory going to be the first Bravo OnlyFans I’m not ironically subscribed to? (Sorry, Larsa.)

It’s so funny to watch the different trajectories of our budding relationships. Jason and Rachel seem really smitten. He says he would be totally in love with her, but she’s also not the kind of girl you just hang out with. Rachel, too, seems to be developing feelings for Bravo’s nicest guy.

Meanwhile, there’s Jess and Kory, the Shannon Tweeds and Gene Simmons of the house. She is so dickmatized that she goes all out in Kory. The next day, she’s upstairs in her bedroom showing him her ta-tas while Paige is downstairs in the kitchen trying to teach Luck, a grown human, how to pronounce the word. donut. The night after they first meet, Jess tells him, “Let’s make a sex tape”, to which he says he doesn’t like blood, meaning she’s on her period. Didn’t like the day before either, or didn’t they go full P in V? Either way, he insists she suck him off, and you wouldn’t know it, he gets it. Is Kory an asshole or some kind of dating genius? A bit of each? Neither? I do not know.

Jess’ other story is about how she doesn’t feel very welcome by the girl group; she tells the boys that they treat her like “mean girls”. Yeah, it seems Jess likes to hang out with guys, driving bent nails into logs with the world’s smallest hammer. I mean, why? Why not go upstairs and lay in bed with Paige and Ciara and talk about the latest season of the island of love? That’s where it happens.

At the end of the episode, it finally explodes when Paige says that she tried to help Jess fit in and really checked her out, but is tired of being called a bad guy. daughter. I think the fault lies between them. Like Paige said last season on summer house and Mya and Ciara confirmed that it’s hard to be the new person on one of those shows where everyone is already friends. I hope Paige, Ciara and Amanda will be a little more tolerant and try to include Jess. I also think Jess is scared of being homeschooled and doesn’t know how to get along with girl groups. Rachel seemed to slide right into the group dynamics like a slippery butt plug, but she wasn’t sitting at home learning that evolution doesn’t exist, like Jess was. (Does that mean public school is like lube? I may need to revisit that metaphor.)

The episode ends with Rachel throwing a Garden of Eden-themed party for the team and making a huge flower arrangement in the living room that looks like the Instagram wall of any budding influencer’s dream. In honor of the garden, Luke dresses up as an apple, which is adorable, and Kory goes shirtless with a snake wrapped around him. It’s like all the hot gay guys dressed up for Halloween are looking for some reason to get their pecs out and then say, “I’m the ‘Slave 4 U’ bitch of the Britney era, bitch.”

At the party, Austen pulls Ciara aside with the dumbest plan anyone has ever heard. He misses his “girlfriend”, Olivia, and wants her to come visit. As he explains this plan to Luke, he admits that Ciara is the last person he had sex with. So Olivia is his girlfriend, but they haven’t fucked yet? Make that make sense, but actually, please don’t, because then I’m gonna have to think about Austen’s ass, which is flatter than the pancakes that annoying dinner guests ask for. the Under the bridge.

Austen brings this plan to Amanda, and she tells him that she sees no problem here. Has Amanda lost her Loverboy spirit? Of course, there is a problem here. The problem here is that even though Austen and Ciara are “good”, no one wants this lady at home. Austen barely knows her, but he’s going to invite her to cross the great chasm of the Amazon boxes, cross the overturned hearth of beer pong, and then sleep on a mattress full of Craig’s farts?

When Amanda does her contractual duty and reports to the girls, Paige’s initial reaction was the same as mine, which is basically every GIF in the “What?” section of Giphy flashing on my mug all of a sudden. It’s not like Amanda to miss the mark so badly when it comes to her daughters, but maybe she’s out because her husband (mostly) behaved well during this whole trip.

When Austen brings the idea to Ciara, she has the same reaction everyone back home had as soon as he came up with this plan. She says her first reaction is that Austen “doesn’t care about me at all.” Yes you are right. But Ciara asks the most important question, which no one has asked until now: would Olivia be comfortable in the house? Austen says she would rather crawl into a hole and die. Well, here we are. You have your answer, Austen. Why are you even entertaining this fantasy that Olivia is going to show off, absolve you of all the sins of last season and the summer that just passed, and squirt all over the bed like Jess having a threesome with Kory and a Super Soaker?

With that, Austen realizes it’s all a mistake and Ciara is fired. In a confessional, Austen says, “I just get unconscious sometimes.” Sometimes? There’s not a second of his time on Andy Cohen’s Green Earth that he hasn’t been totally oblivious to. Wait, that’s not true. It’s not like Austen has no idea what’s going on, it’s just that he can’t think of anything but himself long enough to determine how his actions are going to be perceived by others. It’s not that Austen is stupid; he’s just blinded by his narcissism. (And also maybe he’s stupid). I can’t wait for him to drop bombs on Lindsay and Carl on their next episode. Hopefully they stay longer than the Toms.

Longtime record salesman Gerry Williams hosts biannual record show in Carrboro


Gerry Williams has been selling records for 45 years. He has hosted record-breaking shows in Carboro for the past 18.

Williams held her most recent record breaking show Sunday at the Carrboro Century Center. Since 2004, the November event has been one of two annual Williams shows sponsored by the City of Carrboro.

“In 2004 there wasn’t a show like this in the Triangle and I thought, ‘Let’s do one here’ or if I could get the city to sponsor it for me,” Williams said.

Williams said he started his career selling records in 1977 when he opened a store in Washington, D.C., which he said held 200,000 records, mostly used.

These days, Williams said he doesn’t own any physical record stores. He has stated that all of his activities are done either online or through record shows, some of which he hosts.

He said the City of Carrboro gives him Century Center space for his events for free, helps him with promotions, and even pays him to host him.

These shows are an opportunity for people to buy and sell records, CDs and musical memorabilia, Williams said.

Neill McCormick is one such provider. He sells rock, jazz, funk, punk, rhythm and blues records. When he attends record shows, he says he enjoys talking to people about the kind of music they like the most.

“I just sold a 16-year-old a Jimi Hendrix, Bob Marley and Aretha Franklin album,” McCormick said. “So it’s interesting to see the stuff that I listened to growing up that people still listen to and still find very vital.”

Another seller is Charlotte-based record dealer Greg Neal, who said he was good friends with Williams. Although his personal favorite records are the hits of the Beatles and the Rolling Stones, Neal said he brings anything that sells to the record shows.

“I try to bring a good variety because with college audiences you can always sell things that you might not sell at other shows – like classic or exotic records or jazz or something like that. “, Neal said.

Williams said that overall, classic rock music has always been popular. However, he says he’s noticed an increased interest in reggae and blues records. Personally, Williams said he enjoys listening to almost any type of record.

“Except for rap and opera, I listen to everything from classical to country, rock, jazz, everything,” Williams said.

Raleigh record collector David Haygood, who attended the show to add to his collection, said his favorite rock music, including U2, Queen and Elvis Presley.

Haygood added that he’s been collecting records for 50 years and enjoys coming to Williams’ show.

“It’s near my house and it brings in different vendors from Raleigh,” Haygood said.

For Hillsborough High School student Vivian Carey, the show’s biggest draws were its reasonable prices and the ease with which she could speak directly with record owners.

She said it was her first time attending a record show hosted by Williams. She added that she came because a record store owner near her home recommended Williams’ show.

“I asked the guy, ‘Where’s a good place to find more diverse options?'” Carey said. “He said I should come check it out.”

Williams said that over the past few years he has noticed more and more women and young people taking an interest in record collecting.

“When we started this in 2004 it was mostly a lot of old guys like me buying them,” he said. “And there was an occasional young man – a student, mostly male.”

By contrast, Williams said there were nearly equal numbers of men and women on her record shows today, including Sunday’s show.

Although the COVID-19 pandemic caused Williams to cancel three of his previous shows, he said attendance has been high at his most recent events.

His next record show at Carrboro Century Center will be on April 2.

@DTHCityState | [email protected]

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Spooky Kisses Haunts is now available on Prime Video in the US and UK


The show is expected to be the ultimate spooky entertainment for Halloween lovers everywhere.

PITTSFIELD, NEW HAMPSHIRE, USA, Nov. 9, 2022 /EINPresswire.com/ — The creators of Spooky Kisses Haunts are pleased to announce that Season 1, Episode 1 of the show is now available on Prime Video as part of of the Prime Video Direct content submission portal in the US and UK.

Spooky Kisses Haunts, a new docu-reality TV show produced by MadLab Entertainment Group, focuses on Halloween and offers unique insight into the fascinating world of haunted Halloween attractions, as well as behind-the-scenes interviews with the cast and staff. Spooky Kisses Haunts is shot in a unique documentary/news format with an on-camera host/comedian, aka “Spooky Kisses”.

Recently, the show’s creators, Husband and Wife Production Team, RJ Perry and Beverly Thomas, officially released Season 1, Episode 1, Haunted Overload, on Prime Video in the US and UK. Haunted Overload is a masterpiece haunted attraction and winner of ABC’s The Great Halloween Fright Night, located in Lee, New Hampshire. It is the brainchild of artist Eric Lowther and has become a unique and quirky “spooky” art woodland landscape and a worldwide pilgrimage for Halloween lovers seeking thrills and scares every year.

Spooky Kisses Haunts Director RJ Perry said, “It’s just amazing for us to have our first episode of the series available on Prime Video. It’s a real thrill, because just a year ago we were shooting demos with an iPhone. Although I had worked in television before and had extensive filming and editing experience, I had been away from the industry for a while. However, my ‘Spooky Kisses’ wife really pushed me to focus on this project, so I invested heavily in new cameras and necessary editing gear for the location shoot. It’s a very exciting time for us, and we owe a lot to the owners, cast and Haunt crew of the rides we filmed. They’re extremely supportive of what we’re trying to accomplish.”

The show’s host, “Spooky Kisses,” said, “I feel so lucky to be able to shine a light on the Haunt industry. These people work tirelessly and live for their craft. I enjoy meeting and interviewing the creepy actors the most – they are so much fun. We’re currently in the middle of a 26-day filming tour of 14 haunted Halloween attractions on the East Coast for the next set of shows and, I can tell you, I’m having the best time of my life doing it. “

For more information on Spooky Kisses Haunts, please visit https://spookykisseshaunts.com/.

About MadLab Entertainment Group

MadLab Entertainment Group was founded by producer Rich Perry, who is the creator of Two Wheels 2 Anywhere, a motorcycle travel television show, and Master Mind Audio, LLC, a sound production company specializing in media duplication, mastering digital and CD. – Creation/replication of ROMs/DVDs to independent labels and studios in the greater Boston area.

rich perry
MadLab Entertainment Group
+1 603-801-2493
[email protected]

Best Free Audio Converter Software for Windows PC (2022)


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Have you searched how to easily convert your audio files to other audio file formats? Then you’ve come to the right place. I will discuss the best audio converter software that you can use on your windows computer. These tools are efficient and will help you convert audio files easily.

You might have wanted to change an audio file to a different file format, but found that the audio file became useless and unplayable. audio files are only playable in the format they were saved in, so changing the file format manually means they are no longer playable, but with audio converters, be it apps, software or online tools, you can convert them, making sure they are playable.

In this article on Naijaknowhow, you will get to know the best audio converter software for Windows PC which will help you convert audio files to other file formats without any hassle. Don’t worry, audio files converted with this software remain playable. In the meantime, you might want to check out our list of the best pdf converters for android and ios devices.

Without further ado, let’s dive right into it.

List of Best Audio Converter Software for Windows PC

Below are our handpicked best audio converters which will be useful for you to convert audio files. These Software programs are credible and effective. You will not be disappointed after using them. Keep reading!

1. Audacity

It is a free and open-source audio software that enables its users to handle all types of audio tasks. Audacity software is also cross-platform. It is one of the best audio converter tools for Windows PC. Audacity allows you to convert audio files without losing quality. It supports all types of audio file formats and as such can play the converted audio files.

Audacity should be your go-to for simple audio conversions. This software is efficient and highly recommended for converting audio files. Installing FFmpeg plugins guarantees you access to many conversion options. There is a unique feature and advantage of Audacity over others, and that is its ability to record audio files using advanced tools before converting. Below Ice has provided a working link to download this software.

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VLC Media Player

VLC is a very popular video and music player for Windows. This software also has a mobile version for android and iOS devices but with limited capabilities. VLC software can also act as an audio file converter as it offers such features. You might not know it, but if you browse the software well, you will find a built-in tool for audio conversion.

VLC player supports various audio file formats and is capable of converting them to at least 10 output formats. This software will allow you to perform CD ripping operations correctly. Since VLC is not a full-fledged audio file converter, it requires more procedures to perform full conversion. Nevertheless, this software will not fail you when it comes to audio conversion.

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3. Free Hamster Audio Converter

Hamster Audio Converter

It is a simple and straightforward tool for audio conversions. Hamster Free Audio Converter software is one of the best audio file converters for Windows PC. This software is designed as it is used for Android devices, but it is far from it. However, this converter tool supports fewer audio formats but supports major formats.

Hamster Free Audio Converter has the ability to output audio files to a variety of device presets. This software allows you to easily merge audio files. Yes, Hamster Audio Conversion tool does not have advanced features that you may see in other converters, but it is an efficient tool to perform simple audio conversions. You can download this software using the link provided below.

4. Free Audio Converter

Freemake Audio

Freemake software is another credible tool for converting audio files to other formats. This tool is available only for Windows PCs and it is very easy to use. Freemake Audio Converter offers easy-to-understand processes for converting audio files. You just need to choose a particular audio file, select the output file format and click the convert button. Very easy!

This software supports a wide range of audio files like MP3, WAV, AAC, OGG, etc. However, this tool only allows converting audio files of 3 minutes or less. As a free user, he does not exceed this duration. If you want to convert audio files longer than three minutes, you need to purchase its Infinite Pack. More features are unlocked when you purchase this pack.

5. Zamzar


Although it is not software, Zamzar is definitely one of the best audio converter tools for everyone. Whatever the gadget, be it mobile or PC, you will be able to use this software. Zamzar offers all types of file conversions apart from the sound. You will be able to convert PDF files, images and videos using this online tool. Zamzar is a complete file converter.

With features built into this tool, this makes it a paid service. You will not be able to perform any type of operation using Zamzar if you do not subscribe to any of its premium plans. If you want compress fileswhether video, audio, PDF, and images, this should be your tool of choice. Zamzar supports every type of audio file format you can think of.

6. Stellar Audio and Video Converter

audio converter

Stellar Converter is a tool that allows you to convert both video and audio files in a simple process. This software allows you to add, preview and convert audio files to any desired output format. It gives you an option to choose the location where you want to save the converted files either directly to your local storage or any external storage device.

You will have no problem playing any audio or video file that has undergone a conversion process. Stellar Converter guarantees that the converted files will play on any video or audio player without compatibility issues. This software offers you a free trial to test its capabilities, after which you must purchase the full software if you are to continue using its services.


Converting audio files will be a seamless process when you use the software and online tools listed above. Some of these audio converter software offer other file conversion services that you might be interested in. They’re mostly free, but if you need access to more features, you’ll need to upgrade to premium packages. Do you have another tool in mind, let us know via the comment section. Cheers!

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What is an NRG file and how do I open one?


Have you ever come across an NRG file and wondered what it is? NRG files are a type of disc image file that contains all data on an optical disc (like a CD or DVD). In other words, NRG files are exact copies of the disks from which they were created, but how do you open an NRG file and why might you use one anyway?.

What is an NRG file?

image of a hand holding a cd

NRG files are disc images created using Nero Burning ROM, a popular optical disc authoring software. The NRG file format is Nero’s proprietary format and as such can only be opened using Nero Burning ROM or another NRG file opener.

Although Nero Burning ROM is not required to read an NRG file, it is the only software capable of opening and modifying them. Nero Burning ROM is paid software, so if you’re looking for a free NRG file opener, your best bet is to use one of the many NRG file converters available online. However, there is a quick guide to converting NRG files below.

NRG files are typically used for backing up optical discs because they provide an exact copy of the original disc. This is especially useful for discs that are difficult or impossible to replace, such as video game discs or music CDs. Additionally, NRG files take up less space than the original disc, so they are perfect for storing on a hard drive or other storage device.

How to open an NRG file

As mentioned above, the only way to open an NRG file is with Nero Burning ROM or similar software. If Nero Burning ROM is not already installed on your computer, you can download a free trial version from the Nero website.

To download: Nero Burning ROM for the Windows ($59.95 license fee, limited free trial available)

Once Nero Burning ROM is installed, the steps below should guide you.

  1. Open the program and click the Open button in the main window.
  2. Select the NRG file you want to open and click Open.

Screenshot of Nero burning software

Nero Burning ROM will now load the NRG file and display its contents. You can then burn the NRG file to an optical disc, extract it to a folder, or view it as an image.

If you don’t want to install Nero Burning ROM, your only other option is to convert the NRG file to a more common format, such as ISOusing a free file converter.

How to Convert NRG to ISO with AnyBurn

AnyBurn is a lightweight program that can create, burn and convert NRG files to ISO format. AnyBurn is free and available for Windows 10, 8 and 7.

To download: AnyBurn for the Windows (Free)

Once AnyBurn is installed, you can convert NRG files to ISO format by following the steps below.

  1. Start AnyBurn and click on the Convert image file format from the main window.
    screenshot of anyburn homepage
  2. Click the browse button and select the NRG file you want to convert.
  3. Click the drop-down menu next to Output format and select ISO.
    screenshot of anyburn conversion page
  4. Click the Convert button to start converting NRG file to ISO.

After the conversion is completed, you will find the ISO file in the specified output folder. You can now use a free iso file opener to open and view the contents of the file.

Why use an NRG file?

NRG files are useful for backing up optical discs and storing them on a hard drive or other storage device. NRG files are also useful for creating disc images that can be used to burn copies of the original disc.

Other than that, there is no reason to use NRG files on other disk image formats, such as ISO or BIN. In fact, NRG files are less common than other disc image formats, so you may encounter more compatibility issues if you use NRG files.

NRG files are disk copies

NRG files are Nero’s proprietary disk image format. NRG files are simply exact copies of the discs they were created from and can be used to back up optical discs or store them on a hard drive. NRG files can only be opened using Nero Burning ROM or a specialized NRG file converter.

You can convert an NRG file to a more common disc image format, such as ISO, using one of the many free NRG file converters. Once the NRG file is converted to ISO, you can open it using any ISO file opener.

Before Reading Trails To Azure, Check Out This Fan-Translated Bridge Drama CD Set After Zero


So, I learned something new today. The Trails The series is known for having additional material, such as drama CDs. However, apart from the official translations of Paths of Cold Steel I and IIit never occurred to me to investigate them further.

However, I recently came across one which is quite significant, as it takes place between zero trails and Trails to Azure, acting as a bridge between the two games. In Trails to Azureyou are gradually informed about some off-screen developments after the events of zero trailsso you don’t see them happening firsthand.

As a result, this drama CD is arguably a must-have experience for fans before diving into the sequel. Of course, you don’t have to read/listen to the drama CD before playing Azure; you will understand the events of the title very well. Yet the broader context it provides will definitely help with accreditation.

This drama CD, titled “Road to the Future”, was packaged in limited editions sold throughout Japan, and fans translated it entirely. It is hosted by Geofront, the team behind the zero trails and Trails to Azure fan translations acquired by publisher NIS America.

The following specific people are credited with translating the “Road to the Future” drama CD:

  • LeonPolaris
  • DIY
  • Raienryu no Natsu
  • Coming soon
  • Catasplurge
  • Shawn Cox
  • SlyGamer64

Thanks to Falcom Community Member Hansuke for letting me know about this project without knowing it.

Additionally, a video form of “Road to the Future” can be seen below, with the actual audio implemented. It lasts about an hour, so relax, grab a snack, and enjoy.

The Legend of Heroes: The Trails of Zero is available now on PlayStation 4, Nintendo Switch, and PC via the Epic Games Store, GOG, and Steam.

The legend of heroes: the paths of Azure will be released on Switch, PlayStation 4 and PC via Epic Games Store, GOG and Steam in March 2023, with specific dates for the following regions:

The legend of Nayuta: endless trails is coming to PlayStation 4, Nintendo Switch and PC in 2023.

The Legend of Heroes: The Trails of Reverie will be released on PlayStation 4, PlayStation 5, Nintendo Switch and PC in summer 2023.

The Legend of Heroes: Kuro no Kiseki is available now on PlayStation 4, PlayStation 5, and PC via Steam in Japan.

The Legend of Heroes: Kuro no Kiseki II Crimson Sin is available now on PlayStation 4 and PlayStation 5 in Japan. Check out our latest coverage, which also acts as a way for previous cases to do just that.

6 best Toyota Sienna model years according to CarComplaints


In its early days, the Toyota Sienna was a staple in the minivan market for years, initially taking over from the dated and quirky Toyota Previa. The Sienna name has become synonymous with people carriers all over the world. While many may argue that Toyota offers quality models with many of its cars lasting well over 200,000 miles, there are always some models that are better than others. His is no different. CarComplaints has compiled a list of the best used Toyota Sienna model years, taking into account both customer satisfaction and professional product reviews.

Sienna first generation: 2001

Toyota Sienna 2003 | Bryan Mitchell via Getty Images

According to CarComplaints, 2001 is when Toyota started getting the Toyota Sienna after a few years on the market. While the Sienna was still in its first generation, its durability and longevity were extremely impressive for its time, as well as today. CarComplaints lists the most common complaints about the 2001 Sienna regarding exterior accessories, including broken door handles and failed weather stripping.

Toyota 2002 model

2002 was the penultimate model year for the first-generation Toyota Sienna. Oddly enough, common issues with the 2002 model are different from the 2001 model. These include the door locks automatically locking and unlocking, oil consumption between oil changes, and oxygen sensors needing replacement.

The 2003 model continues to improve

The 2003 Toyota Sienna was the last model year of the first generation Sienna, and at this last model year, this minivan was just about ideal. The biggest problems with the 2003 Toyota Sienna are so small they’re unbelievable, the most common complaints being CD player failure, trunk release malfunction, and catalytic converter failure, which is usually only reported only after 140,000 miles.

Best Sienna Model Years: 2008

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While still in its second generation, in 2008 it began to come standard with Toyota’s Vehicle Stability Control system, making the Sienna safe even safer. For 2008, the costliest common complaints with this van were about 100,000 mile transmission problems, automatic sliding door malfunction, and radio malfunction.

Best Used Toyota Sienna: 2009

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2009 was when the second generation Toyota Sienna began to reach the end of its run, and in 2009 an “Extra Value Package” was announced in some markets; this reduced the price of the base model, making it easier for families to buy. Although the 2009 model year received few complaints, the major costly issues reported for 2009 were power sliding door failure, power steering fluid leaks, and various body and paint issues.

2010 Toyota Van

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The final year of the second-generation Toyota Sienna is arguably the best minivan produced under the Sienna name in terms of longevity and reliability. This van remained largely unchanged for this model year, allowing for simplified engineering and production. The costliest issues surrounding the 2010 Toyota Sienna are transmission issues where some vans have experienced seized gears in the transmission and the transmission case failing. The Sienna was also still having problems with its failing sliding door.

RELATED: The 2021 Toyota Sienna is faster than this Ferrari

Oberlin College Archives Adapts to New Media Formats – The Oberlin Review


Erin Koo

Oberlin College Archives on the fourth floor of the Mudd Center.

The Archives, Special Collections, and Libraries of Oberlin College are resources created to preserve the history of the school and community for future reference. The nature of an archive is not just to reflect on the past, but to facilitate the preservation of our present reality for future generations. As content moves from easily classifiable paper documents to more complex encrypted digital media, archives around the world are struggling to adapt their preservation systems to these new multimedia documents.

Prior to the creation of the College’s digital archives, techniques were developed to classify records online. To add a digital document like an email to an archive collection, you would need to print it out and put it in a physical folder.

“It’s sort of our approach to digital content; things were printed and put into the physical archive,” College Archivist Ken Grossi said. “Now we are becoming more formal in terms of handling electronic records. Email is really hard – you can imagine how many people have email accounts and computers on campus. When it comes to maintaining and preserving records, it is no different than the paper record. We want to organize the documents so that they are easy to find. It’s just a matter of how to store them.

Many techniques used to protect documents and records are now unsuitable for the digital environment, as early methods of creating and storing digital content have become obsolete.

“A challenging aspect of digital preservation in general is the amount of time and resources required to reformat media and maintain equipment and software to ensure accessibility and usability in the future,” said Megan Mitchell, Coordinator of Academic Engagement and Digital Initiatives. “For a long time, CD-ROMs seemed like the perfect storage solution. Fast forward and computers no longer have built-in disk drives. If you have an external disk drive, then the problem becomes, who has a computer running the Windows 95 operating system that is needed to access the contents of the disk? »

The Oberlin College Archives currently benchmarks to the standards established by the Federal Agencies Digital Guidelines initiative, which helps schools, institutions, and national archives as they grow online. These institutions must also set their own internal standards for addressing digital archives. The shift to digital archives raises two main concerns: improved accessibility and broader preservation methods.

“[The College Archive] tries to create both an archival record and a usable record so that the images have longevity and are available in the future,” said Heath Patten, Curator of the Visual Assets Collection. “These digital images can be used in many different ways, not only for the community and the College of Oberlin, but for the whole world. [Ken Grossi] and I, along with other library staff, sit on what we call a Triple D task force. It’s about digitization, digital preservation, and digital archiving. This working group is finalizing a report on what our standards will be for digital projects. All of this information will be made public so people can see what we are doing as libraries enter the 21st century.

The many new technologies being developed for digital archives allow content to be used by a wider audience without geographic or physical limitations.

“We are looking for new techniques to capture and present images. For example, I worked with Abe Reshad in the Cooper [International] Learning Center to create a 3D scan for a sculpture exhibit,” Patten said. “Through the use of a digital program, we created a three-dimensional image which we were then able to print. This allows anyone to physically interact with the artwork, addressing accessibility issues. A visually impaired or visually impaired person may not be able to access a digital image, but in a 3D touch format, it also becomes an accessible resource for them. »

The culture surrounding digital media emphasizes its short-term nature. Online content receives little advocacy for long-term preservation, in part because of the limited resources to effectively preserve it. Additionally, the speed with which content is produced and shared and the variation in its exposure to digital audiences has archivists wondering how best to approach the medium. While many archives focus on ancient history and natural history, contemporary content is constantly being created and disappears before it can be saved.

“When we create content, you have to think about its lifespan,” Patten said. “The question is, how are we going to present it? How are we going to store it? What do our repositories look like? Who has access to these? On which platforms will we deliver the materials? These are things we need to think about when archiving digitally. When I was younger, there were tapes and vinyls, then CDs came out; we felt like it would last forever. But now we know that CDs are outdated technology. The latest technology is never permanent. So we always have to think about the future and what it will look like.

Million Dollar Catalytic Converter Flight Ring


Homeland Security says additional arrests may also be taking place in other states. Washington maybe? Oregon?

Operation Heavy Metal Breaks 9-State Catalytic Converter Flight Network

According to Homeland Security, through US Customs and Border Patrol, IIt is probably the largest catalytic converter flight network or organization in US history.

Operation Heavy Metal (homeland security)

Operation Heavy Metal (homeland security)

Homeland Security (HSI) agents carried out raids in 9 states on November 2 to take down a massive nationwide network of thieves.

HSI reports that so far, 21 arrests have been made, with seizures of thousands of converters in 9 states. They include (according to HSI):

“Arrests, searches and seizures have taken place in California, Minnesota, New Jersey, New York, Nevada, North Carolina, Oklahoma, Virginia and Wyoming. A total of 21 people in five states have been arrested and/or charged for their roles. in the plot.”

According to HSI, the market for these items is very lucrative:

“The black market price for catalytic converters can exceed $1,000 each, depending on the type of vehicle. Additionally, catalytic converters often lack unique serial numbers, VIN information, or other vehicle characteristics. distinctive identifications, making them difficult to trace back to the rightful owners.”

This operation involved a series of suspects who recovered the stolen converters and then were able to ship them to legitimate converter factories for processing and receipt of the money. Defendants created “shell” companies to pose as legitimate unit recycling operations.

The investigation is continuing and other arrests may also follow in other states. More than 100 law enforcement agencies contributed to HSI’s sting effort on this case.

50 famous brands that no longer exist

Best Banks of November 2022 – Forbes Advisor


You have several factors to keep in mind when choosing the right shore.


A bank may charge fees for specific transactions or to manage and maintain your account each month. Some banks may provide a way to avoid bank charges, such as meeting minimum balance or deposit requirements each month. Bank charges can undermine savings efforts unless you meet the conditions to waive them. If not, find a “no-fee” bank that will only charge for less common events such as wire transfers and late payments.

Accounts and services

Full-service banks typically offer a range of bank account options and other financial services, such as credit cards, loan and retirement and investment accounts and services. Other banks may focus only on a few specific products or services. Choose a bank that offers the types of bank accounts you want to open.

Interest rate

Shop around for the best interest rates to maximize your savings. Earning a higher annual APY will help you grow your account balance faster.

Account minimums

Some banks require a minimum deposit to open an account or a minimum current balance to avoid monthly service charges. Make sure you can meet the account minimums before signing up.

Customer service

The support is not the same in all banks. Some banks focus on in-person services, while others may offer a variety of ways to get help, including phone support, private messaging and email, live chat and virtual mobile assistants. Find a bank that offers your preferred contact and support methods.


It’s good to know that you can access your money when you need it. Some banks offer ways to access your funds sooner than others. Look for banks that offer multiple methods to access funds or manage accounts, such as ATMs, mobile and online banking, bill payment, and other convenient tools.

How Myst & Riven fans helped bring back a point-and-click classic


On Halloween in 1997, Cyan, Inc. released Riven: the sequel to Myst to the delight of players and puzzle enthusiasts around the world. 25 years later, the development company has announced that it will be revisiting the iconic islands to bring players a smooth, 3D and fully modern remake of the classic game. While Cyan usually holds his cards fairly close to his chest, the news of the Torn up remake wasn’t entirely unexpected since fans had been working on their own for nearly 15 years. In fact, Cyan’s efforts to reorganize Torn up was born out of this fan-based initiative.

mystThe surprising success of helped define not only the style and direction that development company Cyan would rely on for the foreseeable future; it also helped spur adoption of the CD-ROM format, literally changing the gaming landscape. Torn up could have been any other sequel, capitalizing on the success of myst but happy to be just a dull carbon copy. In place, Torn up is one of the most beloved entries in the myst series and one of the highest rated puzzle games still today. Perhaps that’s why fans have become so eager to see a modern remake of Torn up that they attempted to make one themselves.

RELATED: Puzzle Platformer Celeste is the Best Game for Your Sanity

What is the starry expanse?

The Starry Expanse project began 13 years ago as a grassroots effort by game fans to finally give Torn up the remake it deserved. the original myst has received seemingly continuous updates since its release, with an update Masterpiece Edition and a 3D version called realMyst released in 2000, a Unity-powered remake realMyst: Masterpiece Edition in 2014, and even a VR version in 2020. The Starry Expanse Project, which adopted the moniker of real rivenwanted to bring the same love to Torn uptranslating computer-generated still images into a fully realized and immersive 3D environment.

Since 2010, the team has presented its progress at Mysterium, the annual convention of myst fandom. They operated with full transparency, which involved contacting Cyan directly to ensure that their work was done with the developer company’s approval. However, at the start of 2020, the project seemed to be going uncharacteristically quiet. The community pieced together, from tweets and scuttlebutt, that the project was under NDA after being absorbed by Cyan himself, and some fans even feared that meant the project was dead.

RELATED: New Tron Puzzle Game Coming From Developer John Wick Hex

The Starry Expanse Led to Cyan’s Riven Remake

On Halloween 2022, 25 years to the day since Torn upCyan put an end to the rumors by announcing a Torn up remake of Cyan but built from the beginning The Starry Expanse had already done. After teasing the ad in real life myst styled with cryptic images and numbers posted to his social media accounts, Cyan made the news official.

While a Torn up remake is certainly exciting news, what makes this project special is its launch into the fan community. The Starry Expanse project made this possible by demonstrating to Cyan that the fan base (and customer base) wanted a modern 3D version. Torn up. More pragmatically, the team also literally did the initial work. Cyan explicitly credits The Starry Expanse project with key elements that the Cyan team was able to reference to jump-start development. The hours the band spent matching the camera to the original game wouldn’t be wasted. The exact influence The Starry Expanse had on the new house Torn up remake remains unclear, but based on its own press release, the team seems excited to pass the torch.

Some community members are still worried about Cyan taking over the reins of The Starry Expanse, mourning the loss of what was once a community project. With so much work to do to complete the Torn up do it again, nothing is set in stone yet. However, this episode in the history of the worlds of myst shows that fans can influence the games they love – and hope with Torn up is that this influence will be positive.

Share of American football women in wage bias pact predictions for court

Share of American football women in wage bias pact predictions for court

The United States women’s soccer team has asked a federal court to finally approve their $24 million pay discrimination settlement with the US Soccer Federation Inc., despite objections from the former team member Hope Solo.

The filing in the U.S. District Court for the Central District of California on Tuesday includes estimates of how much each of the 72 class members will receive under the pact, which was pre-approved Aug. 11.

Former team co-captains Alex Morgan, Carli Lloyd and Megan Rapinoe are set to receive $594,233, $639,273 and $565,917, respectively, according to the statement. They are three of 12 class members who are expected to receive more than $500,000 under the pact, with a maximum payout of $643,873.

According to the statement, 22 other women are expected to receive amounts ranging from $242,350 to $371,964, and the other 38 class members are expected to receive between $0 and $54,739. The women who planned to receive no money either maintained their amateur status while playing for the team or only attended camps and never made a match slate, according to the filing.

Solo is expected to receive $339,999, according to a statement attached to the motion for final approval. This renders moot his objection that the class settlement notice did not state the amount each player would receive, according to the motion.

Individual settlement shares will be calculated based on the types of games a team member has played and the team’s win-loss rate during the player’s tenure, the filing said. The final class fund the women will split into is estimated at just over $14 million after subtracting attorney fees and related costs, according to the filing.

A second motion filed Tuesday seeks approval of $6.6 million in class counsel fees and expenses. This amount represents 30% of the $22 million portion of the settlement dedicated to monetary rewards and does not take into account the additional $2 million fund established to benefit women’s post-play career goals, the filing said.

The motion for attorneys’ fees and expenses should be approved because it represents less than 60% of the approximately $11.5 million that class attorneys could receive under the traditional fee method, the filing said. And class attorneys have committed more than $12 million in attorney time and disbursements to litigate the case, according to the filing.

Solo’s objection to the $6.6 million costs award “is without merit” and fails to meet the relevant standard, according to the filing.

Final approval of the settlement is warranted because the rest of the class members reacted favorably to the settlement, including the distribution of attorney’s fees, according to the filing.

The pact, which also led to US Soccer equalizing women’s future pay terms with its men’s team, achieved the “historic goal” of the lawsuit, the players said.

Winston & Strawn LLP represents gamers. Latham & Watkins LLP represents American football.

The case is Morgan v. US Soccer Fed’n, Inc., CD Cal., No. 2:19-cv-01717, Motion for Final Settlement Approval 11/1/22.

Devs and Ops: Can this marriage be saved?


DETROIT — Are we still going left? Is it realistic to expect developers to bear the burden of security and infrastructure provisioning, as well as writing their applications? Is platform engineering the answer to saving the DevOps dream?

Devs and Ops: Can this marriage be saved?

Conclusion: do developers and operators really talk to each other? Or are they just swapping Jira issues passive-aggressively?

These are some of the topics explored by a panel, “Devs and Ops People: It’s Time for Some Kubernetes Couples Therapy,” hosted by The New Stack at KubeCon + CloudNativeCon North America, here in the Motor City on Thursday.

Panelists included Saad Malik, chief technology officer and co-founder of spectral cloud; Victor Farcic, developer advocate at Rising ; Liz Rice, open source director at Isolalent, and Aeris Stewart, community manager at Humanitec.

The last TNS pancake breakfast was hosted by Alex Williams, The founder and publisher of The New Stack, with Heather Joslyn, TNS feature editor, answering questions from the public. The event was sponsored by Spectro Cloud.

Lighten the cognitive load of developers

A big problem in the DevOps structure – the marriage of frontend and backend in cross-functional teams – is that not all developers are necessarily willing or able to take on all of the additional responsibilities that are asked of them.

Many organizations have “cut and pasted this unique approach to DevOps,” Stewart said.

“If you look at the tooling landscape, it’s growing rapidly not only in terms of the volume of tools, but also the complexity of the tools themselves,” they said. “And developers are expected to support an increasing part of the software delivery process at the same time. And all of that together is too much of a cognitive load for them.

This situation also has an impact on operations engineers, who must help ease the load on developers. “It’s causing a lot of inefficiencies for these organizations,” they added, “and a lot of the same inefficiencies that DevOps was supposed to get rid of.”

Platform engineering — in which operations engineers provide developers with an in-house development platform that removes some of the complexity — is “a sign of hope,” Stewart said, for organizations for whom DevOps is proving difficult to enforce.

The concept behind DevOps is to “empower teams, so they have full control of their application from ideation until it’s run in production,” Farcic said.

But, he added, “you can’t expect them to have 17 years of Kubernetes experience, and AWS And so on. And that’s where platforms come in. This is how other teams, who have some expertise, provide services so that these … developers and operators can actually do the job that they are supposed to do, just like operators today use the services of AWS to do their job. So what AWS for Ops is for Ops, to me, is what in-house development platforms are for app developers.

Consistency versus innovation

Platform engineering has been a hot topic in DevOps circles (and at KubeCon), but the definition remains a bit fuzzy, panelists acknowledged. (“In many organizations, ‘platform engineering’ is just a fancy new way of saying ‘Ops,'” Rice said.)

The audience posed questions to the panel about the limitations of the DevOps model and how platform engineering fits into this discussion. One audience member asked about balancing the need to provide a consistent platform for developers across an organization while allowing developers to customize and innovate.

Malik said consistency and innovation are possible in a platform engineering structure. “An organization will decide where they want to be able to provide this abstraction,” he said, adding, “When they think about where they want to be as a whole, they might think, Hey, when we provide our platform. form, we’ll provide everything from security to GitHub’s CI/CD, repository management, that’s what you’ll get whether you’re using our IDP or the platform itself.

But “there will be unique use cases,” Malik added, such as developers building a new blockchain technology or run WebAssembly.

“I think it’s okay to give these development teams the ability to run their own platform, as long as you tell them those are the areas you need to be responsible for,” he said. “You are responsible for your own security, your own backup, your own retention capabilities.”

A member of the public mentioned “Team topologies”, an engineering management book 2019 by Manuel Pais and Matthew Skeltonand asked the panel if platform engineering was related to DevOps as it was more of an engineering management approach than a destination.

“Platform engineering is at the nascent stage of its evolution,” Stewart said. “And right now, it’s really focused on solving the problems that organizations face when implementing DevOps.

They added, “I think as we see the community come together more and get more best practices on how to develop a platform, you’ll see it become more than a different approach to DevOps and will become something more distinct. But I don’t think it’s there yet.

Check out the full roundtable to learn more about our DevOps “counselling session”.

Band Created with Sketch.

Tadpole’s fight for the rights to their back catalog


The members of the hit New Zealand rock band can finally celebrate their musical heritage after reaching a deal with their former record company.

EEarlier this year, Dino Lawton walked around his stuffed shed picking out things to throw away. Tucked away in the corner was a box of papers he hadn’t seen in a while. When he opened it, he found a surprise. Inside were the long-lost label deals he and his bandmates had signed 20 years earlier, when he was the drummer for Tadpole, a now-defunct rock band that was well known for a series of singles suitable for radio and many, many live shows in the early 2000s.

As he flipped through pages full of bullet points and signatures scribbled in ballpoint pen, memories came flooding back to him, of playing gigantic mosh pits at the Big Day Out, of flying to East Timor to play for peacekeeping troops, and the constant and relentless touring of the band’s ever-changing formation lasted. “We just worked our asses off,” he says. “We averaged two shows a week for four to five years.”

Tadpole broke up in 2006 and Lawton hadn’t given much thought to his old band and the music they were making, fueled by the vocals of Renée Brennan. The band signed their first contract with Pagan Records in 1998, and Lawton believed the label still owned the rights to the band’s music. This meant that any royalties from streaming or licensing deals would primarily go to the record company, not the band.

Essentially, the band thought they had no rights to their own music. Aside from a $15,000 payout — for using the band’s biggest song, “Alright,” as a Gillette Motorsport soundtrack — split between three of the band members a few years ago, they had no not seen a dime of the music they had invested so much time and energy for over a decade.

In 2022, Tadpole’s online footprint is small. Only some of the band’s songs are available on streaming services. Their second album, The Medusa, is completely missing. There’s no official Tadpole YouTube account – instead someone else uploaded grainy versions of music videos like “Alright” and “Blind”, which racked up hundreds of thousands of likes. views, as well as comments from fans saying things like “Bring Tadpole back!”

The band’s three records, released between 1998 and 2006, have not been remastered, reissued, or reissued on vinyl, like many bands of their era. In the age of streaming, when long-dead bands or decades-old songs can suddenly, randomly, become popular again, Tadpole’s presence has been, to quote one of their greatest songs, a bit of a blind spot. . “None of our content is on TikTok,” Lawton says. Are the fans asking what’s going on? “Yes, they do,” he says.

Until recently, he didn’t know what to tell them. Lawton believed that due to the contract the band signed in 1998, their hands were tied. This contract meant that he and his former bandmates could do nothing with their music. It’s a problem for many artists, including Taylor Swift (who is re-recording her early albums after losing the rights to her masters) who signed away the rights to their music early in their careers. Not owning the masters, the right to use an artist’s music as they wish, means they cannot make money from their recordings.

But the contract Lawton pulled from the box of papers in his shed in March was not Tadpole’s original 1998 contract. It was a long-forgotten second deal, signed in 2002, following the release of the band’s triple-platinum debut album, The Buddhafinger – one that earned consistent airtime with its crunchy guitar-driven songs “Backdoor ” and “Number One”.

This record was so popular that it gave Tadpole the opportunity to renegotiate his contract with Pagan Records. Lawton had forgotten that until his discovery of the shed earlier this year. “We re-signed because The Buddhafinger was such a big record,” explains Lawton. “For the second option, we changed a lot of things.”

The 2002 contract that Dino Lawton found in his shed. (Photo: Chris Schulz)

This “stuff” includes a clause stating that the rights to any music created for Pagan Records would revert to the band 10 years after its release. “They have the cream period where they can make the most of it,” says Chris Yong, the guitarist who used to toss his dreadlocks in Tadpole music videos. “Then it comes down to the artist.”

An the kitchen table of Lawton’s home in Avondale, history is compiled. Plastic cases filled with CDs, singles, cassettes, demos and hard drives are full of content waiting to be sorted, dated and restored. On a nearby computer, old promotional photos and videos full of musicians with carefully selected bangs, dreadlocks and facial hair are organized into folders. Songs from Deftones, A Perfect Circle and Rage Against the Machine accompany this sunny Sunday afternoon activity.

Together, this amounts to the remains of Tadpole, and Yong and Lawton are busy reminiscing about the group’s time together. “It was fucking epic,” Lawton says of the band’s 2002 tour of East Timor, when Brennan, Lawton, Yong and then-bassist Shannon Brown spent two days in a noisy Hercules with the R&B singer K’Lee and comedian John Glass during perhaps the weirdest series of performances ever by a team of New Zealand performers overseas.

Lawton searched his local PB Tech for a CD-ROM drive so he could sort through all the photos from this tour. “Tadpole disturbing the peace in East Timor” was how the NZ Herald covered the broadcasts at the time, detailing how a mob of 600 soldiers formed a moshpit for the Tadpole plateau, despite being required to keep their weapons on their person at all times. Mosquitoes, snakes and scorpions were also a problem for the tour group.

Yong recalls a frenzy surrounding the group in the early 2000s, with radio stations like Channel Z and The Dot, as well as music station C4, putting Tadpole’s songs into high rotation, alongside a emerging range of heavier Aotearoa music like The D4, The Datsuns and Blindspott. “It was such a boom,” he says. Why isn’t Renee here with them to go through the history of Tadpole? “She has a private life now and keeps to herself,” Lawton says.

The Spinoff first met Lawton and Yong several months ago when the pair feared they were settling for a long fight with their record company. Music lawyer Chris Hocquard had been hired, and emails with Pagan Records had gone unanswered. (Hocquard declined to comment for this story, citing ongoing negotiations.)

Things seemed to be progressing when The Spinoff got in touch with Timothy Moon, who co-founded Pagan Records with Trevor Reekie in 1985. In response to a request for an interview, Moon sent this short reply: “We haven’t had no contact. from Tadpole until now. As part of our ongoing negotiations, the matter is resolved to everyone’s satisfaction and remains confidential between the label and the artist.

Lawton confirmed that a 30-page contract had landed in his inbox. Although the details are confidential, he says the band signed him all. This gives Tadpole their masters back, which means they can use their music however they want and make money from it. That means The Medusa will land on streaming services soon, with vinyl and CD reissues – including a four-disc “Tadthology” CD collection – hitting stores next month. A vinyl reissue of The Buddhafinger is scheduled for February.

Moon seemed to confirm this when he told The Spinoff, “We’re looking forward to re-releases!”

A collection of Tadpole singles owned by Dino Lawton. Photo: Chris Schulz

It’s a chance for Tadpole to celebrate its legacy, opening the door for the band to give fans what they’ve been asking for, including B-sides, remixes and lost songs that have been stuck on hard drives for over a decade. ‘a decade. Lawton thinks there is enough footage recorded during Tadpole’s time together for a documentary.

On Tadpole’s Facebook page, which Lawton started recently, he and Yong posted old photos and videos and reminisced with fans. “The number is limited, so be sure to pre-order now or you’ll probably miss out,” he recently wrote, sparking interest in re-releases.

People still talk about Tadpole all the time, Yong says, even though their musical exploits feel like they happened ages ago. “It’s something surreal. Twenty years is such a long time, but I get weird comments about their love of music and they just keep making it,” he says. “It’s like, ‘Wow, you still remember that thing we did when we were young.'”

But there’s one thing fans shouldn’t expect: any type of tour or live show. Despite promising talks several years ago for a gig marking The Buddhafinger’s 20th anniversary, Lawton says that’s unlikely to happen. “It’s going to be too hard. Renée has not sung for years, Paul [Matthews] the bassist lives abroad. I don’t think he’s that enthusiastic,” he says.

Lawton doesn’t care. He’s just happy to have found that contract, to be able to pay his legal fees using proceeds from upcoming reissues, and to bring Tadpole’s songs to life around the world. Yes, maybe even on TikTok. “It’s actually cooler if we don’t [play live],” he says. “Everyone does.”

How to use Siren to listen to music without leaving your terminal


Everyone loves music, and despite the advent of streaming, subscription models, and the availability of music in the cloud, audiophiles still keep a neatly curated collection of audio files on their local machines.

If you’re a terminal-resident Linux user, it’s easy to play your tunes while you work, without ever leaving the command line.

Why would you want to play music in a terminal?

For Linux purists, an OS’s graphical elements are useless and streaming is lame (pun intended) because it relies on resources beyond your direct control and uses bandwidth that could be better used elsewhere.

Playing locally stored music files means you’re not dependent on patchy connections, subscription models, or arbitrary removal of media by rights holders. There’s only one person in control of your music, and that person is you.

A terminal-based music player, such as Siren, is even better. It reduces resource usage by removing flashy visuals and unnecessary clutter. With Siren, you don’t even need a desktop environment installed, so you can get started with the latest version of Dua Lipa, while working hard on your bare-bones Linux platform.

What is the Mermaid?

Siren is a text-based music player for Unix-like operating systems including Linux, OpenBSD, NetBSD, FreeBSD and OS X. The software supports a wide variety of formats including Ogg Vorbis, MP3, Opus, FLAC, AAC, WavPack, WAVE, and AIFF, so whether your tracks are old Engelbert Humperdinck 24kHz MP3 files ripped using an Amiga in 1996 or a brand new lossless FLAC file, Siren has you covered.

Reflecting the diversity of the Unix-like ecosystem, playback is possible via sndio, PulseAudio, ALSA, OSS, Sun audio, PortAudio and libao.

How to Install Siren on Linux

Although Siren is available for several operating systems, we will only cover installing Siren on Linux.

Start by opening a terminal and using Git to clone the repository:

git clone https:

Move to the new directory with the cd command:

cd siren

You’ll be compiling Siren from source, which means you’ll need to specify where the software will reside and what plugins to install to ensure compatibility with your media files.

By default, Siren will install itself in /usr/local/ with maximum format support and full documentation. To change this, you can add configuration arguments to the next command. See the project’s GitHub documentation for a full description of arguments and options.

make install

Alternatively, if you have an Arch-based Linux distribution, you can install Siren directly from the Arch User Repository (AUR).

Once installed, you can launch Siren by entering Mermaid in any terminal.

Use Siren to listen to music in your terminal

Siren’s user interface does not take up much screen space and is divided into three areas: you can enter commands and searches in the bottom row, while the two rows above are used to display reading information.

Most of the window is taken up by one of four views, which you can switch between by pressing 1 at 4 on your keyboard. The library view shows all the tracks in your music library and the playlist view shows the current playlist. This interface is quite different from other terminal-based Linux music players like cmus.

Browser view lets you browse the file system for more funky tracks on your system, which you can either play directly or add to your music library. The final view is that of the queue. Queued songs will be prioritized and played before songs in other views.

Useful keyboard shortcuts for Siren

As a terminal-based music player, it makes sense that the controls are keyboard-driven. Siren has dozens of keyboard shortcuts, and you can read them all in detail by typing:

man siren

To help you get started, here are the Siren keyboard shortcuts we find most useful:

  • X: To play
  • vs: Pause
  • v: Stop
  • z: Play previous track
  • b: Play next track
  • a: Add the selected entry to the queue
  • D: Delete the selected entry
  • I: Delete all entries

With Siren you can play music without leaving the terminal

Siren is, without a doubt, one of the best terminal-based music players for Linux and other Unix-like systems.

If you want to work without distractions (other than the sound variety), you can minimize the terminal window so that it doesn’t get in the way. But Siren looks fantastic when you organize it with other terminals or use it as part of a dedicated tiling window manager like Regolith.

Prairie Grove honors retired officer Franks


PRAIRIE GROVE — The Oct. 17 meeting of the Prairie Grove City Council was busier than usual, with those in attendance visiting the parking lot twice, once to inspect the city’s new fire truck and another time to see retired police officer Tyler Franks receiving his last radio call.

A dozen citizens, along with council members, watched as Police Chief Chris Workman presented Franks with a plaque, a folded black flag and the service weapon he used while working for the department.

Franks, who officially retired from the police department in mid-June, was shot three times while responding to domestic disturbances on May 4, 2021, and lost part of his left leg. He returned to work for a short time, but then decided to retire from the department.

Franks’ family was present, along with several police officers, for Workman’s presentation at the meeting. Then people moved outside to watch Franks, seated in the driver’s seat of a patrol car, receive a final radio dispatch that included words of thanks for his service.

In another action, the council unanimously approved a resolution to increase the sewage treatment rate for Washington County Homeowners’ Improvement District No. 5 from $6.48 to $7.13. per 1,000 gallons, an increase of approximately 10%, effective January 1.

Subdivisions currently served in the district include Valley View Estates, Meadowsweet, Walnut Grove Acres and Saddle Brook, according to the resolution document. The processing plant is located northwest of Prairie Grove.

After the new Prairie Grove fire truck was shown in the parking lot, Fire Chief JC Dobbs reported that it was almost ready for use. Dobbs said he’s still working on a few additions and a software update. He said there were enough bond funds left over from the purchase to include a battery-powered mining tool, among other items.

City Council authorized the purchase of a new fire truck in May 2021 for up to $750,000 using bond funds.

In a text message, Dobbs said these trucks are custom built bumper-to-bumper, based on a fire department’s needs and uses for the device.

The company began building the new Prairie Grove fire truck in June in Wisconsin. It was delivered to Conway in September for further work, then delivered to Prairie Grove.

Fire trucks are generally expected to give 30 years of service, Dobbs said.

Dobbs also reported an “extremely busy” month and a continued increase in call volume, with more receptions inside the city limits than outside, a roughly 60/40 split, said he declared.

The council unanimously approved payment of an additional $24,525 to the Washington County Regional Ambulance Authority, bringing the city’s total payment for 2022 to $64,760.

Mayor Sonny Hudson said ambulance calls have increased “across the city” and no reason seems obvious for the increase.

Workman reported that the police department received a $39,200 Selective Traffic Enforcement Projects (STEP) grant, $35,000 of which will be used to pay officers for overtime during Click it or Ticket, a campaign to raise awareness about speed, distracted drivers and education DWI projects.

He also reported that the Prairie Grove Lions Club donated $500 to Trunk or Treat, and he said many businesses and entities have signed up to participate, including some from Fayetteville.

The board unanimously approved a resolution to transfer no more than $750,000 of reserve funds from the general fund into a one-year CD with Grand Savings Bank at an interest rate of 3.49 %.

The council had previously approved a CD purchase with Edward James Investments, but city administrative assistant Larry Oelrich said the company is not listed with state-licensed institutions.

According to the resolution, Hudson, Oelrich, City Clerk Christine Kelly and Assistant Clerk Melissa Dodson are authorized to make withdrawals, and two signatures will be required. Effective Jan. 1, Mayor-elect David Faulk will replace Hudson on the list of signatories.

Brea Gragg, board member and chair of the seniors’ committee, announced a $235,000 grant from the Northwest Arkansas Economic Development District to improve the entrance to the seniors’ center and l buying a walk-in freezer. City attorney Steve Parker said a signing for the grant “will be coming soon.”

Chuck Wiley, director of public works, said the land was laid for a Casey’s along US 62. He said the builder told him it would be finished in 120 days.

Gragg asked if shade was provided for the outdoor activity area of ​​the library, and there was general agreement on the need for shade. Gragg asked about planting trees, and triangular shade cloths were mentioned as a possibility.

On October 17, Prairie Grove Police Chief Chris Workman presents a plaque of appreciation to retired Constable Tyler Franks in recognition of his service to the Prairie Grove community. (Special for NWA Democrat-Gazette/Denise Nemec)

7 Delaware Record Stores to Discover New Music


Pictures of Sydney Livingston

In a modern world where streaming has taken over the music scene, these record stores give a taste of the golden age of listening.

Most music lovers in 2022 choose to listen to their favorite songs with a streaming service like Spotify or Apple Music. However, there is something to be said for listening to your favorite albums on vinyl. In an age obsessed with nostalgia, it’s safe to say that vinyl records aren’t going anywhere anytime soon. Spotify playlists are great, but there’s something special about browsing bins full of records and discovering new music through conversations with store staff. For music enthusiasts who enjoy listening to records, Delaware offers a great selection of record stores across the state.

These Delaware boutiques carry on the tradition by offering everything from classics to modern pop and new metal.

Wonderland Discs

A quaint little store tucked away at the end of Newark’s Main Street, this record store has been a community staple since 1972. Delaware’s oldest record store is packed with titles, organized alphabetically with no separation of genres. With over 12,500 tracks in the store, as well as a full-service recording studio and smoking room, the space seems a little chaotic at first glance.

“That’s the thing with record stores. Vouchers are always a bit chaotic,” says shop owner Demitri. A likeable and knowledgeable man, Demitri has embellished many of his passions throughout the store. The decor is made up of pieces from local artists as well as repurposed vinyl records that Demitri has turned into hanging decorations. Even the floor tiles are embellished with discs.

At Wonderland Records in Newark, owner Demitri leaves damaged records in the window, allowing the sun to warp them. He uses the warped discs to create hanging decor, which he uses both in the store and sells.

“I don’t want it to end up in a landfill where it will stay for thousands of years,” Demitri explains, pointing to the warped discs hanging from the ceiling. “I sell about two a week.”

110 Main Street West | 738-6856

International Groove Records

The newcomer from Newark focuses on music from around the world. Its goal is to be an inclusive space for sharing music and discovering new artists. With a buy-sell-trade business model, its inventory is constantly changing, and you’ll likely find something new every time you enter.

International Groove Records
280 Main Street East, Newark | 688-4500

Rainbow Discs

Another Newark favorite is led by Melissa Forsythe, an active member of the Delaware music scene. The store is well organized and well stocked with lots of contemporary music. The company also focuses on showcasing the local music scene and community. The music selection here is diverse and covers a wide range of genres and decades. No matter what you’re looking for, you’re sure to find some favorite titles on these shelves.

Rainbow Discs

Rainbow Discs
218 East Main Street, Newark | 368-7738

Goodboy Vinyl

Goodboy Vinyl buys, sells and trades not only vinyl records, but also CDs, cassettes and more. With a huge variety of music, a charming store concept, and an ever-rotating inventory, this is one of the many must-visit record stores in the First State.

Goodboy Vinyl
2604 Kirkwood Hwy, Wilmington | 384-6460

SqueezeBox Recordings

SqueezeBox was founded in 2017 and quickly became a community favorite in Wilmington. In addition to records and CDs, SqueezeBox offers a great selection of touring apparel and exclusive merchandise. This store has even partnered with Wilmington Brew Works to collaborate on a Beer, aptly named “Deep Grooves”. The store is known for always having the freshest records in stock, and it’s extremely active on social media updating followers on the latest inventory.

SqueezeBox Recordings
1901 West 11th Street, Wilmington | 510-9429

Extended game

Extended Play serves Rehoboth Beach and other coastal towns in Delaware. The Coastal Delaware Record Store offers a selection of new and used records, cassettes, CDs and more. He updates his social media accounts with all new stock releases on Fridays. This record store is a great stopover while you’re on the go in Rehoboth.

Extended game
149 Rehoboth Ave, 8B, Rehoboth | 226-8469

The vintage metro

Although this lovely vintage shop is not exclusively a record store, it does have an impressive collection of vinyl. The selection focuses on new vinyl from independent labels and vintage vinyl records, cassettes and compact discs.

The vintage metro
205 Second Street, Lewes | 291-2984

Related: This 14-year-old Delaware native firefly festival

LendingClub: 2022 Banking Review – CNET


LendingClub is a digital marketing bank founded in 2007 that offers a solid set of financial services from verification and savings accounts personal loans.

loan club

With over 4 million members, this San Francisco-based online bank is a one-stop-shop for those who are comfortable handling all of their retail banking needs through a mobile app, but benefit from the ability to contact the customer service via an online. chat session or phone call when personal assistance is required.

What we like

  • No charges: There are no fees for standard services such as minimum balances, overdrafts or monthly maintenance fees.
  • Robust mobile banking application: Access money and banking features anywhere through the mobile app. The LendingClub app allows customers to manage all transactions that would be handled by traditional banks.
  • Supports cash deposits: LendingClub customers can make cash deposits at any MoneyPass or NYCE ATM that accepts deposits.

What we don’t like

  • No physical branches: Customers can only access support via mobile device or phone support.

Account Review Verification

LendingClub offers a free current account called reward checks. There is no minimum deposit required to open an account, no minimum balance required to avoid monthly maintenance fees and no overdraft fees. The account pays a small annual percentage return of 0.10% when a balance of $2,500 is maintained. The account also earns 1% cash back on credit purchases made with LendingClub’s debit card when $2,500 in direct deposits are made and a monthly balance of $2,500 is maintained.

Note: The APYs listed below are as of October 17, 2022. The editorial team at Bankrate, CNET’s sister site, updates this information regularly, usually every two weeks. APYs may have changed since they were last updated and may vary by region for certain products. Bankrate only includes FDIC banks or NCUA credit unions in its listings.

Checking Account Features



The minimum balance


Monthly fee


What we like

  • No charges: There are no fees for standard services such as minimum balances, overdraft fees or monthly maintenance fees.
  • Unlimited discounts on ATMs: Customers can use any ATM and receive unlimited rebates on fees charged by out-of-network ATMs.
  • Supports cash deposits: LendingClub customers can make cash deposits at any MoneyPass or NYCE ATM that accepts deposits.
  • Advance deposits: Clients receive their pay checks by direct deposit up to two days in advance.

What we don’t like

  • High balance required to earn interest: Account holders must maintain a balance of $2,500 to earn interest.
  • Low interest rates: Checking accounts pay higher returns at other banks.

Savings Account Review

The high yield savings account constantly pays a competitive interest rate. The higher rate is applied to any balance. Open an account with a minimum deposit of $100 online or through the mobile app. Free ATM cards are available on request.

Savings account features



The minimum balance


What we like

  • No charges: There are no fees for standard services such as minimum balances, overdrafts or monthly maintenance.
  • Low minimum deposit: An account can be opened with a minimum of $100.
  • Credit card optional. A free credit card is available on request.

What we don’t like

  • No youth savings account. Minors under the age of 18 cannot open a savings account.

CD Account Review

LendingClub offers a traditional certificate of deposit account with five different terms ranging from a at five years. The APYs offered on CD are offered at competitive prices. A minimum deposit of $2,500 is required to open a CD and it automatically renews with a 30-day grace period.

CD Account Features

APY 1 year


APY 18 months


24 month APA


APY of 3 years


5 year APA


Minimum deposit


Early withdrawal penalty

Amount equal to simple interest earned to date

What we like

  • Competitive APYs: LendingClub CDs are among the best performing CDs available compared to other banks.
  • Variety of terms. LendingClub has a decent variety of CD terms to choose from.

What we don’t like

  • High minimum deposit: A higher minimum deposit is required to open an account than with many other competitors.
  • Restrictive Early Withdrawal Penalty: Penalties charged are higher than other banks.

Banking experience

LendingClub has no physical branches, but customers can manage their accounts online or through its mobile app, link external accounts, create a budget, and view their net worth. Customer service offers extended hours via live chat and toll-free phone support.

Overdraft fees

LendingClub does not charge overdraft fees.

Customer service

Customer service is available through the LendingClub website or through a toll-free number: 888-596-3157. You can reach customer service Monday through Friday from 5:00 a.m. to 5:00 p.m. and from 8:00 a.m. to 5:00 p.m. on Saturday.

Elik introduces a law on catalytic converters


SPRINGFIELD — State Representative Amy Elik, R-Fosterburg, has filed legislation to make it a crime for people who store stolen catalytic converters in vehicles.

“If your catalytic converter is stolen from your car, it can cost up to $3,000 to replace it,” Elik said. “We are seeing an increase in thefts, as criminals can get between $25 and over $1,000 selling the stolen car part to a junkyard.

“Improving the law by making it a crime if you illegally buy more than 100 catalytic converters will help deter criminals from stealing this expensive auto part because criminals will have nowhere to go to sell the stolen converter,” he said. she declared.

In September, police seized 287 catalytic converters from an East Alton scrap business accused of illegally purchasing the parts. In Chicago, the theft of catalytic converters has nearly tripled from a year ago.

Elik filed the legislation following a letter from Madison County State’s Attorney Tom Haine suggesting lawmakers change the law on recording recyclable metal purchases to make it a crime to store multiple catalytic converters.

“We appreciate the attention our legislators are giving to this growing problem,” Haine said. “This legislation would help dry up the market for stolen catalytic converters, and thus serve to deter would-be thieves. These thefts are a costly burden on victims, and they drive up insurance premiums for all vehicle owners in the Illinois.

House Bill 5828, filed Oct. 26, provides that any dealer in recyclable metals or other person who knowingly fails to record the purchase of 100 or more catalytic converters is guilty of a Class 4 felony. He is co-sponsored by State Representatives CD Davidsmeyer, R-Jacksonville and Charlie Meier, R-Okawville.

The three lawmakers said they wanted to see action on the legislation during the next veto session scheduled for Nov. 15.

The Recorder – Sounds Local: the new sound of Gaslight Tinkers at the Shea


The Gaslight Tinkers’ music has always defied easy labeling. Since forming in 2012, the way the band blends Afro-pop, funk and reggae beats with traditional New England, old-time and Celtic fiddle music sets them apart from any other band in the local scene. . From the start, the audience responded to the upbeat music they created, which always led to lots of twirling and twirling on the dance floor.

There’s an undeniable burst of positive energy when the Gaslight Tinkers take the stage, so get ready for feel-good vibes when the band perform a Halloween show at the Shea Theater Arts Center in Turners Falls on Saturday, October 29. at 8 pm Costumes are strongly encouraged.

This show is also an informal record release for the band’s new album, “Gaslight Tinkers II”. They soft-released the album in June to coincide with their Green River Festival appearance and are now working hard to get it to more listeners.

The band describes this new album as the next chapter in the Gaslight Tinkers sound. It’s the sequel to their self-titled seven-song EP released in 2015. At that time, the band consisted of founding members: bassist Garrett Sawyer, guitarist and vocalist Peter Siegel, violinist Zoe Darrow and drummer Dave Noonan. There have been lineup changes since then with Siegel and Sawyer the only original members remaining.

With line-up changes and a pandemic to deal with, it’s easy to see why this record took five years to prepare.

“The CD is almost like a retrospective of the band over the past five years,” Siegel said in a recent phone conversation. “The CD features Audrey Knuth on fiddle, along with vocalist I-Shea, who joined the band in 2018, and Choc’late Allen, who sings quite a bit with us. There’s stuff on there that I listen to and it’s like ‘oh wow, I remember when we did that.’

Joe Fitzpatrick, who is known for his work with many local bands, is now the band’s drummer and performs on the album.

Siegel, originally from Brattleboro, has a background in folk music. He started the band with Sawyer, who has a long history in reggae and world music. Their goal was to combine their different musical influences and create music that fused various divergent styles. They succeeded in this goal, and there is an even wider range of styles on the new album.

“There (are) definitely more styles out there,” Siegel said. “I think I-Shea brought so many other different Caribbean styles. We used to do a lot of calypso and Afrobeat before, but part of I-Shea’s heritage is that his family is from the Dominican Republic. , and she can sing in Spanish so we branched out into a bit more Puerto Rican and Dominican Republic sounds and even classic rock.

With his strong voice, skillful drumming and dynamic stage presence, I-Shea was a welcome addition to the group. Siegel agrees that she boosts the energy level of the already energetic band.

Choc’late Allen, who is originally from Trinidad, occasionally sings with the band and his Calypso-style voice also adds a lot to the band. “We know about Choc’late because Garrett cut his teeth playing Calypso In Trinidad with his family who are Calypso royalty in Trinidad. The Tinkers toured Trinidad a few years ago and worked with Allen, and then when she came here, we had her join the band.

Then there is fiddler Audrey Knuth who joined the band when Darrow left and also plays in the typical Scottish fiddle style. Knuth moved to California shortly after joining the band, but remains a member. She appeared on the album and performs with the band when they are on tour, particularly playing counter dances, which is her specialty and something the Tinkers do on occasion. Knuth contributed a beautiful version of the old folk song “Hush a Bye” to the record.

“Audrey had never really sung before, and we asked her to find a song that she knew very well and she chose that song and we recorded a very sparring version of it. Garrett is such a sound engineer that he turned it into a very ethereal song unlike any of the many other versions that have been done before.

You’ll find that “Gaslight Tinkers II” is a mix of sounds that reflects the evolving, ever-changing nature of the band and all of the diverse influences that each member brings to the table.

“When I started this band with Garrett, I really wanted it to be a collective experience where we use all of our expertise in these different genres and come up with something that’s very authentic that holds all of these different traditions and is true to each of them. between them traditions,” Siegel said. “When I-Shea came into the band in particular, I wanted it to feel more like a collective than a band because we’re all contributing and all evolving that in some way. any way.”

Siegel went on to point out that he is not the leader of the group and that everyone contributes equally. This is most evident in their live broadcasts which may feature changing programming.

“Because Garrett and I can cover so many different genres, it’s exciting to take the songs we play and play them differently each time,” Siegel said of the band’s gigs. “So it’s always an evolution and it’s always changing. I almost feel like calling us the Gaslight Tinkers Collective.

The lineup for this show will include Siegel, Sawyer, Fitzpatrick, Emerald Rae, I-Shea and Choc’late. Siegel mentioned that they don’t do a lot of local shows, so catch them while you can. The DiTrani Brothers, who play music heavily influenced by 1920s and 1930s jazz, and music from Eastern Europe and the Balkans, will open. Siegel chose the band himself. “They’re from Brattleboro and they fit in perfectly with our vibe and I think it’s going to be a great night, it’s going to be a lot of fun.”

For tickets, visit: https://www.showclix.com/event/gaslight-tinkers-and-ditrani-brothers. Doors open at 7 p.m. All ages. $20 in advance / $28 at the door.

Halloween Events

Jimmy Can’t Quit, the ultimate cover band, will be on hand to host the Halloween costume party at the Hawks and Reed Performing Arts Center in Greenfield on Saturday, October 29 at 8 p.m. Tickets are available at hawksandreed.com or at the door. The venue also announced that Jimmy Can’t Quit would be one of the bands playing at their New Year’s Eve party.

There will be a queer dance party at ‘Voo in Turners Falls on Saturday starting at 9 p.m. with music provided by DJ Longlegs and DJ Callus. There will be a costume contest, full bar and snacks. Suggested donation of $5.

Hitchcock Brewing Company in Bernardston will hold its second annual Halloween party on Saturday evening. There will be a costume contest with prizes for first, second and third place. Music will be provided by Afterglo who will play your favorite classic rock tunes from 6-9 p.m. This is a 21+ event.

Ten Forward in Greenfield is hosting two Halloween parties this weekend. Friday night is a costume party with music from local avant-garde rock band, The Leafies You Gave Me. Experimental music creator Ron Shalom from New York will also perform. The party continues Saturday night. DJ Jake Mission Meginsky will provide music for this show. Ron Shalom will return, and that night he will perform in his Minivan Soundsystem pop/drag persona. Again, costumes are encouraged, and there will be a costume show and contest. 8 p.m. start time, both nights.

There will be a Halloween costume party with Lady Pop at Deja Brew Cafe & Pub in Wendell on Saturday, starting at 7 p.m. Best costume award.

Sheryl Hunter is a freelance writer who resides in Easthampton. His work has appeared in various regional and national publications. She can be contacted at [email protected]

Internet for change? – The Hindu Business Line


The United States Supreme Court has decided to hear a high-stakes case that could fundamentally change the internet.

The Gonzalez vs. Google The case arose due to the murder of Nohemi Gonzalez, a 23-year-old American law student studying in Paris, during an Islamic State attack that killed 129 people in November 2015.

Nohemi’s family sued Google alleging that ISIS posted “hundreds of radicalizing videos inciting violence and recruiting potential supporters” on Google-owned YouTube, and that YouTube’s algorithms promoted these videos. content from “users whose characteristics indicated that they would be interested in Islamic State videos”.

Well, we know that the algorithms behind the scenes determine the content we see on social media, the websites we find on search engines, as well as the advertisements.

This isn’t the first time such allegations have been leveled against YouTube, however. In a 2018 article in The New York Timessociologist Zeynep Tufekci has warned that “YouTube could be one of the most powerful instruments of radicalization of the 21st century” due to the propensity of its algorithms to deliver increasingly extreme versions of the content its users decide to watch .

Looking back

Let’s take a look at the historical context in the making of today’s Internet laws. In 1959, the United States Supreme Court heard the case of Eleazer Smith, a bookstore owner in Los Angeles, who was convicted and sentenced to 30 days in prison for selling the pulp novel. Sweeter than life by Mark Tryon, which was illegal.

The Supreme Court, of course, ruled that the Los Angeles order violated the First Amendment. It was the pre-internet era, that’s for sure.

Then, in the Stratton Oakmont, Inc v Prodigy Services Co In 1995, the New York Supreme Court’s ruling that online service providers could be held liable for the speech of their users changed many early proponents of the Internet, including some lawmakers. The Prodigy the case could have been instrumental in crafting Section 230 of the Communications Decency Act in 1996.

Interestingly, Rep. Chris Cox of California, a Republican, and Senator Ron Wyden of Oregon, a Democrat, jointly inserted a clause into the sweeping telecommunications bill that was then before Congress. . It certainly helped internet businesses thrive in the early days of web hosting services.

26 words

Cybersecurity law professor Jeff Kosseff wrote a book in 2019 titled The twenty-six words that created the Internet. The 26 words are: “No provider or user of an interactive computer service should be considered the publisher or speaker of any information provided by another information content provider.” Thus, a CD-ROM era law has remained the backbone of the modern internet mechanism.

Social media companies have so far been shielded from legal liability under Section 230, and so Google cannot be sued for posting anyone on one of its websites. But the Gonzalez lawsuit argues that while YouTube may have legal protection for hosting anything its users post on it, it shouldn’t have protection for its machine-learning “recommendation” algorithms that prescribe what users post on it. viewers should see next. What if the bookseller recommends a book to a buyer?

Exactly 26 years have passed since the 26 words that “created” the Internet were formulated. The Internet giants are by no means in their formative stage. And they are the victims of various issues – from antitrust and privacy to misinformation, algorithmic discrimination and lack of transparency.

Is it time for a paradigm shift in the way the internet works? In the Gonzalez vs. Google case, the United States Supreme Court could potentially decide the fate of the modern Internet in several ways.

The author is Professor of Statistics, Indian Statistical Institute, Kolkata

Monitoring, Evaluation, Accountability and Learning (MEAL) Officer – South Sudan


Role and responsibilities

The Monitoring, Evaluation and Learning (MEL) Officer plays a critical role in improving the quality of multi-sector responses provided through Medair’s programs. This varied and challenging role involves developing a national monitoring, evaluation, accountability and learning strategy, designing and ensuring the implementation and impact of monitoring, evaluation systems and learning opportunities throughout the Medair South Sudan program and introducing appropriate use of the innovative MEAL tools available. . The MEL Manager will be involved in coordinating and supporting the MEAL aspects of health, nutrition, WASH and NFI programs, line management of MEAL staff and training program staff to implement appropriate MEAL measures. The MEAL Manager will also represent Medair in relevant meetings with clusters, local authorities, NGOs and other stakeholders.

Project overview

Multi-sectoral emergency response program comprising the provision of emergency health, nutrition, WASH and NFI/Shelter services for vulnerable populations in South Sudan.

Workplace and conditions

Field position based in Juba, South Sudan with very basic working and living conditions.

Start date / Initial contract details

January 2023. Full time, 12 to 24 months.

Main fields of activity

Monitoring, evaluation, accountability and oversight of learning in multi-sector projects

  • Develop a country MEAL strategy, in liaison with the sector advisers.
  • Support the deployment of a MEAL initiative for ongoing program data collection and coordinate analysis and use of data with relevant technical advisors and program funding lead.
  • Support PCs and PMs to understand the MEAL system and become familiar with the MEAL requirements for their project. Responsible for ensuring the integration of beneficiary accountability within the MEAL framework in all aspects of the program.
  • Liaise with Project Coordinators, Project Managers and Advisors to ensure internal and external MEAL requirements are planned and budgeted at the appropriate stage of the program management cycle.
  • Ensure that all Medair and donor M+E indicators are tracked and reported. Provide additional support for program management activities. Contribution to the development of SDS country strategy, new projects and/or donor proposals as requested by CD, DCDs and Sector Advisors.
  • Ensure that cross-cutting issues (HIV/AIDS, gender consideration and environmental marker) as well as conflict sensitivity / “do no harm” approach are mainstreamed, monitored and evaluated.
  • Support the MAEL elements of proposal and reporting, including provision of data, indicator progress and monitoring plans in cooperation with Field Managers and Field and GSO Sector Advisors.
  • Ensure sector MAEL systems are harmonized across South Sudan projects from data sheet collection to database.

Monitoring, Evaluation, Accountability and Learning Management

  • Coordinate with G.S.O. staff and technical advisors for recommended indicators and review of measurement plans.
  • Develop follow-up plans for all proposals in collaboration with Program Managers and Sector Advisors.
  • Work with sector advisors to develop and standardize survey tools and other data collection forms for monitoring programs.
  • Coordinate and oversee the implementation of baseline surveys, needs assessments, KPC surveys, SMART surveys, mid-term and end-of-project evaluations and other relevant monitoring and evaluation activities.
  • Coordinate the recruitment of consultants and supervise consultants recruited during surveys, baselines and evaluations. Supporting role through innovative and updated MEAL technology and software.
  • Promote measures to safeguard MEAL institutional memory in the SDS program by advising on reporting, data management and communication of lessons learned from MEAL.
  • Participate in quarterly management and country strategy meetings.
  • Track necessary action points from quarterly program progress and strategy meetings.
  • Train relevant program staff on MEAL tools, data collection and analysis, and basic survey and sampling techniques. Assist project staff in managing program data for regular monitoring of program progress.

Staff management

  • Manage Monitoring, Evaluation, Accountability and Learning Officers and any additional temporary or peak MEL staff online, including recruitment, day-to-day management, development and training, assessments.
  • Ensure that line staff receive supervision, mentoring and training to develop their personal and professional skills, knowledge and understanding. This can be done through on-the-job training and taught sessions.
  • Hold regular team meetings with assigned program support staff, review team and individual goals and ensure team members are kept informed of issues related to their work.
  • Promote the health and safety of monitoring and evaluation teams in the field by ensuring the application of safety instructions, the provision of essential communication equipment, occupational health and safety instructions and healthy living conditions and practices.
  • Assist in the recruitment of local field staff to implement on-site monitoring and evaluation activities in accordance with all Medair HR policies and national policies.
  • Assist with relevant external coordination and feedback information, as appropriate, to managers and staff.

Team spiritual life

  • Reflect Medair values ​​to team members, local staff, beneficiaries and external contacts.
  • Work, live and pray together in our Christian faith-based team frameworks. Contribute fully to the rich spiritual life of your team, including team devotions, prayers and words of encouragement.
  • Encouraged to join and contribute to the Medair International Prayer Network.

This job description covers the main tasks foreseen. Other duties may be assigned as needed.


  • University degree in public health, biostatistics/statistics, international development or other social science.
  • Excellent working knowledge of English (spoken and written).


  • Training and experience in epidemiology, statistics and software including SPSS, STATA or EPI info.
  • Experience in monitoring and evaluating humanitarian programs.
  • Post-qualification management experience in a relevant profession.
  • Experience working in a cross-cultural environment, preferably in a support role.
  • 3 years of professional experience in the management of MEAL in several sectors.
  • Solid experience in managing a humanitarian MEAL system, overseeing household surveys, writing reports.

All new international staff deployed to Medair country programs (and other roles requiring field travel) must be fully immunized with a WHO-approved COVID vaccine, along with a COVID vaccination certificate as evidence.

How to register

Please ensure that you are fully aware of:

a) Medair Organizational Values

b) Medair is committed to ensuring the protection of beneficiaries, volunteers, staff and partners, and in particular children. Therefore, we do not employ staff who we understand are unsuitable for working with children. Medair personnel are expected to have the utmost respect for and comply with, Medair Liability Policies and Best Practices.

vs) Medair Relief & Recovery Orientation Course (ROC) (which is part of the recruitment screening process for field positions).

Application process

To apply, go to this job offer on our Medair page.

Please do not submit multiple applications. We will not consider applications by e-mail. Only applications/CVs in English will be considered.

The Best CD Burning Software of 2022 – Review Geek

Sinisa Botas/Shutterstock.com

It is understandable to think that the CD is an obsolete technology. However, sales of small plastic discs have increased in 2021. There are still many good uses for CDs. The most important thing is to burn an old-fashioned mix disc for your lover. And you’ll need a CD burning program to do that.

What to Look for in CD Burning Software

You might think that a dedicated CD burning program wouldn’t have a lot of features and tools. However, since most of these programs do more than just CDs, there’s a lot more to dig into.

  • Disc formats: CDs are much more than music. You can also use them for photos, videos, data backups, etc.
  • Disc type: The best burning apps can create all kinds of discs, including CDs, DVDs, Blu-ray discs, and even virtual disc images.
  • Ease of use: Making a CD should be a simple affair. Look for a burning program that makes the process as easy as possible.
  • Disk duplication: Want a backup copy of your favorite music album or movie? Choose a disc burning program that makes an exact copy with minimal effort.
  • Media converter: Sometimes the files you want to burn are not in the correct format. Choose a CD burning application that can switch them to the file extension you need.
  • Encryption: If you use a CD burning program to back up important data, make sure you have a program that keeps it safe from prying eyes.
  • Platform Availability: All of the CD burning applications shown below work on Windows. Unfortunately, only one works with macOS.

Best Overall: Power2Go

The Power2Go interface open to
Cyber ​​Link


  • Full set of disc authoring tools
  • Burns DVDs and Blu-ray Discs
  • Powerful media converter

The inconvenients

  • Dear
  • No macOS version

Power2Go by Cyberlink has all the burning tools you need to create CDs quickly and easily. You can start creating a new audio disc a few moments after launching the program. It’s as simple as dragging your audio files into the program window and pressing “Go”. However, you’ll probably want to take a few extra minutes to make sure you’ve inserted all the necessary metadata and that your audio tracks have been imported in the correct order.

This program goes far beyond creating music CDs. You can also use it to create DVDs and Blu-ray discs. And with its menu creator, you can create a video disc with chapter splits, bonus content, and many other extras usually reserved for store-bought movies and TV shows. It can even make copies of your DVDs and Blu-rays. However, it is unable to break the copy protections found on commercially produced discs.

You can even use Power2Go to back up your important data. Whether on CD, DVD or Blu-ray, this capability can give you peace of mind knowing that you will be able to access critical files even if the external hard drive fails or your backup is not accessible. on the cloud. Plus, you can encrypt all your data drives for maximum security.

One of Power2Go’s most valuable tools is its media converter. This allows you to get your audio files in the correct format for burning and also helps you create the perfect audio and video files for playback on your mobile device.

Another great option: Express Burn Plus

Express Burn interface opens when burning an MP3 CD
NCH ​​software


  • Burns all types of formats and discs
  • Mac version available
  • Free home version available

The inconvenients

  • Free version is CD only
  • Unable to copy commercially produced DVDs and Blu-rays

Express Burn Plus is a fantastic CD burning program. It offers the ability to burn audio CDs, create video DVDs and Blu-rays, and create data discs of all types. It’s a great solution for all your disc authoring needs.

You even have the option of creating a virtual disk image (ISO file). When a disc image is saved on your hard drive, you can play it on DVD and Blu-ray player software the same way you would a physical disc. Plus, it’s always nice to have a digital backup of all your optical media in case they get lost or stolen.

If you are only interested in burning CDs, you can download the free home version of the software: Express Burn. This software does not expire and you don’t even need to sign up for NCH software or register the software.

Another great benefit of using Express Burn is that it is part of NCH Software’s larger suite of tools. Other products marketed by the company include WavePad audio editing software, VideoPad video editing program, and Prism file format converter. All have free home versions like Express Burn.

Best Budget: Easy CD & DVD Burning 2

Roxio Easy CD and DVD Burning 2 interface open to


  • Lots of features for the price
  • Converts analog media to digital
  • Easy workflow

The inconvenients

  • Unable to burn Blu-ray discs
  • Windows only

If you don’t want to spend a lot of money on a full-fledged disc authoring program, consider Roxio CD & DVD Buring 2. This program makes it easy to create audio discs and video DVDs in just a few minutes. It’s also a great solution for backing up your photos, home videos, and sensitive information in a format that won’t crash and will always be available as long as you have an optical drive to read it.

This software also has the ability to convert content on analog media such as CDs, records, and tapes to digital format. This capability makes Roxio CD & DVD Burning 2 an ideal program for rescuing those old tapes from that cardboard box in your basement. There’s even an audio filter that lets you remove all the pops and clicks from old analog recordings.

Roxio CD & DVD Burning 2 offers easy-to-use editing tools that let you add crossfades and other effects to your audio to give your CD a more personal touch. You can also use the program to create custom labels for your CD designs.

This program can create exact copies of your CDs and DVDs. However, it will not break any copyright encryption found on commercial home entertainment discs. This limitation should only be a problem with DVDs, since CDs are generally not encrypted in the same way as DVDs. Thus, you are limited to making copies of discs you make yourself or other non-commercial discs.

Best budget

Best Free CD Burning App: Burning Studio FREE

FREE Burning Studio interface open on main window


  • Everyone can use easily
  • Burns CDs, DVDs and Blu-ray discs
  • Erases used rewritable discs

The inconvenients

  • Limited toolset
  • no mac version

While the free home version of Express Burn is excellent, if you’re looking for something extremely simple, Ashampoo’s Burning Studio FREE makes creating your new CDs as easy as possible. Moreover, Burning Studio FREE is not limited to creating new CDs like the home version of Express Burn. It also works with DVDs and Blu-ray discs.

All features of Burning Studio FREE are neatly aligned with the program’s home window. Makes it easy to burn a data disc, create a backup, burn a music CD, create a DVD or Blu-ray movie, copy a disc, create a disc image or even erasing a rewritable disc. The interface and workflow are basic enough that even the less tech-savvy can use the program easily.

The fact that Burning Studio FREE is free software naturally brings it certain limitations. You won’t be able to create chapters and menus on DVDs and Blu-ray discs, edit audio and video, or create custom labels for CD cases. However, if you like the Burning Studio FREE offerings, you might want to upgrade to Ashampoo Burning Studio.

Monoprice’s Monolith MTM-100 powered speakers will dominate your desktop


The desktop speaker category took off during the pandemic as tens of millions of consumers walked away from their desk jobs. Brands like Audioengine, Q Acoustics, PSB and Edifier have seen a huge surge in demand for their powered speakers and it looks like the Monoprice is jumping into the category with both feet – and plenty of drivers.

The Monoprice Monolith MTM-100 Powered Speakers are the latest addition to the growing line of Monolith models and could be ideal for gamers looking for that extra degree of punch on the desk.


These speakers are a matched pair consisting of a powered primary speaker and a passive secondary speaker. The main loudspeaker contains the amplifiers and connections for the two loudspeakers.

They can be used as part of a desktop audio system for your PC/laptop or as a compact stereo system for your CD player or other compatible devices (including USB sticks).

Point: You can also connect a record player, but depending on the make/model you may need to connect a phono preamp between the record player and the analog audio input of the MTM-100 speaker system.

In addition to physical connectivity, the system also incorporates wireless Bluetooth® with Qualcomm aptX HD Audio for high-quality audio CD-level music playback from compatible devices, such as smartphones.

Point: The MTM-100 does not send audio signals to Bluetooth headsets or other Bluetooth speakers.

Monoprice Monolith MTM-100 Powered Desktop Speaker Headphone Input

A 3.5mm headphone jack on the front panel is provided on the main speaker.

With their passive speaker/radiator complement, these speakers are designed to deliver more powerful sound than you’d expect from their compact size. However, they are larger than your typical desktop computer speakers.

Monoprice Monolith MTM-100 Powered Desktop Speakers Rear Inputs and Outputs

Plus, if you want more bass boost, you can add a subwoofer to the system via its dedicated subwoofer output.


A wireless remote control is provided. The main speaker also provides a multi-function volume/source selection control on the front panel.

Advertising. Scroll to continue reading.
Monoprice Monolith MTM-100 remote control


  • Product number: 43241
  • Amplifier type: Class D
  • Amplifier output power: 2 x 50 watts (100 watts total)
  • Woofer (each speaker): 2 x 4 inch cone
  • Tweeter (each speaker): 1 x 1.25 inch silk dome
  • Passive radiators (each speaker): 2 x 5.25 inches
  • Response frequency: 50Hz ~ 20kHz
  • Wired inputs: stereo analog RCA, optical digital S/PDIF, USB
  • Wired outputs: Mono analog subwoofer, 3.5 mm stereo headphones, speaker connections between the main speaker and the secondary speaker.
  • Bluetooth®:Version 5.0
  • Bluetooth audio codecs: SBC, Qualcomm aptX HD
  • input power: 100 ~ 240 VAC, 50/60 Hz, 150 watts
  • Dimensions (WHD – each speaker): 6.3 x 14.0 x 7.9 inches (160 x 355 x 200mm)
Monoprice Monolith MTM-100 Rear Amplified Desktop Speakers

What’s in the box

  • main speaker
  • Secondary lecturer
  • Remote control with batteries.
  • Speaker interconnect cable
  • RCA analog stereo cable
  • Foot mat
  • AC power cable
  • Manual

Availability and prices

The Monoprice Monolith MTM-100 Powered Desktop Speakers are available for $499 on Monoprice.com.

More Monoprix

Monoprice’s Monolith Encore 5 series speakers promise a lot of performance for less money

Monoprice Monolith Encore 6 Series home theater speakers are very affordable

Monoprice Soundstage3 Portable Bluetooth Speaker: Review

Monoprice Unveils Monolith M518HT THX 5.1 Channel Speaker System

Monoprice Announces Monolith THX LCR and Satellite Speakers

Overview: Monoprice Monolith Dual Driver THX Ultra M-210 and M-212 Subwoofers

Monoprice Monolith THX subwoofers shake the foundation

Monoprice shakes things up with two new Massive THX subwoofers [Updated]

How to Create a Custom Linux Mint or Ubuntu ISO


Installing Linux Mint is not a big deal.

These are the things to do after installing Linux Mint that can seem tedious.

And if you have to do the same thing on multiple systems, it gets frustrating.

Imagine having multiple computers in your home, lab, or institution. And all should have similar setups and applications.

Now imagine this. You download Linux (Mint), create a live USB and install it on all systems. And then you have to do the same setup and install the same set of apps on each of them.

What if I told you there was a way to save time doing these repetitive tasks? How about creating a modified ISO and putting that custom Linux Mint on the live USB? This way, it installs the same custom Linux distribution on all systems.

There is a handy graphical tool called Cubic that allows you to pre-configure your installations in the simplest way possible.

Let me explain its features and how you can use it to customize Linux Mint 21 ISO.

Note that Cubic should work with other distributions like Ubuntu, Fedora, etc. I tested it with Mint but you can try following the steps for other distros.

Cubic: the easiest way to create custom ISO images

Cubic (VSpersonalized ubuntil ISO VSreator) is a graphical tool designed to customize Ubuntu-based distributions.

It lends you to the ISO’s chroot environment where you’ll make significant changes, and it also lets you choose the packages separately for minimal and normal installation.

But before getting to the procedure, let’s take a look at some features of Cubic.

Main features of Cubic:

  • Easy to use graphical interface.
  • Allows you to separately select packages for minimal and normal installation.
  • It has three tabs for specific reasons:
    1. Kernel tab: If you have opted to install multiple kernels, you can specify the boot kernel from here.
    2. Pressed Tab: From here you can create, edit, and delete pressed files. By using pressed files, you can skip the questions typically asked during installation, because pressed files will automate the process!
    3. Boot Tab: If you want to change the boot settings, this is where you can change the modified ISO boot from.
  • Offers different types of compression formats to compress modified ISO files.
  • Comes with QEMU (open source machine emulator and virtualization) for testing modified ISOs.

Sounds too promising, right? So let’s continue with the installation process.

Installing Cubic in Ubuntu-Based Distributions

Cubic is not available in Ubuntu’s default repository, so you need to add PPA to install software not available in default repository:

sudo apt-add-repository ppa:cubic-wizard/release

Now let’s update the repository and install Cubic:

sudo apt update && sudo apt install cubic

And that’s all!

So now let’s get to how you can use Cubic to customize the ISO.

How to Use Cubic to Create Custom ISO Images

For this guide I will be using Linux Mint 21 ISO. To make this guide more relevant, I will do the following:

  • Removed unnecessary packages, making it a minimal ISO of Linux Mint.
  • Update the remaining packages to the latest version.
  • Add new background images.
  • Install the latest Linux kernel (6.0).

You can make your own modification according to your taste.

1. Add/Create project directory

select project directory in cube

When you open Cubic, it will ask you to choose the project directory. This is nothing but where you want all the files related to creating custom ISO images.

Here I created a new subdirectory in my HOME directory. Make sure you have a separate directory for each Cubic project you create. Once you are done selecting the project directory, click the Next button.

2. Choose the original ISO image

Here you need to choose the original ISO image you want to work with.

choose original iso

As you can see, I went with Linux Mint 21, and it picked up all the other info automatically.

3. Work with chroot environment

Once you select the ISO, it will extract the ISO image and you will enter a chroot environment.

screenshot of 2022 10 21 14 13 26

This will behave like a normal terminal and it’s also where I’m going to do most of the stuff related to customizations.

Deleting packages

It’s up to you how many packages you want to remove or you can also skip the package removal section. To remove a package, you don’t need to use the sudo you usually use because removing packages requires superuser privileges.

So suppose you want to remove Thunderbird; then the following command should do the job:

apt purge thunderbird

But as I told you earlier, I’m going for a minimal desktop, I’ll remove most extra GUI apps, including Libreoffice. And if you want to do the same:

apt purge drawing gnome-calculator hexchat hypnotix libreoffice* onboard redshift redshift-gtk rhythmbox sticky thingy thunderbird warpinator webapp-manager
removal of packages

Yes, it’s as simple as that!

Update existing packages

If you want to have the most recent packages in your next Ubuntu installation, here is the step to follow:

sudo apt update && sudo apt upgrade
update to latest packages

Adding background images

Let’s start by changing the current working directory to /usr/share/backgrounds:

cd /usr/share/backgrounds

Since Cubic allows users to copy files by drag and drop into the current working directory (/usr/share/backgrounds in our case), I’m going to use copy my wallpapers (which I downloaded locally).

copy imaegs by drag and drop

This should be the case if you want to change the background from the file manager, but if you want them listed in the change background dialog, you’ll need to add them each in an XML file located in /usr/share/gnome-background properties.

Added Linux 6.0 kernel

In this section, I will download the .deb package of kernel headers and modules, and then install them using the dpkg command.

Use the given 4 commands one by one and it will download kernel modules and headers:

wget https://kernel.ubuntu.com/~kernel-ppa/mainline/v6.0/amd64/linux-headers-6.0.0-060000_6.0.0-060000.202210022231_all.deb
wget https://kernel.ubuntu.com/~kernel-ppa/mainline/v6.0/amd64/linux-headers-6.0.0-060000-generic_6.0.0-060000.202210022231_amd64.deb
wget https://kernel.ubuntu.com/~kernel-ppa/mainline/v6.0/amd64/linux-image-unsigned-6.0.0-060000-generic_6.0.0-060000.202210022231_amd64.deb
wget https://kernel.ubuntu.com/~kernel-ppa/mainline/v6.0/amd64/linux-modules-6.0.0-060000-generic_6.0.0-060000.202210022231_amd64.deb

Once you have completed the downloads, you can use the dpkg command to install them:

dpkg -i *.deb
install linux 6.0 kernel in ubuntu

4. Select the packages to remove from a minimal and normal installation

With Cubic, you can even specify the list of software for minimal and normal installation.

select packages for minimal and normal installation

This is the place where you can be creative because you will have 2 lists of software that you can use for different purposes.

For example, you can use the normal installation option for desktop use and the minimal installation should be used for more minimal setups such as servers.

Since I have already removed packages, there is not much left for me to do in this section.

5. Select boot kernel

This section will bring the list of Linux kernels you have.

choose boot kernel

If you wonder why it shows 3 options, let me tell you how:

  • 5.15.0-41 was pre-installed.
  • 5.15.0-52 was installed when I updated existing packages.
  • 6.0 was manually installed by me.

I’m going here with the Linux 6.0 kernel!

6. Choose the ISO compression type

This is the last step of the configuration where you have to choose the compression algorithm.

choose iso compression algorithm

You don’t need to know each type of compression as it has already given the graph by which you can choose the amount of compression.

And I go with the default one gzip option.

Once you are done choosing the type of compression, click the Generate button and your ISO will be created!

7. Testing the ISO file with the built-in QEMU emulator

Once the Cubic has finished creating the ISO you requested, it lets you test the ISO file. To test the file, click on the Test bottom located in the upper left corner:

click test button to start qemu emulator

And he launched QEMU:

run qemu

And I ran into a problem while trying to update the repositories saying: Please use apt-cdrom to have this CD-ROM recognized by APT.

How to solve “please use apt-cdrom for this CD-ROM to be recognized by APT”

please use apt cdrom for this cd rom to be recognized by apt

To solve this problem, you just need to disable the installation disk (CD-ROM) from the software resources.

Open software resources in Linux Mint and if you are using Ubuntu you will need to use the Software and Updates tool.

disable cd rom

Once you disable the CD-ROM, it should work like any general ISO you download from the official page!

all repositories are working fine as expected

It was quick. Right?

Last words

This was my take on how you can easily create custom ISO images of Ubuntu or other Linux distributions using Cubic with its practical usage.

If it’s something you could use, give it a try. Let me know in the comments if you get stuck, and I’ll do my best to help you out.

What is the difference between HDMI and DisplayPort?


Download this article in .PDF format

This file type includes high-resolution graphics and diagrams, where available.

Updated on 21/10/2022

HDMI (High-Definition Multimedia Interface) and DisplayPort are modern serial interfaces designed to direct audio and video to a compatible display. These standards replace the aging VGA (Video Graphics Array), DVI (Digital Video Interface), and FPD-Link standards for increased data bandwidth, resolutions, and refresh rates to drive today’s high-pixel-density televisions and monitors. . HDMI 2.1 and DisplayPort 2.0 are the latest revisions and offer new features such as 10K (@120Hz) panel support, Dynamic HDR, AR/VR support, up to 77.37Gbps throughput data and more.


Video monitors for personal computers are analog products. They get their input from video controllers that use digital-to-analog converters (DACs) to convert digital video display content to analog signals. There are analog interfaces such as VGA and other variants depending on the display resolution. Today, a digital video interface called DisplayPort is quickly becoming the primary video standard for PCs, laptops, and other computers.

Additionally, all video and audio used to be analog. But with the advent of CDs and DVDs, video has gone digital. In 2009, television broadcasting became fully digital. While analog interfaces such as composite video, S-video, and RGB were used to transport video from one device to another, an all-digital interface was needed. Intel’s Digital Video Interface (DVI) filled part of that need, but today HDMI has become the de facto standard for consumer electronics.


HDMI is a standard from the HDMI Forum (Fig.1). This non-profit organization develops and maintains the standard, manages its interoperability testing and certification, and promotes it. More than 80 member companies support the Forum. The standard became available in 2003 and has been continuously updated. The current version is 2.1. It complies with EIA/CEA-861 standards that define video formats and transmission methods for compressed and uncompressed video and audio.

The consumer electronics industry has almost universally adopted HDMI as “the” video transmission standard. It appears in HDTVs, DVD/Blu-ray players, cable and satellite boxes, AV receivers, digital games, digital cameras, video projectors and some video monitors. It’s even available on some tablets and smart phones.

Technically, the standard supports three differential serial data channels that carry uncompressed video and audio. The protocol is called transition minimized differential signaling (TMDS), developed by Silicon Image. An 8B/10B encoding scheme converts bytes to 10-bit codes for error detection and correction. Video is transferred as 24-bit pixels in sync with a separate clock channel. Ten bits are transferred per pixel clock period. The standard supports up to 48 bits of pixel data. Pixel clock frequencies can be any value in the range of 25 MHz to 340 MHz. This supports 720p and 1080p resolution video with a 60Hz refresh rate. The overall maximum possible composite data rate is 10.46 Gbps.

As for audio, HDMI uses Linear Pulse Code Modulation (LPCM). Support is provided for the most popular digital audio formats such as Dolby Digital, DVD and Super CD audio and DTS HD audio. Audio capability supports up to eight channels. HDMI also includes the Audio Return Channel (ARC), which carries audio from your TV to an AV receiver without a separate audio connection, as is common in some systems.

HDMI also incorporates High Bandwidth Digital Copy Protection (HDCP) to encrypt copyrighted video and audio material. It prevents the reading or copying of protected material during transmission over the interface.

A separate Display Data Channel (DDC) link provides two-way communication capability between the transmitting source and receiver. It is based on the popular I2C. DDC interface is used to inform the transmitter of the configuration and functionality of the receiver. Another separate consumer electronics control (CEC) channel allows multiple devices to be controlled from a single source. Up to 15 devices are supported, so a single remote control can manage all HDMI-connected products.

These multi-wire bundles include four shielded twisted pair lines (100 Ω impedance) for data and clock, plus individual data lines for DDC and CEC connections, as well as ground and power lines. A maximum cable length has not been specified and a wide range of lengths are available. High-speed signals degrade quickly over length, so cables should be kept short. Cables as long as 50 feet are available, but considerable degradation occurs. Longer distances can be achieved by using repeaters or active cables that include signal regeneration circuitry. Fiber optic cables can be used over distances of several hundred feet if needed.

There are four connectors defined for different applications. The best known is Type A with 19 pins which is used on most consumer electronics. The Type B connector uses 29 pins and doubles the six channel data connections to provide a higher pixel rate for carrying high definition formats. The Type C connector is a mini version of Type A with the same 19 pins. It is used on portable devices like laptops and tablets. A micro D-type connector is also available for even smaller devices. It also has 19 pins, but the pinout is different from other connectors. An E-type connector targets automotive applications and includes a locking pin to prevent accidental disconnections due to vibration. A variety of adapters are available to convert from one type of connector to another.

An interesting feature of the latest version of HDMI is the HDMI Ethernet Channel (HEC). By using two pins in the standard connector plus a special cable, a single 100 Mbit/s Ethernet channel is implemented. HEC is mainly used for audio control.

A major factor in designing HDMI into your product is the cost of adopting the standard. Your company must join the HDMI Forum with a membership fee of $15,000 per year and pay a royalty in the range of 3 to 15 cents per product sold. Version 2.0, expected in the near future, increases the clock rate to 600 MHz and supports 4K and 3D HD video resolution as well as faster refresh rates and newer audio standards.

Display Port

DisplayPort (DP) is a standard of the Video Electronics Standards Association (VESA), which develops, certifies and promotes it (Fig.2). More than 200 member companies support it. DP defines a standard for connecting PCs, laptops and other computers to video monitors. It is also available on video graphics cards, docking stations, projectors and other computing devices. It is primarily designed to replace VGA and DVI ports. DP can be used for consumer electronics but is not common. As a result, it does not directly compete with HDMI. It is an open standard that does not require a royalty payment. Introduced in 2006, the standard is now at version 2.0.

DP uses one, two or four differential serial data paths to transport video and audio. Data is self-clocking at a bit rate of up to 77.37 Gbps per path using clock frequencies of 162, 270, or 540 MHz. Data is transmitted in packets with an 8B/10B encoding scheme. The maximum possible net data rate is 17.28 Gbit/s with encoding using all four paths. Most major video formats are supported, including 720p and 1080p, 24 bits per pixel, at 60 Hz refresh rate and up to 3840 by 2160, 30 bits per pixel, at 60 Hz refresh rate.

Digital audio capability in LPCM (Linear Pulse Code Modulation) format supports up to eight channels of audio with 16- or 24-bit sample rates, from 32 to 192 kHz. Compressed audio formats are encapsulated. DP can also use multiple monitors. Up to four monitors with a resolution of 1920 by 1200 can be daisy-chained. With two monitors connected, the resolution can go up to 2560 by 1600.

A dual-mode feature called DP++ can carry single-channel HDMI or DVI using a special adapter. This feature is found on some monitors and graphics cards. The DisplayPort Content Protection (DPCP) encryption system protects copyrighted material from copying or transmission. DP may also implement HDCP if licensed separately by Intel.


Both HDMI and DisplayPort technologies have improved dramatically over the past decade, and both will continue to evolve as the latest technologies come to fruition. The standards will continue to drive multi-panel displays to higher resolutions beyond 10K at increased bandwidths and frequencies. That said, HDMI and DisplayPort will only be able to handle so much bandwidth before a new standard is needed, and AI and Domain Specific Processors (DSPs) will usher in wireless connectivity that will make these technologies obsolete. The idea is to place neural processors embedded in SoCs (System on a Chip) to run super-resolution algorithms to scale today’s lower resolutions (2, 4, 8 and 10K ). It will be interesting to see how far developers can push HDMI and DisplayPort beforehand.


Taylor Swift releases four exclusive ‘Midnights’ vinyls: Here’s where to get them


The Swifties are counting the hours until Taylor Swift drops her 10th studio album “Midnights” at 12 p.m. ET on Friday, October 21.

The second Swift announced her new album in August, with fans eagerly awaiting Easter eggs, hints, and anything else that would help fans know what to expect. Recently, Swift revealed a collaborative track with Lana Del Rey. According to the 11-Grammy Award-winning artist, the album will share “the stories of 13 sleepless nights scattered throughout my life.”

As usual, Target will be releasing exclusive vinyl, just like it did with Folklore, Fearless and Lover. However, there are more exclusive vinyls on the horizon that create a unique home accessory that any fast biker will love.

Here’s everything you need to know about exclusive vinyl and how to listen to the album the second it’s released.

Exclusive vinyls

Taylor Swift releases four exclusive albums on taylorswift.com. However, the surprise does not end there. You can collect all four vinyls or CDs to create a “Midnight” clock. Each vinyl album includes 13 songs, unique back and front covers, and a collectible 8-page lyric booklet with never-before-seen photos.

Midnights: Moonstone Blue Edition Vinyl | Taylor Swift

Lavender Edition (Target Exclusive)

Taylor Swift is once again collaborating with Target to release a store-exclusive album. The lavender vinyl comes with all 13 songs plus 3 bonus tracks, a collectible album cover, a unique vinyl record, and the 8-page lyric booklet with never-before-seen photos.

Midnight: Lavender Edition |  Target

Midnight: Lavender Edition | Target

  • Midnights: Lavender Edition Vinyl – $29.99
  • Minuits: Lavender Edition CD – $13.99


Although Swift hasn’t released an exclusive vinyl with Walmart, you can still purchase all four single albums and CDs.

Midnights: Editions Bundle - 4 LPs |  walmart

Midnights: Editions Bundle – 4 LPs | walmart

  • Midnights: Editions Bundle – 4 LPs – $99.97

Where can I listen to the album when it comes out?

Spotify: Once the album is live, Spotify will offer a special teaser video with the lyrics. Additionally, Swift will be posting nightly clips to the album on the mobile-only pre-save page, so you’ll want to pre-save the album to Spotify to get access to the exclusive stories.

What is Spotify?

With Spotify, it’s easy to find the right music or podcast for every moment – on your phone, computer, tablet and more.

There are millions of tracks and episodes on Spotify. So whether you’re driving, working out, partying or relaxing, the right music or podcast is always at your fingertips. Choose what you want to listen to or let Spotify surprise you.

You can also browse collections of friends, artists, and celebrities, or create a radio station and just sit back.

How much Spotify Cost?

  • Individual: Offer starts at $9.99/month after offer period. Listen to ad-free music anywhere, even offline, with on-demand playback. Get 2 months free here.
  • Duo: Offer starts at $12.99/month after offer period. This plan hosts two accounts with no-add music listening, offline playback, and on-demand playback. Get 1 month free here.
  • Family: Offer starts at $15.99/month after offer period. Host 6 premium accounts, block explicit music and listen to ad-free music, play offline and on demand. Get 1 month free here.
  • Student: Offer starts at $4.99/month after offer period. This plan is in collaboration with Hulu and SHOWTIME. Listen to ad-free music anytime with on-demand playback. Get 1 month free here.

How much Apple Music Cost?

  • Voice: $4.99/month. Listen to 100 million songs with expertly curated playlists, ad-free streaming and more. Find out what this plan includes and start a free trial here.
  • Student: $5.99. Enjoy the same accessibility as the Voice plan with access to your music library from any offline device, lyrics display, etc. Find out what this plan includes and start a free trial here.
  • Individual: $9.99. This plan is the same as the student plan. Find out what this plan includes and start a free trial here.
  • Family: $14.99. Get personalized music recommendations for each family member, have a personal library, and enjoy unlimited access for up to six people. Find out what this plan includes and start a free trial here.

How much Amazon Music Unlimited Cost?

  • Individual: $9.99/month after a 30-day free trial for new users. Have unlimited access to 90 million songs at no additional cost. Listen to music on demand and listen to podcasts and songs offline with unlimited skips. Start your free trial here.
  • Family: $14.99/month after your trial period. Have unlimited access to 90 million songs at no additional cost. Listen to music on demand and listen to podcasts and songs offline with unlimited skips. Start your free trial here.

More “Midnights” Stories

  • How to watch Taylor Swift’s ‘Midnights’ ad on Thursday Night Football

foobar2000 v1.6.13 – Neowin



Razvan Serea

October 19, 2022 11:20 p.m. EDT

foobar2000 is an advanced free audio player for Windows platform. It presents the simplest and most minimalist interface that you will see in this type of program. Other features include full Unicode support, ReplayGain support, and native support for several popular audio formats.

Features of foobar2000:

  • Supported audio formats: MP3, MP4, AAC, Audio CD, WMA, Vorbis, FLAC, WavPack, WAV, AIFF, Musepack, Speex, AU, SND…and more with additional components.
  • Reading without interruption.
  • Full Unicode support.
  • Easily customizable UI layout.
  • Advanced tagging capabilities.
  • Support for ripping audio CDs as well as transcoding all supported audio formats using the Converter component.
  • Full ReplayGain support.
  • Customizable keyboard shortcuts.
  • Open component architecture allowing third-party developers to extend player functionality

foobar2000 1.6.13 changelog:

  • Maintenance release with changes backported from the 2.0 series.

  • Fixed an issue that caused audio stuttering when changing screen resolution in certain configurations.

  • Fixed incorrect exclusive mode output behavior when playing files with an unusual channel layout.

  • Fixed incorrect handling of M4A itunescompilation=0.

  • libFLAC 1.4.1, made it possible to decode 32 bit eg FLAC file.

  • WavPack 5.5.0.

  • Compiled with Visual Studio 2022.

To download: foobar2000 1.6.13 | 4.5 MB (free software)
Connections: Home page | foobar2000 for Mac | Windows Store | android

Get notified of all our software updates on Twitter at @NeowinSoftware

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Peter Richard Palermo | Warwick Lighthouse


“Coach” Peter Richard Palermo, 80, passed away peacefully on October 18, 2022 with his devoted wife by his side, after two years battle against cancer.

He was the beloved husband of Maureen E. (Leonard) Palermo. Born in Providence, son of the late Vito and Concetta Palermo. Peter leaves behind his sister Lois (John) Frizado; his children Peter (Holly), Richard (Connie), Craig (Deborah) and Jennifer (Sergio), and his stepson Brian Shurtleff. He was the proud grandfather of nine grandchildren: Gianna, Nicole, Taylor, Alexandria, Bryant, Richard Jr., Olivia, Cole and Quinn; and two great-granddaughters, Blake and Zenith.

As a young athlete, Peter played football, hockey and baseball and was also an accomplished diver. Peter was a 1962 graduate of Cranston High School, where he was an outstanding hockey and baseball player, two of the many sports he would be passionate about throughout his life. After graduating, he served six years in the U.S. Army Reserve.

Peter was an elite Pro Duckpin Bowler, reaching No. 2 in Rhode Island and No. 9 in the country, but then hung up his bowling shoes and turned to coaching and volunteering. He kissed her role on the bench for decades – whether on the ball field or on the ice rink. For many years you will find him on the ice volunteering as instructor and coach of numerous teams with Warwick Junior Hockey Association. In 2016 he was inducted into Rhode Island Babe Ruth League Hall of Fame, in recognition of his 35 years of dedication volunteer service to the Warwick PAL Babe Ruth League and Rhode Island Babe Ruth Leagues.

Peter coached in the hockey and baseball programs at Pilgrim High School for 15 years. In 1990, Coach Palermo was the prouder of the two teams winning the state championship the same year. He wrapped his coaching careers of his grandchildren in softball and baseball, as well as his three sons, at Warwick West Side and Warwick National Little Leagues.

He was the proud founder and owner of Exchange Real Estate and Mortgage Plus. As a real estate and mortgage broker, Peter has built a very successful career.

Besides his family, friends and sports, and his quest to find the best Italian grinder and Zeppole as it is, Peter’s love of Doo-Wop music was obvious to all who knew him, if he was driving with the turn up the volume on the radio, sing and dance at every opportunity he could, or make a call, say nothing, but hold the phone in front of the speaker to share a verse or two from any CD he was playing from his extraordinary collection. It really made him so happy to share his passions, be it baseball, hockey or music, with others… and that is why he will be remembered the most.

Peter’s family are very grateful for the treatment and sympatheticcare he received from the doctors, nurses, navigators and staff of the Lifespan Cancer Institute. In lieu of flowers, donations can be made to the Head and Neck Cancer Fund at Rhode Island Hospital, PO Box H, Providence, RI 02901 or online at Support Rhode Island Hospital (https://giving.lifespan.org/RIH/Support-RIH)

Please visit www.TheQuinnFuneralHome.com for funeral information, service details and online condolences.

40 facts as the CD turns 40


Lyrics by Christie Eliezer

What you didn’t know about the CD

The invention of the compact disc (CD) ushered in a digital age that revolutionized the way music was created, distributed and consumed.

CD celebrates 40 yearse anniversary in 2022. But the concept started in the 1960s.

The story began with American physicist James Russell, who worked in the experimental division of General Electric in Richland, Washington. He designed and built the first electron beam welder and was among the first to use a color television screen and keyboard as the primary interface between computer and operator.

A classical music enthusiast, he was frustrated with the way his vinyl records skipped and scratched, and had subpar sound quality. He first tried to improve the record player, replacing the steel stylus with a cactus needle, but was unsuccessful.

He then realized that the quality of the vinyl record could be maintained by completely removing the stylus with a light that played music without physically touching the record.

Dr. Russell has won numerous awards. But he received no financial reward from his inventions as he was employed by the company.

To celebrate 40 years of the CD, we bring you 40 facts!

Read all the latest features, interviews, and how-to topics here.

1. After Philips in Europe (then Royal Philips Electronics) and Sony in Japan rushed to become the first to develop prototypes, they announced in 1979 that they were pooling their resources.

Philips focused on its physical design and how the laser read information.

Sony’s role was the design of the analog-to-digital conversion circuit, the encoding of the digital signals, and the design of the error-correcting code.

2. It was not a harmonious relationship. Philips’ idea was for the disc to be 115mm, which was close to the size of its cassette.

3. Sony wanted the 120mm disc as the industry standard, knowing that Philips would have the advantage in manufacturing as it already had a factory capable of producing 11.5cm CDs.

4. It ended up being 120mm, which would allow for 74 minutes of music.

5. There are two versions of the 74-minute idea.

6. Sony and Philips knew that legendary Austrian conductor Herbert Von Karajan, who sold 200 million records, was crucial in selling the new format to Europeans.

He agreed to appear at the April 15, 1981 press conference in Salzburg, Vienna, where they would present the prototype of the shiny new record, on the condition that the Beethoven set Ninth Symphony could be played without interruption.

The longest recording, Wilhelm Furtwängler’s performance in 1951, lasted 74 minutes.

seven. In another version, the 1951 recording was the favorite of Sony vice president Norio Ohga (later president and president), an opera singer who was president of the Tokyo Philharmonic Orchestra.

It was he (or his wife, acclaimed classical pianist Midori Matsubara) who wanted the 74 minutes.

8. The CD was actually released with a capacity of 74 minutes 33 seconds, but the U-Matic master tapes used to make them lasted only 72 minutes. It was therefore only in 1988 that Beethoven’s 9th fit on a single disc.

9. Sony sold the world’s first CD in 1982, and CDs surpassed LP sales in Japan five years later.

ten. The CD specifications were also used in later formats such as MiniDisc and DVD.

11. A misconception is that ABBA Visitors was the first album to be released on CD.

Granted, it was recorded on a number of formats, including digital. It was first released on vinyl and cassette in November 1981, but the CD version was not released until 1983.

12. By then, 150 titles had been simultaneously released on the new format in Japan by October 1, 1982.

13. The first catalog number of these was that of Billy Joel 52nd street.

Others in the lot were from Toto Turn aroundpink floyd wish you were Heremichael jackson On the wallSantana’s ShangoVangelis’ chariots of fire soundtrack, Quarterflash quarterflash, by Tchaikovsky 1812 Opening and the Nolans Don’t love me too much.

14. They came to the Japanese market with Sony’s CDP-101 CD player on October 1, 1982 – classy but expensive at US$1,000 ($2,966 in today’s money). The CDP-101 did not reach American shores until early 1983.

15. The CDs and players hit the US, Australian and European markets on March 2, 1983 with 16 tracks from the Sony CBS label.

16. At that time, there were 1,000 titles on the format.

17. But far-sighted Australian retailers like Canberra’s Kent Hi-Fi realized that CDs were the future and started importing from Japan in 1982.

18. The first American release, in 1984, was that of Bruce Springsteen Born in the United States.

19. CD booklets warned that discs should be protected from dust, fingerprints and scratches. But they have earned a reputation for indestructibility.

20. BBC TV The world of tomorrow wondered if there was a market for it and tested its resilience by scratching and scraping a Bee Gees CD. The urban legend was that the presenters smeared the disc with strawberry jam, but this has been denied.

21. The CD format was first adopted by audiophiles and mainstream consumers. As player prices fell, demand became mainstream.

22. In 1988, 400 million CDs were produced by 50 pressing plants around the world.

23. That year they eclipsed vinyl, overtaking cassette three years later. In 2007, 200 billion CDs were sold.

24. What sold the format was Dire Straits Brothers in arms (May 1985), made at AIR Studios on the Caribbean island of Montserrat.

“It was pretty twisty,” said co-producer Neil Dorfsman sound on sound about the cramped size of the main room. But his Neve console “was so good, everything you put on it sounded good.”

25. Dorfsman reveals that the digital multitrack was mixed on an analog card with the resulting two-track mix re-digitized through a Prism A/D converter and recorded on a DAT machine.

26. Brothers in arms was the first CD to sell a million. It then reached 30 million worldwide.

27. In Australia, it remains the longest stay at No. 1 (34 weeks) on the ARIA charts and has been certified 17x platinum for sales of 1.24 million.

28. The overwhelming demand in manufacturing plants around the world for Brothers in arms was a nightmare for Rykodisc, which had just launched as the first CD-only record label.

29. The first CD made in Australia was Whispering Jack (1986) by John Farnham via Disctronics in Melbourne.

30. But the first Australian CD to hit the market was Andrew Thomas Wilson’s electronic vibes. Carnavonmade at Studios 301 in Sydney in mid-1984 and made in Japan for an Australian broadcast on October 20, 1984.

31. Disctronics was Australia’s first CD factory. It opened its doors in February 1987, with 80% of its customers initially coming from Europe and the United States.

32. The first major artist to release his full catalog on CD was David Bowie, with 15 albums made available in February 1985.

33. The best-selling CD (not the best-selling title) is Beatles 1, released in November 2000, with worldwide sales of 30 million records.

34. By 1987, CDs had overtaken vinyl in stores and overthrown cassette tapes by 1991.

35. The CD met traditional computer technology in 1991 with the CD-i, designed to contain videos, lyrics, animations and other interactive content. Within a year, 50 titles were available on CD-i.

36. The video CD in 1994 was introduced by co-founder Sony to record and play concerts, karaoke and interactive content for children.

37. But it was quickly replaced by the Digital Versatile Disc (DVD) – invented by Philips, Sony, Toshiba and Panasonic – which scrapped the VHS tape.

38. The first rewritable CD — the CD-RW — hit the market in 1997 but was affected by its high price.

39. The end came for the CD from 2000 after the introduction of a new format called MP3, and the concept of purchasing, storing and playing music on the consumer’s personal computer.

Nearly 300,000 tracks sold in the service’s first 24 hours, with Apple selling single-track MP3s for $0.99 and albums for $9.99.

In 2017/18, streaming overtook CD sales worldwide.

40. According to the Australia Recording Industry Association, CD album sales in Australia increased from 8,359,548 in 2017 to 5,892,665 in 2018, 3,794,171 in 2019, 3,291,332 in 2020 and 2,293,671 in 2021.

Learn more about how CDs work here.

Yale Library donates software collection to Arctic World Archive project


Yale Library’s digital contribution will be stored in Svalbard, Norway as part of a project to protect the world’s software

Staff columnist

Kaia Mladenova, staff illustrator

Deep in the bowels of a Svalbard coal mine, the World Arctic Archive has added a suite of digital programs from the Yale Library to its growing collection.

Yale’s library software donation – which includes Microsoft Office and Adobe Suite – is one of the latest to join the AWA. The donation’s journey from CD-ROM to storage vault is the result of a collaboration between the library’s Emulation-as-a-Service Infrastructure, or EaaSI, program and Norwegian data services company Piql. .

“This project is … a one-of-a-kind thing that we’ve done,” said Seth Anderson, EaaSI program manager at the Yale Library.

AWA was founded in 2017 by Piql to preserve digital apps, software, and data files at risk of obsolescence or physical destruction. The Yale Library EaaSI program, which aims to increase access to emulation technology within and beyond Yale, facilitated the contribution.

As part of AWA, contributions from institutions around the world are translated into bits – binary ones and zeros – on special Piql film, where they are stored in a former coal mine under carefully controlled conditions.

“We have developed this [Piql] film for many years and has really improved that,” said Katrine Loen, Piql’s deputy general manager and responsible for bringing Yale Library collections into the vault.

Piql film, coated with silver halide, contains eight million data points per frame and can withstand stretching, scratching and nuclear radiation, making it an ideal medium for AWA contributions. Movies “can last 1,000 years,” according to Loen.

The finished Piql films are then placed 300 meters underground in one of Svalbard’s former coal mines, just 600 miles from the North Pole. Svalbard was created as a demilitarized zone under Norwegian sovereignty under the 1920 Treaty of Svalbard.

“It’s exciting to be included alongside…monumental projects related to the preservation of world cultural heritage,” Anderson said.

Among the archives’ growing collections are all services from GitHub, manuscripts from the Vatican Library, and a comprehensive analysis of the Taj Mahal.

Loen noted that in our time there is a need to retain large amounts of information. She also pointed out that so much information could be lost due to the threat of technological obsolescence. As storage media gradually disappear, users must transfer their data in order across the interfaces, resulting in slight data changes with each migration. What happens then is that “what is stored 100 years ago is not the same data that you get in 100 years,” Loen said.

This is a huge problem for digital collections, and collectively for research, scholarship and science: how to maintain public access to legacy digital content that really needs its original computing environment to function properly ? […] ?” Ethan Gates, an EaaSI software preservation analyst at the Yale Library, wrote to the News.

As software and devices become obsolete, some digital products often get lost in the process of technological advancement, which can complicate the process of preserving information for future generations.

“We would like to preserve important information for humanity,” Loen said.

Since every Piql movie contains the object’s source code and file format in human-readable text, anyone in the future will be able to access it with just a computer, a light source, and a camera. 3D scans of the archives of Edvard Munch’s “The Scream”, for example, would allow future users to faithfully distinguish between images online to find the original work.

Piql and the EaaSI program plan to continue their work to democratize information.

Loen spoke to the News about Piql’s efforts to deprivatize and “offer our services to public institutions.” The group is working to become a foundation, which will ensure that the project remains under the protection of the Norwegian government and accessible to everyone.

Because “not all institutions have the money to store data,” Piql strives to open up free storage options because “important information [is not] always comparable to how much money you have,” Loen said.

As for the EaaSI program, Anderson explained that the initiative hopes to expand its reach beyond Yale and “turn the system into a service that we can offer to other institutions.” He hopes that the work of EaaSI can enable other organizations to initiate similar projects and “[ensure] accessibility of information for the future.

“We are working with a number of other universities and libraries in the United States and beyond, to help them use the platform and also explore emulation with their collections,” Gates wrote.

According to Gates, EaaSI is currently copying data from “thousands of CD-ROMs in the library’s collections”. Databases, educational software, and digital artwork — even entire Windows 2004 software, for example — are preserved through “emulation environments,” which run outdated software that modern systems might not be. able to perform, explained Anderson, which are available in the library LibGuide and open to anyone with a Yale CAS.

“What excites me about EaaSI is introducing these tools to new people and new places,” Gates wrote.

Gates further noted the nostalgia users felt when engaging in a game or program they thought was lost, describing it as “having a time machine”. It is therefore not surprising that the EaSI program was keen to contribute to AWA.

“We are so honored to have Yale University Library as a client,” Loen said. “It means a lot to us, and it shows that the university and the library are really […] innovative.”

The data stored at AWA is expected to last at least 500 years.

Omnivore Recordings reissues 4 out of print Jonathan Richman and Modern Lovers albums on LP and CD


Omnivore Recordings reissues 4 out of print Jonathan Richman and Modern Lovers albums on LP and CD

Starting last August and running through November, four previously out-of-print albums by Jonathan Richman & the Modern Lovers will be released from Omnivore Records.

The albums originally reissued on the Bezerkley label – Jonathan Richman and Modern Lovers, Rock ‘n’ Roll with lovers of modernity, Modern lovers “live” and Back in your life – are “faithfully reproduced” and are available in cd and vinyl editions.

Richman has always held a special place in music and enjoys a long-standing cult following. The Modern Lovers began as a neo Velvet Underground indie garage band and grew into a Richman-led folk-rock combo drawing influences from South American, Chinese, reggae, 50s do-wop and jazz music with a dose of Zappa. His lyrics are described as “whimsical” or “childish” in their humor and innocence, but there is also sometimes a sensitive and emotional side to his themes.

Although his songs have been covered by major rock artists (Iggy Pop, The Sex Pistols, David Bowie, Joan Jett, Siouxsie And The Banshees, Echo And The Bunnymen), Richman is like the nerdy outsider who almost never gets the girl but still wins somehow in the end. An early ‘minimalist’, there’s no doubt bands like They Might Be Giants, Violent Femmes, Cake, Parquet Courts, Hold Steady and Ween would cite him as an influence.

Still on the brink of obscurity, Richman got a huge boost in recognition and popularity when the Farrelly brothers cast him as an actor and performer in their hit 1998 film. There’s something about Mary.

These four albums capture some of Jonathan Richman’s best, so it’s great to have them available again.

The first album Jonathan Richman and Modern Lovers (1976) was reissued in August on CD and vinyl and includes the tracks “New England” and “Here Come the Martian Martians”. This line-up of Modern Lovers included drummer David Robinson (The Cars) and bassist Greg Karanen (The Rubinoos.)

(It should be noted that there was a separate and different Modern Lovers self-titled “first” album recorded in 1972 and also released in 1976. Richman prefers not to call this his “debut” although it remains highly regarded and remains an important part of the band’s legacy.)

“Abominable Snowman in the Market”

Available on CD and LP in our Rock Cellar store ON SALE

Rock ‘n’ Roll with lovers of modernity (1977)
The band’s second album with the UK Singles Chart Top 5 hit, “Egyptian Reggae”, was re-released by Omnivore on September 16. Also includes “Ice Cream Man” and “Dodge Veg-O-Matic”.


Available on CD and LP in our Rock Cellar store ON SALE

Modern lovers live was the band’s first live release, recorded at the Hammersmith Odeon in 1977 (the band was particularly popular in the UK). Richman and the Modern Lovers perform favorites from their first 2 albums, including the famously insanely long 8 minute version of “Ice Cream Man”.

Live will be released on October 21 and is available for pre-order in our Rock Cellar store HERE ON SALE

“Egyptian Reggae”

Back in your life (1979) could be considered more of a solo Richman album as more than half of the songs were recorded without a Modern Lovers backup band. The finale of this quartet of albums will be released on November 11.

Available for pre-order in our Rock Cellar store HERE — ON SALE

“My Love is a Flower (Just Beginning to Bloom)”

Richman continues to perform live and is in fact ON TOUR NOW. Upcoming dates include:

October 18, 2022 The Opera; Brooklyn, New York
October 19 StageOne; Fairfield, Connecticut
October 20 Columbus Theater; Providence, RI
October 21 Academy of Music; Northampton, MA
October 22 Hangar Theatre; Ithaca, NY
October 23 Opera; Toronto, ON
October 24 Asylum in the Masonic temple; Cleveland, Ohio
October 25 Kenyon College: Horn Gallery; Gambier, Ohio
October 26 Third Man Records: Cass Corridor; Detroit, Michigan
Constellation of October 27; Chicago, IL
Constellation of October 28; Chicago, IL
December 13, 14, 15, 16 Zebulun; Los Angeles, CA
December 17 Herbst Theatre; San Francisco, California

Photo: Driely S. ~ High Road Touring

While you’re at it, feel free to check out the Omnivore catalog sale now visit our Rock Cellar Store

Ghosts of Comics’ Past: 1992 – Multiversity Comics


The Multiversity History column returns with another installment of our year-by-year look at the comics industry. Today we reach 1992, and man… what a year! I’ve already covered many of the minor milestones in previous columns, but I could easily expand this into a multi-part saga. Instead, I’ll try to provide a general overview today. Look for future installments (2023) to expand on major events like Image’s first year and the death of Superman. Before continuing, you might consider refreshing on 1990 and 1991.

The comic book industry continued its rapid growth of previous years with no signs of slowing down. Total annual sales revenue was around $500 million, with lucrative revenue streams from advertising ($7 million) and licensing ($500,000 for Marvel). Top sellers could easily move 600,000 to 700,000 copies per issue. During the busy summer months, Capital City Distribution shipped 500 unique comics per month, and competitor Diamond Distribution’s order catalog routinely reached 400 pages. Collections of paperback reprints had become common enough that fans could reasonably expect popular print runs from most publishers to be available in a shelf format. To support this growing market segment, Diamond instituted its Star System, a quarterly catalog of select list items that retailers could use to restock. Superheroes remained by far the most popular genre, but Frank Miller’s “Sin City” brought back detective comics in a way not seen since the late 1940s. Harris Publications quietly revived “Vampirella” with an irregular schedule, but her comeback led directly to the “Bad Girl” craze two years later.

With the easy money that accompanied the boom came innovation, expansion, respectability and mockery. The PC Comics startup pioneered digital comics, which it described as “electronic comics” or “Hypercomix.” Their first release was “Trouble at the Wox”, a choose-your-own-adventure style narrative that sold on CD-ROM for $20. Nicola Barrucci founded Dynamic Forces to sell limited edition and/or autographed comic books and merchandise. Over the summer, Eclipse Comics attempted to expand its audience by pushing its “Parts Unknown” miniseries by Beau Smith and Brad Gorby into video stores. It was a risk because it wasn’t related to the media, but it found readers. Restocks for the first issue exceeded initial orders. The second volume of Art Spiegelman’s “Maus” won a special Pulitzer Prize and Eric Drooker’s wordless illustrated novel “Flood!” received the American Book Award. Ronald Schmitt examined comic literacy in “Deconstructive Comics”, an academic article for the “Journal of Popular Culture”. In August, TMNT co-creator Kevin Eastman opened The Words and Pictures Museum in Northampton, Massachusetts. It focused on original artwork with the aim of educating visitors, featuring everything from rock art to contemporary comics. Around the same time, his cohort Peter Laird used his half of the TMNT fortune to start the Xeric Foundation for self-publishers. In October, auction house Christie’s held its first comic book auction, institutionalizing comics as an investment. As the trading card market suffered a 20% drop in sales year over year, Topps created a comic book division to shore up its bottom line.

The rising tide, however, did not lift all the boats. World Color Press, once the world’s largest comic book printer, closed its plant in Sparta, Illinois, after a clumsy attempt at employee ownership. Comic book fans didn’t notice this, as most of the comic book printing shops had by then moved to Ronald’s Printing in Montreal. Over the summer, perhaps spurred by the revelation of Northstar’s homosexuality in January, three California comic book shops were visited by police in response to calls for obscene material. Golden Apple has received a warning. Approximately 45 comics were confiscated from Amazing Comix. At City Comics, the store manager was arrested. “Amazing Heroes”, the long-running news magazine for comic book fans, ended with double issue #203/204 in July. Its declining sales were attributed to “Wizard” and other competitors, but “Wizard” had only reached the point of breaking even and increasing sales four months earlier. Given that the publisher of “Amazing Heroes” was Fantagraphics, a company notorious for its disregard for mainstream comics and allegedly rude treatment of “AH” staff, I think it’s more likely that they just wanted exit the area. Fantagraphics was suffering from poor sales across the board and was forced to ax eight series and lay off four employees later that year, refocusing its efforts on higher-grossing graphic novels and its Eros pornographic imprint. In November, Capital City hosted a roundtable that was supposed to be made up of the most important figures in the industry. No women were invited, which angered industry reporter Heidi MacDonald and prompted her to form the Friends of Lulu at WonderCon 1993.Continued below

The internet was beginning to reach ordinary people in 1992, with Usenet, Compuserv and Genie becoming hotbeds for fans. As an added fan attraction, Compuserv waived the standard registration fee for comics professionals to encourage them to post on their Comics & Animation forum. One of the big talking points of the year came from a September 1991 letter to Comic Buyer’s Guide. The letter claimed to be from a mainstream comic book artist, but was signed “name withheld.” His main point was that artists didn’t need writers the way writers did, and that fans would be better served if artists were all allowed to write their own material. As Image exploded onto the scene with superstar artists doing just that, it proved to be a hot topic with new evidence to back up claims every month.

As the number of comic book retailers grew, they reached the critical mass that turned them into a profitable audience on their own. “Comic Buyer’s Guide” had split its business news into its own publication, “Comics Retailer”, in 1991. In 1992, “Wizard” and “Hero Illustrated” followed “Entertainment Retailing” and “Comic Book Business”, respectively. Seeking to use their digital strength, retailer Gary Colabuono formed the Direct Line Group, a nationwide organization of comic book retailers with 64 founding members. It had lofty goals to support independent comics and take power back from publishers and distributors, but market upheavals over the next few years found retailers lacking the confidence to rock the boat.

I am considering a format change for this column in 2023. If there is a topic you would like to see covered, please let me know by email. If you are viewing this after 01/01/2023, I will still accept suggestions. Thanks for reading!

Gen Z is adopting behavior that could unite Millennials, Gen Xers and Baby Boomers


Gen Z are currently engaging in offensive behavior that just might be the thing to unite millennials, Gen Xers and baby boomers.

The trend doesn’t involve drugs or a boring social media platform. And it has nothing to do with some weird new sex position that’s more exhausting than enjoyable.

Confrontational behavior implies that 2007 Generation Zers items are prized antiques.

“It’s vintage!” an energetic 21-year-old brandished a point-and-shoot digital camera released several years after she was born in 2001.

She was snagged at a party for Rolla’s jeans this week, where the brand’s ’90s aesthetic was amplified by all the cool-looking people in attendance, armed with their (ahem) vintage cameras from the era.

“It’s retro as shit,” another girl said of the cameras that millennials with flat-ironed bangs used to take selfies to post on MySpace while streaming the first CD of Ashley Simpson in 2004.

If the hot pink Sony Cyber-shot is vintage, then the 2007 Mazda 3 is a classic hot rod.

Model Gigi Hadid cooled the yellow Kodak disposable camera about two summers ago. Then came the re-emergence of the 80s and 90s 35mm compact cameras with film rolls. Now the next It-girl accessory is Y2K technology – those crummy little digital cameras with tiny blurry display screens.

“Well, this one is actually my great-grandfather’s,” 24-year-old fashion designer Jade Myriam said of the rectangular silver camera she was holding at the Rolla’s party, as if it were a family heirloom from the 1920s or a kerosene lamp. .

“My grandfather came to my house and said, ‘We’re going to throw them all in the trash’.”

It was about a week ago. Jade knew she had struck gold. She enthusiastically grabbed the outdated technology from her grandfather’s poop bag. The quality of the photos is poor but that’s the whole point.

“It’s crap, but it’s good,” she said.

Phoebe Wolfe, a 21-year-old freelance photographer who regularly shoots events with second-hand cameras, agrees.

“It blurs the skin. The digital camera is of lower quality, so it makes you look better,” she said.

But isn’t that what filters are for?

“Digital is coming back recently because people are blowing their bank accounts trying to afford films and development – ​​it’s about forty dollars minimum for films including development. So many people still want that imperfect effect.

And they will do anything to get their hands on it. Y2K cameras have become hot items.

“They’re hard to get,” Sophia Ast, a 20-year-old model, said while running around Melbourne Fashion Week on Friday, brandishing a camcorder.

Of course, the Y2K bug had infected the city.

“I’ve been to all the op-shops, all the Cash Converters – they’re gone. Exhausted.”

She had wanted a 2000s-style digital video camera for three months and had to take matters into her own hands.

“JB Hi-Fi was sold out and I literally jerked off and said, ‘Give me the demo model’. I slipped a hundred dollar bill on the counter and said, ‘Give me the demo model.’ give it to me right away”.

She then paid $500 for the demo. It didn’t even come with its cables or charger.

“Is she interested in my old Swatch watch?” Author and columnist Kerri Sackville responded when texted from the front lines of Fashion Week about the latest trend.

“My parents have a desktop computer somewhere. It’s really big and produces a very satisfying roar when you turn it on.

There’s an opportunity for all of us over 30 to corner the Y2K tech market and have those Gen Z suckers pay through their noses. Let’s dig through our garages and junk drawers and start selling the relics online at a 600% markup.

We’ll be driven partly by profit, but mostly by spite for those kids who call the hot pink Sony Cyber-shot vintage. Wait until they discover those little MP3 players that don’t have a screen.

There comes a time in everyone’s life when teenage trends are discovered and reused by the next generation. One minute, you are vibrant and young. Then a 21-year-old asks you about “the old days” after you hold up a TV remote and ask, “What is this?” »

Fall Out Boy are the new Rolling Stones. Prepare to see inflatable furniture sold in antique stores.

“If you don’t have a camera on you all the time then you miss this shit, you know what I mean?” Sophia said wisely to capture moments of life.

But don’t iPhones solve this problem? This was part of the reason they were invented. You can slip an iPhone into your back pocket, unlike a cool but ultimately clumsy camcorder.

“It’s crispy. That’s grumpy, Sophia grimaced. “Imagine taking out a phone and holding it in front of someone’s face.”

We looked around the industrial parking lot where Justin Cassin’s fashion show was about to begin. Everyone was taking pictures of each other, pointing their phones…face to face.

She continued, “While you’re holding this and no one even notices you’re holding it.”

She dragged the big plastic camcorder up to her eye.

No one notices?

“Well… they do but that’s kinda cool,” she sighed. “It’s a prop.”

Twitter, Facebook: @hellojamesweir

CircleCI’s self-hosted container manager improves automation practices for software developers


CircleCI has launched new features and integrations to improve security and automation practices for today’s software developers. The new self-hosted container manager is designed to provide more flexibility and security to help developers ease the burden of infrastructure management with better traceability.

Today, developers face a new set of challenges, including growing concerns about internal and external threats and lack of team bandwidth. In fact, Gartner predicts that by 2025, 45% of organizations worldwide will have experienced attacks in their software supply chains, a threefold increase from 2021.

In an effort to provide better software security, many developer teams have moved to cloud-hosted CI because it provides a flexible and scalable centralization platform for building and testing software in the most common environments. .

However, developer teams also face security and compliance requirements or specialized compute needs that prevent them from performing certain tasks on the public cloud.

CircleCI’s self-hosted runners extend its CI engine to any infrastructure or security use case, allowing enterprise teams or those in highly regulated industries to choose their own infrastructure to run tasks, to have more control over their environments, to build and test on a wider variety of architectures, and more.

“CircleCI’s goal has always been to help developers build great things and get them to market faster,” said Jim RoseCEO, CircleCI.

“Our new self-hosted container carrier leverages automation as a silver bullet so customers can deploy with confidence without sacrificing power or cost effectiveness,” Rose continued.

Key benefits of CircleCI’s new self-hosted container manager include:

  • Freedom of choice: CircleCI’s self-hosted runner portfolio offers teams the ability to self-host the infrastructure for their CI/CD pipelines while leveraging the functionality of CircleCI Cloud.
  • Extended simplicity of the CircleCI Cloud Docker runtime: Teams can specify Docker images for CI/CD jobs with a line in their configuration.
  • Reduced work with ephemeral Kubernetes pods: Teams can integrate with Kubernetes APIs to scale up and down ephemeral pods that each run CI/CD tasks, providing an enhanced level of scaling by design.

“The ephemeral nature of containers can allow DevOps teams to scale up and down work as needed to meet demand, reduce costs, and optimize their use of self-hosted runners. Solutions, such as the CircleCI self-hosted container manager, can also reduce labor by giving teams more control without the hassle of administrative overhead,” said Jim MercerVP of Research at IDC DevOps and DevSecOps Solutions.

Founded in 2011, CircleCI has always been at the forefront of software development. As a CI/CD platform serving thousands of enterprises worldwide, CircleCI enables its customers to realize their ideas, at scale, by refining the software development process from start to finish through a variety of offerings in the cloud, or behind a company’s firewall via a fleet of self-hosted CircleCI runners.

CircleCI is the CI/CD provider that offers the flexibility to specify any Kubernetes settings as opposed to pre-chosen configurations.

Additional infrastructure management integrations within the CircleCI ecosystem

Customers have access to thousands of CircleCI Orbs through the CircleCI Technology Partner Program, launched in November 2018. CircleCI Orbs bundle CircleCI configuration into reusable packages that allow users to perform thousands of use without the need for a complex configuration.

The functionality, flexibility, and control provided by these orbs make CircleCI the fastest, most reliable path to success.

Some of the most popular integrations that aim to make infrastructure management faster and easier include:

  • Orb CircleCI Kubernetes: A collection of tools for teams working with Kubernetes.
  • CircleCI AWS-EKS Orb: Enables teams to automate deployments on AWS.
  • Orb CircleCI Docker: Allows teams to install, configure and use Docker in any CircleCI task.

CircleCI will also add new integration with New Relic CodeStream, a platform that makes observability accessible where developers live, in their IDE. This integration aims to increase the ability of teams to collaborate, visualize and observe CI/CD data with more context.

“Today’s developer teams need the ability to collaborate and understand context in deeper and more meaningful ways. That’s why we’ve partnered with CircleCI to deploy the new CircleCI-CodeStream integration that allows teams to visualize their CI/CD data in a way that speeds issue resolution without compromising business agility,” said Pierre Pezarisco-founder and former CEO of CodeStream, and senior vice president of strategy and experience at New Relic.

Cloning of a rare ISA card to communicate with the very first CD-ROM drive


It’s one of the most incredibly corny things I’ve ever seen. Shelby’s Technical tangents purchased a 1985 Philips CM100 external CD-ROM drive, the first such device on the market.

After purchasing the game, he discovered that the ISA card required to run it could not be found. So he decided to reverse engineer and clone his own, trace by trace.

As dramatically explained in this video, Shelby ended up falling down a rabbit hole that seemed to have no bottom. It’s hard to imagine the blood, sweat and tears that went into this gloriously obsessive project. You can see how excited Shelby is when he’s finally able to get his card working.

He has made the map design open source and it is available on his GitHub page.

Stop the breadboard and soldering – start crafting right away! Adafruit’s Circuit Playground is packed with LEDs, sensors, buttons, alligator clips, and more. Build projects with Circuit Playground in minutes with the drag-and-drop MakeCode programming site, learn computer science using the CS Discoveries class at code.org, jump into CircuitPython to learn Python and hardware together, TinyGO , or even use the Arduino IDE. Circuit Playground Express is the newest and best Circuit Playground board, with support for CircuitPython, MakeCode and Arduino. It has a powerful processor, 10 NeoPixels, a mini speaker, infrared reception and transmission, two buttons, a switch, 14 crocodile clips and numerous sensors: touch capacitive, IR proximity, temperature, light, motion and sound. A whole world of electronics and coding awaits you, and it fits in the palm of your hand.

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Remute continues its vintage console odyssey with the release of an album for the Sega Dreamcast


He has already created albums for the game boy, GameBoy Advance, Genesis and N64 and now German electro-pop artist Remute is stepping into 128-bit territory with a Sega Dreamcast disc.

Released in 1998, the Dreamcast was Sega’s last console. It was discontinued in 2001, after which Sega became a software-only developer. Generations features 15 new songs and visuals from Duranik, developer of the popular Dreamcast shoot ’em up Sturmwind.

This time, Remute promises a dose of nostalgic but futuristic synthwave with hints of Detroit techno. This, in turn, “transforms into lucid ambient sculptures that are atomized into electrons moving through vaporwave space on their way to a chamber of eternity somewhere located in a hidden multiverse surfing cosmic expansion. “.

There is no region locking on the album, so it should work on most Dreamcasts. It’ll also play on any CD player, though you’ll miss the visuals if you go that route.

You can pre-order Generations on band camp (opens in a new tab) for 25€. It will be released on or around November 11.

See more

foobar2000 v2.0 Beta 12 – Neowin



Razvan Serea

October 12, 2022 3:36 p.m. EDT

foobar2000 is an advanced free audio player for Windows platform. It presents the simplest and most minimalist interface that you will see in this type of program. Other features include full Unicode support, ReplayGain support, and native support for several popular audio formats.

Features of foobar2000:

  • Supported audio formats: MP3, MP4, AAC, Audio CD, WMA, Vorbis, FLAC, WavPack, WAV, AIFF, Musepack, Speex, AU, SND…and more with additional components.
  • Reading without interruption.
  • Full Unicode support.
  • Easily customizable UI layout.
  • Advanced tagging capabilities.
  • Support for ripping audio CDs as well as transcoding all supported audio formats using the Converter component.
  • Full ReplayGain support.
  • Customizable keyboard shortcuts.
  • Open component architecture allowing third-party developers to extend player functionality

foobar2000 v2.0 BETA Changelog:

  • Now available in 32-bit x86 (legacy), 64-bit x86. The 64-bit ARM version will be available soon. 64-bit versions require updated versions of add-on components.
  • Dark mode support on Windows 10 and 11. Add-on components need to be updated to use it.
  • Completely new media library engine, backed by SQLite. Much faster startup and shutdown with large libraries, significantly reduced memory usage.
  • Significantly improved the performance of search queries in the media library that do not use %patterns%.
  • The Reading Statistics feature is now integrated. Old foo_playcount data is imported on first run. Please remove foo_playcount as instructed.
  • Added album art in the default UI playlist view.
  • Clickable rating stars in the default UI playlist view.
  • New default UI element: ReFacets, reimplementing most of the functionality of Facets. The old Facets component does not work with the new 64-bit foobar2000.
  • Improved default UI separator, now allows any number of panes.
  • Added “remember playlist layout” to the default UI playlist view.
  • Added “stream selector” item to default UI toolbar.
  • New audio output device management features – unwanted devices can be disabled, bit depth and DSP can be configured per device.
  • New internal playlist format, edits instantly saved to disk, no more recent edits lost in crashes.
  • New configuration data format, changes saved instantly to disk, no more recent changes lost in case of crash.
  • Can display file creation time (%file_created%) and attributes (%file_attributes%).
  • For non-portable installations, the profile folder is now %appdata%foobar2000-v2. There is no need to save the old profile before upgrading, your foobar2000 v1.x profile will not be changed.
  • The first run performs the import of old configuration data (playlists, library).
  • More audio formats supported out of the box: TAK, APE, AC3, DTS.
  • Updated FFmpeg to version 5.1.
  • Improved behavior of properties if “reload info” detects change in number of chapters etc.
  • Rewritten built-in visualizations (VU/peakmeters, spectrum, oscilloscope), now using hardware accelerated rendering.
  • Some default UI elements (ReFacets, Equalizer, Visualizations) are now also accessible as column UI panels.
  • The Internet Radio dialog (File menu) stores previously played Internet radio streams.
  • Modernized Explorer integration, no longer needs separate 32-bit/64-bit shell extension DLLs.
  • The Properties dialog now follows the active UI theme colors.
  • Use of Windows Imaging component for image analysis, removal of libwebp dependency. Album covers in HEIF, AVIF, etc. can now be viewed if system codecs are present.
  • Added %year% mapping, takes part of the year from %date%, removing content beyond the first four digits.
  • Changed default album listing templates to use %year%.
  • Added sample rate exclusions to SSRC resampler.
  • Added foobar2000 mobile cross feed DSP.
  • New console logging system, writes log files per instance to specified folder.
  • New full config reset semantics – now clears the profile folder (optionally leaving user components untouched) instead of asking all components to reset themselves.
  • These complementary components are now obsolete because their functionality is available out of the box: foo_benchmark, foo_bitcompare, foo_verifier, foo_input_monkey, foo_ac3, foo_sanitizer, foo_input_dts.
  • These components previously included with the installer are no longer optional (features still enabled): foo_rgscan, foo_cdda, foo_albumlist
  • libFLAC 1.4, made it possible to decode 32 bits per sample of FLAC files.

foobar2000 v2.0 beta 12 release notes:

  • Improved behavior when Watched Library folders are on temporarily unavailable network shares.
  • Fixed audio issues when changing screen resolution in some configurations.
  • Improved proprietary output behavior with unusual channel layouts, 4.1/5.0 would not play on a device expecting the 5.1 side.
  • Fixed failure to read specific odd FPL files.

To download: foobar2000 64 bit | foobar2000 32 bit ~6.0 MB (freeware)
Connections: Home page | foobar2000 for Mac | Windows Store | android

Get notified of all our software updates on Twitter at @NeowinSoftware

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Humble Pie ‘The A&M CD Box Set (1970-1975)’ Coming 2/12


Humble Pie: 8-Disc ‘The A&M CD Box Set (1970-1975)’ Coming 12/2 ft. Unreleased Material (Preview/Pre-Order)

On December 2, A&M/UMe will revisit some key albums from the iconic catalog of humble pie with The A&M CD box set (1970-1975)an eight-disc collection celebrating the early 1970s part of the English rock band’s output.

It’s an expanded version, of sorts, of the 9-LP vinyl collection A&M Vinyl Box (1970-1975) released in 2017 (and can be picked up in our Rock Cellar store by clicking here).

This new 8-disc collection, however, also comes with an additional eighth bonus disc consisting of 14 rare B-sides and other rarities not part of the vinyl set, including five previously unreleased tracks. This new 8-CD collection also includes a hardcover book with an all-new essay, rare photos, and other memorabilia. Meanwhile, the limited-edition 8CD e-commerce edition includes an exclusive lithograph.

Click here to pre-order the A&M CD set (1970-1975) from our Rock Cellar store — On sale

Preview the set with “Big Black Dog,” an off-album track that was also Humble Pie’s first A&M single:

As a reminder of the group’s history:

Humble Pie was an early rock supergroup formed in Essex, England in the fall of 1968 by Peter Frampton, lead singer and guitarist of The Herd, with drummer Jerry Shirley. Steve Marriott, the legendary singer of the Small Faces, joined them in January 1969, along with bassist Greg Ridley of Spooky Tooth. When Frampton left in 1971 to pursue a successful solo career, guitarist Clem Clempson stepped in and the band continued until 1975 before disbanding.

Here is the full list of tracks from the 8-CD collection:

First record: HUMBLE PIE

1. Live with me
2. Only a cockroach
3. One Eyed Pants-Snake Rumba
4. Song of Earth and Water
5. I am ready
6. Skint Theme
7. Red Light Mamma, Red Hot!
8. Sucking Sweet Vine

Disc 2: ROCK ON

1. Shine
2. Sour grain
3. 79th and sunset
4. Stone cold fever
5. Rolling Stone
6. A song for Jenny
7. Light
8. Big George
9. Strange Days
10. Jump Red Neck


1. Four Day Creep
2. I’m ready
3. Cold stone fever
4. I walk on golden shards
5. Rolling Stone
6. Hallelujah (I love him so much)
7. I don’t need a doctor

Disc 4: SMOKIN’

1. Hot and mean
2. The repairman
3. You are so good to me
4. Come on everyone
5. Feeling of yesteryear
6. 30 days in the hole
7. Road Runners ‘G’ Jam
8. I wonder
9. Sweet Peace and Time

Disc Five: EAT IT

1. Go ahead
2. Good liquor and bad women
3. Is it out of love?
4. Pharmacy Cowboy
5. Black coffee
6. I believe in my soul
7. Shut up and don’t interrupt me
8. That’s how strong my love is
9. Say No More
10. Oh, Bella (All Hers)
11. Summer Song
12. Beckton Dumps
13. Up Our Sleeve
14. Honky Tonk Women
15. Road Runner


2. Groovin’ with Jesus
3. I can’t stand the rain
4. Anna (Go to him)
5. No way
6. Gather with Ali
7. Don’t Worry, Be Happy
8. Ninety-nine books
9. Every day
10. No deposit
11. Drift
12. Oh La-De-Da


1. Street Rat
2. Rock’n’roll music
3. We can make it happen
4. Eliminated
5. Road Hog
6. Rain
7. That’s it
8. Let me be your lovemaker
9. Countryman Stomp
10. Drive My Car
11. Queens and Nuns

Disc 8: BONUS TRACKS (B-sides and rarities)

1. Big Black Dog (A&M debut single)
2. Mister Ring (German B-side)
3. I don’t need a doctor (Edit)
4. Chopper (with blackberries)
5. You fell in love too soon (with blackberries)
6. Twist And Shout (with blackberries)
7. Don’t change a thing (with blackberries)
8. The Crowd (B-side)
9. Funky To The Bone (from UK version of Street Rats)
10. Tell Me The Truth (Unreleased)
11. Gimme Some Lovin’ (Unreleased)
12. Illegal Smile (Unreleased)
13. Hurts So Good (previously unreleased)
14. She Belongs To Me (instrumental/vocal/final vocal)

RISC-V adds support for CD-ROM images to its default Linux 6.1 kernel configuration


Not that you’re likely to connect a CD/DVD drive to a RISC-V system in 2022+, but the default RISC-V kernel configuration with the upcoming Linux 6.1 kernel adds filesystem support CD-ROM.

In particular, the default RISC-V kernel configuration switched support for ISO9660, Joliet, and ZISOFS file systems. The intent here is not so much to switch CD drives with a RISC-V system, but that some installation media may still be distributed as one of these filesystem images. Some use cases may also involve having images archived in such formats.

Filesystem drivers are already well built on RISC-V and this change is just to enable the default “defconfig” configuration for ISO960/Joliet/ZISOFS.

For RISC-V with Linux 6.1, feature mining also enabled Transparent Huge Page Swap (TH_SWAP) for 64-bit RISC-V systems, default NR_CPUS capacity increased to 512, and improvements were made to the CPU topology subsystem of RISC-V. The latter should now ensure that RISC-V reports correct CPU topology information in more configurations.

See this pull request which was already part of the RISC-V changes introduced for the Linux 6.1 merge window.

Daddy begs the kids to let him go see Blink-182


COVENTRY, RI – Mike Lassiter, 43, a father of two, has begged his children for permission to go see his favorite pop punk band on their upcoming world tour with Tom DeLonge joining the band, sources have confirmed. only know the band because of “The Kardashians.

“As soon as I saw Tom joining the band, I texted my girls asking if it was okay to go,” Lassiter said. “At first they were a little skeptical because Blink has pretty explicit lyrics. They didn’t want me walking around the house singing horse kicks or whatever, but eventually they said it wasn’t. no big deal as long as I was willing to let them throw three parties at our house without adult supervision.The choice was easy.

Lassiter’s youngest daughter Chloe, 14, admitted she was annoyed by the request at first.

“I woke up when I heard him screaming ‘oh my god, oh my god’ and then he rushed into my room and started asking if he could go see Blink,” the teenager said. . “I had no idea what he was talking about, then he ran out of the room and came back with a stack of CDs and said we all had to listen to them right away. I don’t know who owns a CD player at this point, I just wanted to go back to bed. It’s good to see him excited about something, but we have to have some ground rules. If he goes to the show, he must wear his hat straight, it cannot be pointed sideways. And we’ll have a ban on all oversized Dickies shorts, big Etnies and anything with the word “Hurley” on it. He should dress according to his age.

A Ticketmaster spokesperson said many adults across the country are having similar conversations with their children.

“You have to understand that no one under the age of 24 cares about Blink-182, so we see a lot of older millennials trying to navigate our ticketing process and leaning on their kids for help,” said sales representative Tasha Ortiz “It’s not like the good old days where you go to the box office and get your tickets, the new world is unforgiving and vicious. Having a teenager guide you through This process is going to make things much easier and hopefully prevent parents from punching holes in their walls when they realize tickets have sold out less than a minute after they go on sale.

As of press time, Lassiter was begging his daughters to take him to Claire’s so he can get his snakebite piercings redone.

BYD India marks entry into Indian PV space with Atto 3


BYD India marked its official entry into the Indian PV market on Tuesday by unveiling the Atto 3 e-SUV. The company has started bookings for the vehicle for INR 50,000 with the intention of delivering the first 500 units in January 2023.

Customers booking the vehicle now can benefit from the promotional pack, which includes a 7kW charger with home installation, a 3kW portable charger, three years of free 4G service subscriptions, six years of support road and six times free maintenance.

BYD India aims to sell 15,000 units of the newly unveiled Atto 3 by the end of next year and plans to set up a local manufacturing plant for the vehicle during the same period, said said Ketsu Zhang, executive director of BYD India.

Based on the company’s e3 EV platform, the e-SUV features a 60.48 kWh Blade battery and a 150 kW 310 Nm PMSM motor. certified ARAI of 521 km.

Notably, the platform includes an 8-in-1 electric powertrain with a drive motor, motor controller, gear reducer, on-board charger, DC converter, high-voltage distribution box, vehicle controller and a battery management system integrated into a single unit.

BYD India claims this has resulted in a 20% size reduction and 15% weight reduction with an overall efficiency of over 89%.

Measuring 4,455mm long with a 2,720mm wheelbase, 1,875mm wide and 1,616mm high, the Atto 3 features the company’s latest Dragon Face 3.0 and has a drag coefficient of 0.29. CD.

On the outside, the Atto 3 features a crystal LED combination headlight and one-piece LED taillight strip along with 18-inch alloy wheels.

Inside, the EV comes with a 12.8-inch adaptive rotary suspension electronic cushion, panoramic sunroof, holographic transparent imaging system, NFC card key, eight-speaker audio system speakers and power seat adjustment, among other features. Additionally, the Atto 3 also comes with V2L, which supports output power up to 3.3 kW.

In terms of safety, the new electric vehicle comes with BYD Dipilot ADAS L-2 capabilities such as automatic emergency braking, adaptive cruise control, blind spot detection, door opening warning, warning and lane departure prevention as well as adaptive front lighting and seven airbags.

Available in Surf Blue, Parkour Red, Boulder Gray and Ski White tones, the e-SUV comes with a standard warranty of six years or 1.5 lakh km, while the battery and motor with motor controller benefit from a standard eight-year warranty. .

Sanjay Gopalakrishnan, SVP, BYD India, noted that the company has invested $200 million in the Indian operation since 2007 and has set up two factories spread over 140,000 sqm, employing 3,000 people.

Read also :

BYD India joins ICICI to offer financing solutions

BYD e6 crosses 450 deliveries since Nov 21

CD Project: Focus on All Platforms Cyberpunk 2077 Must Not Repeat


Dennis Leschnikowski 10/10/2022 7:30 a.m.

In the past, the developers at CD Projekt focused a lot on the PC version when it was used to test the quality of future titles. The Polish studio said that the consequences related to the Cyberpunk incident have occurred and that the focus is on all supported platforms in the future.

As time was limited, the company’s engineers decided to focus more on the PC, before releasing the new projects, and then presenting the games in the consoles.

The Witcher 3: Wild Hunt took a while to become a debacle in 2016, but it finally released in November 2020. The game, which was playing with a variety of technical issues and issues on PlayStation 4 and Xbox One, caused a massive crash. , which led to the elimination of Cyberpunk in the future.

Even though CD Projekt promised in a recent statement, lessons learned from Cyberpunk 2077 will lead to a new development structure for upcoming titles.

Several new projects are in preparation.

Going forward, all platforms should be considered equal in play. We test the quality of gameplay on the platform from the start of the trial and do not focus on development software, CD said. Project, business plans. Obviously, this makes the first steps a bit tedious, but also allows us to control and be more proud of the later steps.

As we warned, for the past few days, the CD Projekt development team has been working on several new projects. We’ve known for a long time that The Witcher will have a new trilogy. Additionally, a successor to Cyberpunk 2077 is on the way, which is being developed under the codename Orion and which CD Projekt says will require between 350 and 500 developers.

More information on this topic:

Finally, there was the idea of ​​a brand that was completely new, with the company in the Hadar project name. CD Projekt has yet to give detailed details about the new brand.

More details on CD projects.

Discuss this news on the PlayStation Forum.

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Design like a developer: What if you had to redesign QR codes?


Despite its ubiquity, the humble QR code has been somewhat taken for granted by developers. The Quick Response (QR) code was invented by a subsidiary of Toyota to track parts through the manufacturing process. But the subsidiary, Denso Wave, has never exercised its patent and the technology is therefore free to use.

Today, we typically use QR codes to get long URLs to our phones from walls, towels, business cards, or even t-shirts; i.e. any visible surface that we can take a picture of. Here’s one I made for thenewstack.io thanks to QRFY (it uses a shortcode that will eventually go offline – so give it a try ASAP.)

Let’s play a design game. Senior software designers should always go through redesigns in their heads to practice their analysis skills. Your next job might start with an existing system that you never thought of before, even though you use it all the time. How would you expect a QR code to look and behave? How would you go about designing it from scratch? How would you test it?

But first, what do barcodes not deliver that QR codes can? Barcodes extend laterally across a surface and work quite effectively in your local supermarket. But a slight contrast on the surface can make them difficult to read at an angle. In your supermarket’s automatic checkout you can toss a package of couscous until it’s scanned, but you can’t do that with a packing crate in a warehouse.

Let’s summarize the basics of what we think you should look for in a QR code before looking at how it actually works:

  • It should work well in different lighting conditions and on various surfaces.
  • It needs some degree of error correction, so minor damage doesn’t render it useless.
  • As it cannot update itself automatically, it will have to integrate a lot of metadata; like version information for example.

Understanding Patterns

OK, so you need to know where the code is and where it isn’t. That is, to detect the position and boundaries of the container before you can read the contents inside. You’ve probably noticed those big squares that contain dots. These do the Research model. If you see the little square with a dot in it, that’s the alignment model. This confirms the angle and orientation of the image.

One thing a good developer will be aware of is the importance of meta information. This becomes more important as a project ages, as different variations and versions proliferate.

In the case of a QR code, the reader must determine the size of the content carrier. Points that intersect from one search square to another at the interior sides make the Synchronization model. These tell the reader the size of a single module and the size of the entire QR code – known as a version. Note that these appear in two places.

I’ve never seen a QR code like the one on the right, but it’s describable in the system!

Redundancy has an interesting place in any system, especially for systems that exist in nature. It stands to reason that a QR code should have more than one way to access its data, in case a small part of the code is obscured. Redundancy and error correction help achieve this – try reading the code on top with a small portion of the image hidden.

Format Information is stored and repeated in bands around Finder patterns. The format stores information about the mask, as well as the level and type of error correction.

Most developers should be familiar with masks, but the application here is a bit different. Since the pattern works best when there is a balance between dark and light areas, the idea is to remove the larger light or dark spots that disrupt the pattern. When a mask is applied to the code during creation, all points under the white part are kept, while all points under the dark part are inverted. So when the code is replayed, the mask can be reapplied to return the code to its original state. Different masks are applied to see which one gets the best result; and this stored in the format model.

It reads a bit strangely at first, but it represents the idea that software is controllable but external conditions are not. This indisputable complication always helps to create a more reliable end product. Shaping the data itself to work better with the rest of the toolchain is something you do to improve an existing solution – you never thought of doing that in the first place.

The error correction level controls the density of the code. By increasing the density of information, redundancy increases and it becomes easier to retrieve information when the code is covered; but the whole picture is more complex. This is where the intended use case comes in – where the surface is accessible and close, simple low-density code is perfectly reliable. Otherwise, trusting the correction strategies becomes more convenient.

What about data?

So after all that, where is the Data himself? Curiously, it winds down to the right (the traditional Japanese reading direction is right-to-left).

The remaining area on the other side is for math calculation Correction of errors. Reed-Solomon code is an error correction method used for music CDs, but it was originally developed to counteract noise in satellite communications. There are still various strategies that can be adopted – whether to spot an error in whole or in part and proofread the code, compare redundant areas or calculate a correction.

So there we have it. A simple premise, but filled with the normal complications of any project that has had to adapt to the environment. This brings us to the final quality a designer must have: empathy. Appreciating the work others have done to make something functional can be hard to grasp at first, but patiently undoing it is the only way to absorb it.

(I’ve wanted to write about QR code design for a while, but this article by Dan Hollick got me started and provided me with some great images, which I borrowed for this article.)

Band Created with Sketch.

5 questions for… Sherie Brown, director of the Massillon Library


Sherie Brown is the director of the Massillon Public Library. She began working in the field at the University of Cincinnati Library while in college, but said she “really had no intention of continuing her career after graduating from college.”

After spending a summer at home, Brown intended to return to Cincinnati, intending to complete graduate school and publish.

“However, in July 1979, there was a job posting in the repository for someone with a musical background to select and catalog vinyl records for the Massillon Public Library,” Brown said. “As I played the piano and knew the difference between Bach and the Beatles, I applied through an employment agency and got hired. From there I became the young adult specialist and then I spent 25 years leading reference services and technology, and just when I thought it might be time to retire, I was hired in 2011 as director.

She has been married for 42 years to Gary Brown (an insurance agent, not the Repository columnist). They have two adult sons, Peter who lives in Baltimore and Jeffrey who moved next door with his wife Brittany and grandsons Everett and Emerson.

She graduated from Hoover High School and earned her degree in English Literature from the University of Cincinnati. She also attended graduate school at Kent State University School of Library Science.

“There are two things that I find the most fun (being the director of the Massillon library),” Brown said. “The first is to mentor young library staff and see them grow in their careers. The second is to connect people, like the informal organization that I do to bring together the leaders of the Massillon associations. I also like to answer a juicy reference question! The hardest part is to keep all the balls in the air. I always say my job is like air traffic control. And during COVID, we were building the plane while we were flying it. Oh, and the upkeep of an iconic building that is partly 186 years old.

More than 5 questions:Meet National Speech and Debate Winner Abreanna Blose

Sherie Brown is the director of the Massillon Public Library.  She began a long career at the library in 1979 after seeing an ad in the Repository for someone with a musical background to select and catalog records.

With all the information online these days, why are local libraries still important?

Public libraries were never meant to have books to borrow. Our goal remains, as it has always been, to level the playing field.

Some people in our community can afford to order all their books from Amazon, pay for high-speed internet, have their own scanners and printers, and subscribe to all the streaming content they want. For everyone else, the public library fills that gap.

Second, the public library is the community lounge, the last public space that welcomes you and expects you to spend nothing. While loneliness is so rampant in our world today, the library offers story hours with other parents, a vinyl record club, book clubs, family and teen movies, and genealogy days among many opportunities to connect.

For some patrons, library staff may be the only person they interact with on a regular basis, especially those who receive our home delivery. A community that supports these goals, like ours, impacts lives.

More than 5 questions:Meet Canton Tattoo Artist Zac Adams

What prompted you to work in this field?

It’s easy to say that I’ve always enjoyed reading, but that alone wouldn’t be enough to keep someone in the business for long — there’s no time for reading in a library job! But it’s a perfect choice for someone with varied interests because the job has changed constantly in nearly 43 years.

Libraries are constantly adopting new technology, so I’ve watched the transition from map files to the first online catalog (yes, all that information had to be entered!) to taking DOS courses to learning how to boot a CD phone book -ROM (incredible!) to get the grant that brought the internet (that changed our lives forever), to help bring a bookmobile to Massillon.

It never gets boring.

Would you like to share some of your favorite books/authors or passages that have drawn you to reading over the years?

The book that is never far from my mind is “Fahrenheit 451” by Ray Bradbury. It’s haunting and prescient.

Bradbury warns that we don’t have to worry about government censors taking our books away from us…we do it to ourselves when we choose other stuffed animals as entertainment and stop reading. (Bradbury wrote the book on a typewriter at the public library!)

For a more recent love letter to books and libraries, I recommend Anthony Doerr’s Cloud Cuckoo Land.

What is your favorite game or sport to watch and play and why?

I’m notoriously unathletic, but I’ve been known to do well and love mini golf, if that matters!

As a spectator, I remain a fan of UC basketball, as it was the sport when I was in college, and my UC roommate became one of the Bearcat mascots. The closest thing to athletic stardom is wearing your costumed feet in the student shuttle.

If you could choose to do whatever you want for an entire day, what would it be and why?

It should be a boat, a beach, a book, a hamburger and Buffett (Jimmy). But I also like to spend a day trying new recipes and entertaining my family and friends. But, just the book would be nice!

Editor’s Note: Five Questions With… is a Sunday feature that features a member of the Stark County community. If you would like to recommend someone to participate, email [email protected]

Software User Saving Thousands of Dollars on License Sparks Debate: ‘Don’t Pay Extra’


There was an air of disdain after a software user revealed how quick thinking saved him almost $3,000 on a needed renewal license.

In a viral Reddit post posted on the r/MaliciousCompliance forum, Redditor u/StatisticianEast7730 (otherwise known as the original poster, or OP) said he was staring at the barrel of a huge bill until his decision to to buy significant new dividends.

Entitled “License renewal is more expensive than a new one? Alright, I’ll uninstall my old software,” the Publish has received more than 8,000 upvotes since September 30.

“I have a software license that I purchased last year. The license [was] for a year,” OP began. “A few days ago I purchased a new license but I kept getting emails that my license was about to expire.”

Continuing to explain that they were able to reach the software publisher’s customer service, the original poster stated that they had exposed their enigma and specified that they had already purchased a new license for the coming year.

The original poster also stated that they were unfortunately informed that their new license, which cost $1,099, would not work and that they would have to purchase the $2,899 renewal license or uninstall the software.

So that’s what they did.

Despite customer service complaints about the length of the uninstallation process, OP deleted the software from his computer, only to reinstall it immediately afterwards, with his new license.

“Two hours later [customer service] Installed my new software and license because I have horrible 3 Mbps internet,” OP wrote.

“They just plugged in the activation code on my old software to renew it, but no, renewals require a renewal license which costs more than double,” OP added. “I don’t pay extra.”

Where hardware components are tangible and where the average consumer can touch, feel and hold a piece of hardware, the world of software is entirely different.

And where some users have grown accustomed to purchasing a disc containing specific software and installing it on their likely outdated personal computer, advancements over the past two decades have created a more streamlined process.

“There was a time when you bought a CD, put it in your computer, and that was it. You loaded some software and you were done,” said Christopher Mohr, acting president of the Software and Information Industry Association. . Newsweek. “Now the software is a service.”

Technological advancements, along with the increase in the number of consumers possessing certain technologies, have also made it easier to evolve. Although software has always been licensed, the ability to download it at home without having to purchase a physical product, such as a CD, makes it easier for consumers to access the newest and most improved versions of software. they know and appreciate.

“There are a lot of upsides to that,” Mohr said. “One is adding new features. The other is consumer protection, in the sense that you get security upgrades and bug fixes.”

Protection, however, is often expensive, and on forums dedicated to software companies like Norton and Quicken, consumers have complained about high renewal costs, as well as the snowball effect created by renewing licenses year after year. year.

Man at computer frustrated with customer service. Members of Reddit’s r/MaliciousCompliance forum defended a software user whose license renewal workaround saved nearly $3,000.
Prostock-Studio/iStock/Getty Images Plus

Throughout the comments section of the viral Reddit post, many Redditors made similar complaints, largely siding with the original poster.

“Service companies do this a lot,” wrote Redditor u/Excidiar. “They’re putting up little nuisances in hopes of being able to charge more to anyone who doesn’t want to walk through them.”

“For $1800 I would spend all week with their tech installing new ones,” added Redditor u/PlasticMix8573. “What a stupid rate plan. Obviously [they] don’t value repeat customers.”

“2 hours to save $1,800?” Redditor u/DreadPirateLink chimed in. “Damn good use of time.”

In the main comment of the post, which received over 3,000 upvotes, Redditor u/zephen_just_zephen warned the original post that while their workaround worked this time, it might not be the next.

“If I were in this situation, I would definitely consider if I could wean myself off their software over the next year or so that would be the prudent course of action,” they wrote. “Because next year they might not be so accommodating.”

Newsweek contacted u/StatisticianEast7730 for comment. We were unable to verify the details of the case.

CD Projekt Red will test games on all platforms equally, not just PC


The launch of Cyberpunk 2077 on console will remain in the minds of gamers for a long time. The release was virtually unprecedented in terms of the shocking state of the game, which didn’t look like it had been tested on PS4 at all, and achieved some sort of mythical status. Where were you the day Cyberpunk 2077 was pulled from PlayStation Store?

In an in-depth video featuring interviews with the developers of CD Project Red, CTO Pawel Zawodny explains how the company wants to approach game development in a more forward-thinking and proactive way in the future and avoid the pitfalls of the past. Zawodny notes that “a major risk encountered in the development process relates to stability and performance on all target platforms” and that “we test gameplay quality on each platform from the start and do not focus solely on the developers’ PC build”.

It’s part of CDPR’s proposed engineering best practices that the company wants to implement in future games, which include the “game that always works rule,” which strives to ensure that all game systems base of a game work from the start to allow for constant iteration.

The entire video itself is a pretty fascinating watch, and I hope CDPR has learned from Cyberpunk’s launch and implements those practices in future titles, like the Cyberpunk sequel, those two Witcher games, and the new IP currently in development. What do you think of the best engineering practices offered by CDPR? Are you ready to forget the past? Learn to trust again in the comments section below.

Linux kernel code 5.19.12 could cause permanent damage to some laptop screens

Enlarge / It’s not Framework specific, but a number of Framework-owning Linux enthusiasts have seen a kernel quirk flash their screens this week, potentially with lasting damage.

Andrew Cunningham

For Linux desktop users, updating to a new Linux kernel usually comes with relatively low and contained risks: wonky drivers, painful GRUB, maybe a full wipe and reinstall. However, for a subset of laptop owners on progressive release distributions, kernel version 5.19.12 could break the LCD screen.

“After reviewing some logs, we are left with potentially false panel power sequencing delays, which can damage the LCD panel,” Intel engineer Ville Syrjälä wrote in a discussion on the issue. “I recommend immediate return of this stuff and a new stable release as soon as possible. Plus a recommendation that no one using laptops with Intel GPUs run 5.19.12.”

The conflict between Linux kernel 5.19.12 and Intel GPU drivers, captured by Michael Kan.

A day later kernel 5.19.13 was released. But there is a distribution chain between kernel work and distribution desktops, and some laptop owners have been caught up in it.

“Two days ago, I updated to kernel 5.(19).12, and my screen now flickers quickly,” user CrepeDragonball wrote in the r/framework for owners subreddit. Framework laptop, which contains an integrated Intel Iris Xe GPU. “I can see the flickering even on UEFI (BIOS), so I think it’s hardware related, not OS/driver related. … The flickering is at such a high rate[s] that I can’t capture it with my phone’s camera.” Similar reports have appeared in the ArchLinux and Fedora forums and subreddits, as well as the official Framework forum.

Some users have reported flickering that doesn’t go away after reboot or after switching to basic tools like BIOS or GRUB. A few have managed to switch kernel versions by connecting to an external monitor and have seen the flicker gradually fade over time. But panel power sequencing (aka screen timing) that goes wrong can permanently damage displays, especially LCDs built into laptops. At the time of this publication, the original Framework subreddit poster has not posted a message about restoring his screen.

Linux kernels and distributions causing physical damage to desktop hardware are rare but not unheard of. Mandrake 9.2 was found in October 2003 to be able to kill specific LG CD-ROM drives. The cause could have been kernel code, LG firmware, or both, according to an update on a Linux.com post about the problem. LWN.net noted that LG Electronics does not support or test the hardware with Linux.

More generally, material is written or operated outside of specification; many veteran hardware programmers attest to this centuries-old tradition in an unusually intriguing Quora thread.

It’s a good idea to update your Linux kernel beyond 5.19.12 if possible or downgrade, even if you don’t immediately see graphical issues.

Technics Announces SL-G700M2 Multi-Digital Audio Player Featuring New Digital-to-Analog Signal Processing Technology | Panasonic North America


Newark, New Jersey – Technics today announced the SL-G700M2, the successor to the highly respected SL-G700 network/Super Audio CD player, featuring new digital and analog technologies to improve performance and sound.

The establishment of various high-resolution formats (including SACD) and the emergence of high-quality streaming platforms and the continued resurgence of vinyl records have created an increased demand for premium sound. As a multi-digital audio player, the new SL-G700 supports MQA®, numerous high-resolution audio sources and a wide variety of music streaming services, in addition to Super Audio CD®/CD playback.

Years of R&D Contribute to New Digital/Analog Signal Processing Technology

In developing next-generation digital audio signal processing technology, Technics’ goal has been to achieve ideal phase alignment and impulse response. Starting with LAPC (Load Adaptive Phase Calibration), which was first integrated into the SE-R1 in 2014 and continuing with Space Tune and the PHONO Response Optimizer, this concept has been consistently applied depending on the product. and class.

An accumulation of these technologies gave birth to the high-precision coherent D/A converter, now available in the SL-G700M2. The high-precision coherent D/A converter converts digital values ​​into analog signals with the highest precision and outputs them to an amplifier. It is comprised of (1) coherent processing, (2) a high-performance D/A converter in dual monaural configuration, and (3) proprietary discrete amplifier circuitry.

  1. Consistent processing. This technology improves the reproducibility of pulse signals by minimizing the amplitude and phase deviations that occur throughout the D/A conversion process for signals up to 192 kHz PCM using signal processing exclusive digital.* With this processing, the purity of the sound is increased and the sound image is clearer.
  2. High performance D/A converter in dual mono configuration. Dual ESS ES9026PRO is newly adopted for DAC chip. The symmetrical placement of an L/R unit on each side and their independent transmission structures reduce mutual interference and faithfully reproduce the sound image and musical space contained in the sound source.
  3. Proprietary discrete amplifier circuit. The filter circuit after D/A conversion uses an amplifier circuit with a unique discrete configuration instead of an operational amplifier IC. This achieves even higher responsiveness and S/N and reproduces even the most subtle sounds.

*DSD signals such as Super Audio CD® are input directly to the DAC without performing this processing.

Power supply noise suppression completely eliminates unwanted effects on tiny signals

Digital audio players that handle small signals require full noise cancellation because even the slightest noise can dramatically affect sound quality. The SL-G700M2 is equipped with a multi-stage silent power supply that applies and deploys developed and proven technologies. The multi-stage silent power supply offers comprehensive three-stage noise cancellation: (1) high-speed switching power supply, (2) low-noise regulator, and (3) current injection active noise cancellation.

  1. High-speed switching power supply. The SL-G700M2 uses an approximately 300 kHz high-speed switching power supply, which is also used for the analog circuits of the SU-R1000 reference integrated amplifier. By increasing the switching frequency, noise interference on the music playback bandwidth is reduced and a highly responsive power supply is achieved.
  2. Silent regulator. Combined with the original stabilized power supply circuit, this dedicated power supply provides stable power with low noise. The discrete circuit structure uses no general purpose ICs and careful tuning provides optimized power for analog circuits. Low high-level noise and stable power supply are achieved through fine-tuning of circuit models.
  3. Active noise suppression by current injection. This newly developed technology removes unwanted noise components by applying a reverse phase current to the detected noise. More effective current noise rejection can be achieved by using the push/pull method in combination with conventional noise rejection by pulling current.

The SL-G700M2 now supports USB-B input, as well as a wide variety of music sources, including Super Audio CD® and MQA

High definition disc playback
This model supports playback of Super Audio CD®, which is a high quality audio disc format. For better sound quality, a “Pure Disc Playback” mode is dedicated to Super Audio CD®/CD playback. In this mode, all circuit blocks except those required for Super Audio CD®/CD playback are disabled to reduce internal noise and improve sound quality.

Supports various high resolution formats in addition to MQA®
This model supports MQA and is able to fully decode playing MQA files and MQA CDs. A variety of other high-resolution formats are also supported, including WAV/AIFF up to 384kHz/32bit, FLAC/ALAC up to 384kHz/24bit, and DSD up to 11.2MHz for file playback.

Improved network playback functions
This model supports Chromecast built-in, which enables a wide range of music streaming services from Google Chromecast-enabled apps, as well as AirPlay 2. Wi-Fi® and Bluetooth® wireless connections are also supported .

The SL-G700M2 is equipped with a new USB-B port that allows constant connection to a network audio server or PC for playback of high-resolution sound sources from the connected device.

The case and chassis support high sound quality and high-quality design

The SL-G700M2 is divided into four sections inside the chassis, with the power supply, digital interface, analog circuits and disk drive sections, each independent of the other. This suppresses mutual interference between circuits and reduces sound quality degradation. The disk drive adopts a three-layer chassis configuration. A powerful silent and anti-vibration construction, including a die-cast aluminum disc platter, ensures high-precision disc playback.

The exterior features a 7mm thick aluminum front panel and 3mm thick aluminum side panels, along with an engraved Technics logo for a high quality design and finish.

The SL-G700M2 will be available from Technics resellers for an MSRP of $3,499.99 in late January 2023.

For more information, please see:
Website: https://us.technics.com/
Facebook: https://www.facebook.com/technics.global
Twitter: https://twitter.com/technics

Media contacts:
Dan Unger: [email protected]
Lauren Camdzic: [email protected]

The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Panasonic Holdings Corporation is under license. Other trademarks and trade names belong to their respective owners.

Use of the Works with Apple badge means that an accessory has been designed to work specifically with the technology identified in the badge and has been certified by the developer to meet Apple performance standards.

Apple and AirPlay are trademarks of Apple Inc., registered in the US and other countries. This product is compatible with AirPlay 2. iOS 11.4 or later is required.

The Wi-Fi CERTIFIED™ logo is a certification mark of the Wi-Fi Alliance®. The Wi-Fi Protected Setup™ logo is a certification mark of the Wi-Fi Alliance®.

Google, Google Home and Chromecast built-in are trademarks of Google LLC. Google Assistant is not available in some languages ​​and countries.

“Super Audio CD” is a registered trademark.

MQA is a registered trademark of MQA Limited.

“DSD” is a registered trademark.

Kevin Parker celebrates 10 years of Tame Impala’s “Lonerism” – Billboard


Ten years is a life that passes in the blink of an eye. Just ask Kevin Parker, the production maestro behind Tame Impala.

Ten years ago this week, the Australian creative genius released his second full album, Solitude (via Modular Records). And from that moment, everything changed.

Parker today takes a trip down memory lane, pulling memorabilia and photos from the vault.



See the latest videos, graphics and news

See the latest videos, graphics and news

Solitude 10 years old today. Hard to sum up what the album means to me at this point,” he wrote on Instagram. “It was a pretty special time for me to make music (it wasn’t an album yet- the). It’s kind of the moment when I really discovered myself as an artist.

Prior to SolitudeParker had abandoned his debut in 2010 Contact persona batch of EPs and singles under the name Tame Impala, including the bluesy “Half Full Glass of Wine” from 2008. In parallel, he played drums with the prog-rock group Pond.

“Coming out from behind Contact person I had this new sense of purpose…calling…whatever you want to call it. I had finally given myself permission to let the music completely invade my being…to fully immerse myself in my own world of musical recording,” he continues. “So I had this new sense of creative freedom. I felt free to be ambitious, weird, pop, experimental, whatever, and I didn’t feel judged because I was ultimately doing it for myself and believing in me. For the most part anyway.”

Parker admits he struggled when the album was released worldwide.

His confidence “collapsed and I thought the album sucked and I couldn’t even imagine people would like it. Turned out I was wrong…the album dropped and exceeded all of my expectations and my life changed massively again, and I slowly realized the music was pretty good, again, which made me sad. gave a new goal, and the cycle begins again. ”

He doesn’t need to stress. The album reached No. 4 in its homeland, broke into the top 40 on both sides of the Atlantic, won two ARIA Awards including Album of the Year, was nominated for a Grammy and won the J Award for Australian Album of the Year.

Remaining in his reflective mood, Parker shared several images from the time, including the sheer cover art of Solitudethat the West Australian had slammed in Paris.

Solitudewe learn, was actually titled pop lonely until it is mastered and sent to production. “I was sitting in the courtyard outside my apartment in Paris after finishing the album a few days before, which is always a pretty spaced out feeling, kind of like… ‘what do I do now?? “says Parker. “I was happy that it was done but not completely satisfied because I did not think I had quite obtained the title. Suddenly, the word loneliness came to mind and it was obvious it was the one.

Calls were made, presses were (mostly) shut down.

“The CDs must have gone into production already because all the first pressings say Loner Pop when you put them in a CD player,” he notes.

Tame Impala has become one of the hottest properties in the music world. The act’s fourth and final album, The slow raceled the ARIA Chart and peaked at No. 3 on the Billboard 200 and Official UK Albums Charts.

Focal tackles travel noise with premium wireless ANC headphones


French high-end audio brand Focal has unveiled its first pair of wireless ANC headphones in the form of the oddly named Bathys. The snappy cans come with proprietary drivers, feature two optimized ANC modes, support aptX Adaptive, and promise long battery life.

So what is this rather strange name? Focal says its roots are in the bathyscaphe, a deep-diving submarine, and is meant to represent “the embodiment of calm, depth and utter silence”.

The company has won a strong following among audiophiles and industry experts over the years for superior sound reproduction, and Bathys headphones feature Focal’s own patented 40mm drivers that rock a design Aluminium/magnesium M-dome for a “detailed, precise and dynamic sound” over a fairly wide frequency response from 15Hz to 22kHz, with total harmonic distortion of less than 0.2%.

For wireless operation, Bluetooth 5.1 technology has been selected with support for AAC, aptX and aptX Adaptive audio codecs – the latter opening up CD-quality streaming potential. Android device users benefit from built-in Fast Pair, and the headphones can connect to two source devices simultaneously, for easy switching of tracks between them.

Battery life per charge is said to be over 30 hours in wireless ANC operation, 35 hours when wired to a music source via 3.5mm <a class=audio jack or 42 hours via USB connection” width=”1440″ height=”960″ data-image-size=”articleImage” loading=”lazy” data-srcset=”https://assets.newatlas.com/dims4/default/67718e0/2147483647/strip/true/crop/6720×4480+0+0/resize/440×293!/quality/90/?url=http%3A%2F%2Fnewatlas-brightspot.s3.amazonaws.com%2F7f%2Fe3%2F5885ae07488188c90fdf08f676ea%2Ffocal-220785.jpg 440w,https://assets.newatlas.com/dims4/default/eba859b/2147483647/strip/true/crop/6720×4480+0+0/resize/800×533!/quality/90/?url=http%3A%2F%2Fnewatlas-brightspot.s3.amazonaws.com%2F7f%2Fe3%2F5885ae07488188c90fdf08f676ea%2Ffocal-220785.jpg 800w,https://assets.newatlas.com/dims4/default/00db974/2147483647/strip/true/crop/6720×4480+0+0/resize/1200×800!/quality/90/?url=http%3A%2F%2Fnewatlas-brightspot.s3.amazonaws.com%2F7f%2Fe3%2F5885ae07488188c90fdf08f676ea%2Ffocal-220785.jpg 1200w,https://assets.newatlas.com/dims4/default/160c29a/2147483647/strip/true/crop/6720×4480+0+0/resize/1920×1280!/quality/90/?url=http%3A%2F%2Fnewatlas-brightspot.s3.amazonaws.com%2F7f%2Fe3%2F5885ae07488188c90fdf08f676ea%2Ffocal-220785.jpg 1920w” data-src=”https://assets.newatlas.com/dims4/default/7476256/2147483647/strip/true/crop/6720×4480+0+0/resize/1440×960!/quality/90/?url=http%3A%2F%2Fnewatlas-brightspot.s3.amazonaws.com%2F7f%2Fe3%2F5885ae07488188c90fdf08f676ea%2Ffocal-220785.jpg” sizes=”(min-width: 1240px) 800px, (min-width: 1024px) 95vw, 100vw”/>
Battery life per charge is said to be over 30 hours in wireless ANC operation, 35 hours when wired to a music source via 3.5mm audio jack or 42 hours via USB connection


Two optimized active noise cancellation modes have been included. A quiet mode offers the highest level of noise isolation and is tuned for journeys such as planes and trains, while the soft mode still reduces low frequency noise, but isn’t as strict with ambient sounds high frequency, with Focal saying it’s designed for moderately noisy environments such as the home or office.

In common with most modern ANC headphones, there’s also a Transparency mode that lets the outdoors in when needed, like chatting with friends without having to remove the headphones or listening to travel announcements at the hub of transportation.

Focal says users can expect over 30 hours of wireless listening per charge with ANC enabled, and fast charging can provide five hours of listening time from just 15 minutes of charging.

The headphones come with eight built-in microphones and use Qualcomm’s Clear Voice Capture noise cancellation technology for clarity during voice calls via a paired smartphone. A dedicated mobile app allows for five-band EQ adjustment, custom settings, and access to Alexa and Google Assistant.

A Quiet ANC mode is designed to provide optimal noise reduction in “especially noisy environments” such as air travel or train travel, while a Soft mode provides limited noise reduction for “moderately noisy environments” such as at home or office


The Bathys over-ear headphones come with two cables for connection to a music source via a 3.5mm audio jack or USB, and feature a built-in 24-bit/192kHz digital-to-analog converter (DAC). Battery life in non-wireless operation is also extended to 35 hours in audio-jack mode and 42 hours in USB.

Of course, the headphones are also very pleasing to the eye, with a classic black/silver color theme and distinctive earcup grilles featuring the company’s flame logo in the center which may or may not be backlit.

The Bathys headphones go on sale this month for US$799 and come with a hard travel case. Cheaper options from other manufacturers include Sony’s excellent WH-1000XM5 headphones, the Sennheiser Momentum 4 wireless head candy, Bose’s QC 45 model and, of course, Apple’s AirPod Max.

Product sheet: Bathys

3 things to like and 1 to improve


With all the changes in the world, upgrades on a Subaru SUV are always welcome. However, the 2023 Subaru Forester does not offer many changes from the previous year. Here are three things to love about the all-new Forester sport utility vehicle and one thing Subaru could have done better.

The price of the 2023 Subaru Forester is up about $500 on each trim level

The 2023 Subaru Forester | Subaru

By revealing the 2023 Subaru Forester, some changes exist to report. The good news is that the Forester didn’t really need any changes. This year, the 2023 Subaru Forester starts at $26,395, or $27,620 including destination and delivery charges. The top Touring trim will cost buyers $37,720 with destination and delivery charges.

Trim Transmission MSRP MSRP + destination and delivery ($1,225)
Forest CVT $26,395 $27,620
Forest premium CVT $29,395 $30,620
sports forester CVT $30,965 $32,190
forest desert CVT $34,020 $35,245
Forester Limited CVT $33,075 $34,300
Forester on tour CVT $36,495 $37,720
2023 Subaru Forester Price | Subaru

Subaru will also offer the Forester in six trim levels when it hits the market. These trim levels are Base, Premium, Sport, Wilderness, Limited and Touring. While a price increase is never a good thing, a $500 increase is far less than some price-raising competitors. It’s both a thing to love and a thing to improve on for the 2023 Forester.

Subaru’s EyeSight driver-assist technology is standard on the 2023 Forester

Subaru Forester 2023
Interior of the 2023 Subaru Forester | Subaru

RELATED: 4 best cars of 2022 that no one bought, according to Consumer Reports

Subaru’s EyeSight driver-assist technology is back and better than ever. Models with blind-spot detection with lane-keep assist and rear cross-traffic alert will also get automatic emergency steering. By using EyeSight and Blind Spot Detection, the 2023 Subaru Forester can help avoid collisions when traveling under 80 km/h.

The automaker says 2023 vehicles will get the latest and improved version of the software. Additionally, every 2023 Forester will come standard with seven airbags. These airbags are the driver’s and front passenger’s front airbags, the side curtain airbags, the pelvis/torso side airbags and the driver’s knee airbags. Safety has always been a big issue for Subaru, and the automaker hasn’t forgotten that this year.

The Insurance Institute for Highway Safety has some good things to report

The Subaru Forester will likely become an Insurance Institute for Highway Safety (IIHS) Top Safety Pick Plus winner. For the past 16 consecutive years, the Forester has earned this prestigious award more than any other small SUV.

Other recent accolades include the 2022 Kelley Blue Book Best Resale Value Award and the 2022 Kelley Blue Book 5-Year Cost to Own Awards. It was also named Best Teen Cars 2022 by US News & World Report. That’s a good sign for the 2023 Forester.

The Forester can tow up to 1,500 pounds for any weekend adventures you may encounter. And the best news of all? The 2023 Subaru Forester still has a CD player. What else do you need? Even though the SUV is essentially unchanged at the start of the new year, there wasn’t much wrong with it to begin with.

RELATED: Consumer Reports Best American SUVs under $50,000

Taylor Swift’s UK store is down as pre-order of signed Midnights CDs begins


Taylor Swift fans in the UK are a little annoyed that they can’t get their hands on the special edition Midnights signed CDs because the online store is down.

Taylor’s upcoming album has received plenty of attention, thanks to the singer’s Midnights Mayhem series on TikTok, where she revealed the names of the tracks it contains.

As the countdown to the release of the album began, fans were given the opportunity to pre-order the same from Taylor’s official US and UK stores. It is accompanied by a special edition of signed photos exclusive to each CD.

Photo by Mark Metcalfe/Getty Images

Taylor Swift’s UK store is down

Several fans have taken to Twitter to complain about Taylor’s UK store website going down.

Landing on the page, you will come across the message: “The store is temporarily unavailable. Please check back later.”

HITC has reached out to the singer for comment, but we have yet to hear back as of this writing.

Meanwhile, disappointed fans are reacting to the temporary issue by sharing the tweets below.

A share: “Screaming, crying and throwing up that I can’t get into the UK Taylor Swift store.”

“Taylor Swift’s UK store being down when I try to get a CD signed is the worst way to start my week”, share another one.

A Tweeter read: “@umusicsupport please fix the Swift UK Taylor store it’s been down for at least 45 minutes now”

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Pre-order available on the US store

Taylor’s US store is fully functional and the pre-order option for signed Midnights CDs is available for a limited time.

Each CD comes with a hand-signed photo of the singer and they will be available until October 4 at 11:59 p.m. ET while supplies last. They are each sold for $19.99.

The CDs are named: Midnight: Moonstone, Midnight: Mahogany Edition, Midnights: Blood Moon Edition and Midnights: Jade Green Edition. And, Midnight: Moonstone Blue Edition is only available to international customers.

For more information, visit the official site here.

Power trip | Official trailer | Hulu

Brid TV


Power trip | Official trailer | Hulu






The unveiled tracklist of Midnights

Taylor’s tenth studio album, Midnights, consists of thirteen tracks in total.

Through her TikTok series, the singer has already revealed the names of a few of them, with the album set for release on October 21.

In addition to the album itself, Target will release a Deluxe version called Lavender Version, which will include two mixes and a bonus track.

Tracks named so far include:

  • Track 2 – Brown
  • Track 3 – Anti-Hero
  • Track 6 – Midnight Rain
  • Track 7 – Any questions..?
  • Runway 8 – Vigilante S****
  • Track 13 – Brain

In other news, How to pin people’s chats on Snapchat

Blocks Magazine 96, now available


The latest issue of Blocks Magazine is out and inside you will find information on James Bond and star wars as a gift for an AT-TE Walker.

LEGO James Bond graces the cover of issue 96 of Blocks, the LEGO fan magazine, as the character arrives in the new 76911 007 Aston Martin DB5 set.

Beyond Bond, the latest edition examines how LEGO Group releases have gone from original models to film and TV sets over the years, explores Minitalia’s puzzling history and revisits the first-ever LEGO CD-ROM with its creator.

We’re giving away Star Wars 75337 AT-TE Walker! Take out a paper subscription before November 2 to try your luck. Current subscribers are also automatically entered into the draw.

LEGO Star Wars Hoth AT-ST 75322 building kit;  Building toy for kids ages 9 and up, featuring a buildable Battle of Hoth at ST Walker and 4 Star Wars: The Empire Strikes Back characters (586 pieces)

LEGO Star Wars Hoth AT-ST 75322 building kit; Building toy for kids ages 9 and up, featuring a buildable Battle of Hoth at ST Walker and 4 Star Wars: The Empire Strikes Back characters (586 pieces)

  • The first buildable LEGO Star Wars model of a Battle of Hoth AT-ST – With this authentically detailed construction toy (75322), fans can recreate epic scenes from Star Wars: The Empire Strikes Back
  • 3 LEGO minifigures and a droid – Chewbacca with snow decoration, Hoth AT-ST Pilot and Hoth Rebel Trooper, each with weapons, plus an Imperial Probe Droid LEGO minifigure
  • Loads of inspiring features – The AT-ST walker features a minifigure cockpit accessible via a hatch and opening roof, wheel-operated rotating head, 2 spring-loaded shooters and posable legs.
  • PREMIUM GIFT FOR AGES 9 AND UP – Give this 586-piece building toy as a birthday or holiday gift to creative kids who love Star Wars: The Empire Strikes Back
  • For Play and Display – AT-ST Rollator measures over 10.5″ (26cm) high, 6″ (16cm) long and 5″ (13cm) wide, and can be displayed between game times

Selected Technology Highlights (Part 2)


Display Daily is a Techblick media sponsor Mini- and Micro-LED and Quantum Dot Events November 30 and December 1. The company has kindly provided us with a number of interesting excerpts from some of the talks that will be given at the event and we have put them into two articles – one today and one Tuesday of this week (they won’t count like in your free articles if you have a free registration).

In this article, using selected technology slides, we highlight several exciting advancements in MicroLED and/or QD displays. Specifically, we cover 3600PPI “silicon” displays | Microbumps printed in engraving | Electrohydrodynamic printing QD color converters | LLO Laser and Transfer for MicroLEDs | QD vs Phosphorus | MicroLED Energy Saving Credentials

Note that each of the articles has a “gallery” with several graphics. Click on the first to open them and use the arrow keys to navigate)

Can lasers help in the production of MicroLED displays?

One of the biggest manufacturing challenges in producing microLED displays is the transfer step given the speed and throughput requirements. As shown in the slides below (Gallery 1) by Oliver Haupt of Coherent Inc., lasers can play an important role in this step, both when tricolor (RGB) microLEDs and also when only blue microLEDs must be transferred.

The process flow for both cases is shown below. In the case of RGB microLEDs, a temporary support is first attached to the sapphire substrate on which the GaN microLEDs are grown. Laser Lift Off (LLO) is deployed to lift off the sapphire substrate, releasing the carrier wafer with the detached GaN microLEDs. Then, controlled UV spots are used to release the individual microLEDs onto the final substrate containing the TFT active backplane layers. These processes can be repeated three times, each time for a different microLED color. At all stages, of course, excellent and optimized control of the laser profile/parameters in harmony with the good properties of the adhesive material is required.

In the case of blue-only microLEDs, the final backplane substrate is brought into contact with the GaN sapphire substrate. GaN uLEDs are transferred to the final substrate via the LLO process. Three-color capability is then achieved by color conversation, for example, QDs or small size phosphors

The results show the example of the RGB microLED transfer. Parameters are shown in the slide, including microLED size, pitch, laser energy density, donor-receiver distance, etc. It can be shown that a different color is transferred with each shot. Thus, in three shots all the RGB microLEDs are placed in the right place! As the subassembly on slide 2 shows, the laser can treat an area of ​​approximately 2.83 cm² with each step/stroke.

Gallery 1

MicroLEDs: can they help fill the energy gap in electronic devices?

Why can microLED technology help close the energy gap in electronic devices? @Khaled Ahmed from Intel Corporation offered a unique data-rich assessment at TechBlick’s display event in 2021.

The first slide (Gallery 2) shows the Battery Gap – Ahmed has collected data by year showing that the power demand of phones far exceeds the level of battery power, creating a “battery gap” that s ‘expands every year as more power-hungry features are added while battery technologies only gradually improve. Around 70% of a mobile phone or tablet’s power consumption comes from the display, showing its outsized importance in closing this gap.

The second slide (Gallery 2) shows the efficiency improvements (lm/W) of “released” OLED devices per year. OLED efficiency has clearly plateaued in products manufactured or marketed. The backdot represents the projected potential of microLEDs, showing how microLED technology can be a game changer.

The third slide (Gallery 2) shows that there is a gap between the EQE of lab OLEDs and commercial products. The origins are unclear but likely involve trade-offs needed in production and trade-offs between lifetime stability and EQE.

The four sides compare the efficiency of GaN LEDs at different wavelengths compared to organic LEDs (from previous slides). It shows that GaN LEDs offer significantly higher EQE levels than OLEDs at all wavelengths except red. Indeed, there is a red efficiency gap in GaN microLED technology, the filling of which is the subject of intense global R&D.

These graphs clearly demonstrate that while OLED technology appears to have plateaued and will likely never overcome the battery gap, emerging microLED technology holds great promise for doing so. Of course, the development and manufacturing of microLEDs involves other challenges such as fast transfer as well as high yield production which we will discuss elsewhere.

Gallery 2

Phosphors or QD for color conversion to LCD and microLED? Who will win ?

This is an interesting and evolving tech space to watch. James E. Murphy and others from GE Search have developed the best narrowband red and green phosphors and are now advancing the technology to microLEDs and on-chip integration.

KSF red phosphor is an excellent narrow band color converter for wide color gamut displays. It emits 5 peaks, each of which has an ultra narrow FWHM of 5 nm. The main peak is centered around 631nm. It is a stable material under conditions of high luminous flux and high temperature. Indeed, it can be integrated on chip as a direct replacement for existing yellow phosphors. This is a major commercial success with over 19 licensees and over 40 billion (and growing) KFS-containing LEDs sold worldwide in the display industry.

Like the slide below (Gallery 3), shown at TechBlick July 2021 shows that KFS technology is evolving. At the start in 2014, the average particle size was 25 to 30 μm. It has now gone down to 3-9μm and is evolving towards submicron or even nanometric particles, allowing direct integration with the microLEDs of today and tomorrow! This is an important technology trend as it brings QD vs phosphor competition even into the microLED space (previously QDs were the only game in town due to their small size).

Additionally, GE’s KSF can now be formulated into air-stable, encapsulant-free phosphor-based inks suitable for inkjet printing without nozzle clogging. This means that it can even be printed as a color converter on microLED, notably allowing the use of efficient blue microLEDs to create a red color and/or only transfer a blue microLED color.

James E. Murphy also offers an interesting comparison between Cdless QD InPs and KSF for microLEDs. It argues that at very thin films ( 20 μm since it has no self-absorption.

Finally, it lacks ultra-narrowband green phosphors, leaving room for QDs. In particular, green perovskite QDs are very strong in this area. However, GE is advancing the development of its narrowband green phosphors. As shown below, these materials allow 100% DCI-P3. Performance is comparable to Beta Sialon but without crosstalk with a KSF red transmitter. Additionally, it offers 100% HTHH stability, enabling direct on-chip integration. Finally, it looks like EQ levels are approaching >90%. Of course, just like KFS, it has a slow PL decay time on the order of 90-450 μm (QD is ns)

Gallery 3

You can find out more about all these topics at Techblick’s very first specialist microLED and QD event. (KH)


Thomson Reuters celebrates 150 years: CJ Lechtenberg on customer empathy


Thomson Reuters commemorates 150 years of customer partnership and innovation to honor the 1872 founding of John B. West Publisher and Book Seller. West’s spirit of innovation lives on in Westlaw – a product that still bears his name – and in the AI-powered products and legal research technology tools used by legal professionals worldwide.

Our Legal Current series features voices across Thomson Reuters sharing how West’s legacy of client partnership and innovation lives on today. Today we hear from CJ Lechtenberg, Senior Director of Product Management, Westlaw, who worked at Thomson Reuters for 22 years.

“Many opportunities to seize”

Lechtenberg recalled her first experience of legal research as a law student.

“When I went to law school, there was no Westlaw.com,” she said. “I started researching books, then I was able to use Westlaw after installing the application on my desktop with a CD-ROM.”

At the time, she said it was unimaginable that she would be working at Thomson Reuters 10 years from now, helping to develop WestSearch.

“It absolutely revolutionized legal research,” Lechtenberg said. “And eight years later, I never thought I would lead the team that developed Quick Check, which analyzes legal documents and, without further client intervention, provides highly relevant recommendations. Even with all this innovation, legal research remains incredibly challenging and there are plenty of opportunities to be had. »

“We’ve been where they are”

She said “humanity, empathy and creativity” best characterize her time at Thomson Reuters.

“The human element is absolutely central to everything we do,” she said. “When we think about what we want to do next, the first fundamental questions are: what do our customers need? What are they struggling with? How can we help them?”

Lechtenberg said empathy comes from all Thomson Reuters lawyers who work for and with lawyers and legal professionals.

“We’ve been where they are,” she explained. “We spent hours looking for the perfect case. Or filing a brief and being completely anxious hoping we didn’t miss anything. We can understand all the frustration and jubilation that our customers experience every day. It provides a level of trust and connection with our customers.

She added: “We are constantly solving creative problems to propel our clients further, whether it’s using new technologies to deliver more accurate and relevant results faster or helping to answer to a research question when they call referral lawyers.”

“None of this is lost on us”

Lechtenberg noted that this customer commitment goes back more than a century.

“When you think about how the legal research process has changed over the past 150 years, it’s mind-boggling how we’ve gone from printed case law and John B. West’s categorizations of these cases, to crowds from lawyer editors categorizing case law, to scientific research using these editorial improvements as the basis for our innovative artificial intelligence,” she said.

Of course, the way lawyers conduct their legal research has changed dramatically.

“But what doesn’t has changed is that lawyers are under immense pressure to find documents that will help them better represent their clients,” Lechtenberg said. “And they continue to have only a limited number of hours a day to conduct this research. Being a lawyer is hard and complex work, often with significant, life-changing results. None of that is lost. for us.

She added: “We have never lost sight of the importance of our customers in all aspects of our development. This sometimes means anticipating customer needs before they are articulated.

“Did we all know we needed cell phones in 1980?” asked Lechtenberg. “No of course not. But now we would all be completely lost without them. By nurturing close relationships with our customers, we learn what is difficult and frustrating for them. And we can leverage those learnings and turn them into new innovations that solve their frustrations – with products that do the things they can’t, and free them to do the things they can’t. only they can.”


Like his colleague Jon Meyer, Lechtenberg said the launch of WestlawNext in 2010 stood out during his tenure at Thomson Reuters.

“It’s so memorable because how we built WestlawNext really set the stage for how we do development now,” she explained. “It was the first major effort and shift to agile development. We co-located our product management, application development, testing, and user experience teams and spent more than four years working on it. C It was intense and stressful at times, but so rewarding. And it has served as the award-winning foundation for every major development since its launch in 2010. That’s what’s so remarkable about Thomson Reuters: our innovations can almost always be used for something even bigger and better in the future.

Lechtenberg said that was true with the recent deployment of Westlaw Precision.

“Building on the excellence of Westlaw Edge, we’ve taken legal research to the next level by giving researchers the ability to research the precise concepts they need in the context they need,” he said. she declared. “This new platform will help researchers be more than twice as fast as they are now and help them find materials they wouldn’t otherwise find.”

It recognizes the impact customers have had on product development efforts over the decades.

“Without our customers, we can make assumptions about what may be useful or successful, but our customers provide the definitive data that tells us the truth,” she said. “By staying customer-obsessed, we stay in touch with our customers and drive the market forward.”

Read more perspectives on Thomson Reuters’ legacy and watch Legal Current for more stories in the weeks to come.

Russ Bell’s album brings vocal and guitar variations in 10 original songs


The first time I heard Russ Bell was a guitarist who was just starting to play live backing a good friend of mine, legendary Irish balladist Vince Colgan. He was, predictably, a little hesitant, but seemed determined enough to improve.

A few years later, he entered a songwriter contest that I was judging. His stuff was cool, but it turns out there were two phenomenal songwriters in the contest who walked away with the top prizes.

Well, Russ has just released his second CD, aptly titled “Russ Bell”, and to say he’s come a long way as a singer, guitarist and songwriter is like saying Aaron Judge is a big guy. This 10-song disc is a stellar achievement, offering a professional-sounding collection of well-performed all-original tracks.

The record was recorded at home, with Bell playing and singing all parts (except Bill Jardinella’s bass part on the initial track).

A common problem with home recordings is a tendency towards sound similarity, but Bell manages to avoid this trap, with variations in vocal sound and guitar sound from track to track, as well as a diversity stylistic.

The CD kicks off fun with “Beer Cans,” a catchy, fun honky-tonk number about an evening spent with friends and paid off with a hangover the next morning.

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In another kind of C&W vein, “Rolling Stone” describes reconnecting with a childhood best friend after many years, while “Stormy Thoughts” wouldn’t sound out of place on a Dylan debut album.

Other moments that stood out for me were the infectious hook of “Never Enough” and “Crisis,” a review of estrangement from a toxic relationship.

Sometimes the genesis of a song isn’t obvious, sprouting the most unlikely seeds.

“A lot of my song ideas come from conversations I have with my family or my friends. I’m always looking for that statement that we sometimes make unknowingly, and then I’m looking for how I can turn it into a song,” explains Bell. “As a songwriter, I like to tell stories, sometimes with a twist. Other times I like to get the listener to understand what the song is about.

One of the smartest choices Russ made while recording this album was to entrust well-known recording engineer Bob Acquaviva with the finishing touches.

“Working with Bob, getting his advice was so much fun and such a learning experience,” notes Bell. “Bob is a master at perfecting tracks from my raw ideas.”

“Russ Bell” is available locally at Reimagine Records, Records and More at the Big Apple Plaza, Off Center Records in downtown Utica and at Chef’s Express where a portion of the proceeds will benefit the Arc Oneida Lewis Chapter. The songs are also available on Spotify, iTunes, Amazon, YouTube, Pandora and other streaming services.

How to Invest in CDs as the Fed Keeps Raising Interest Rates


Ridofranz / iStock.com

If there’s one upside to the Federal Reserve’s aggressive interest rate hikes this year — other than their inflation-reducing potential — it’s that savings account interest rates are also rising. This includes certificates of deposit (CDs), which generally offer higher returns than regular savings accounts.

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The difference with CDs is that when interest rates rise, you have to strategize a bit more to maximize your returns. This means not only shopping around to find the best rates, but also deciding what type of CD to invest in and for how long.

The Fed has raised interest rates by a total of 3 percentage points so far in 2022, CNBC reported. This includes last week’s 0.75% rise – the third consecutive such increase. Some economists expect the Fed to raise rates by at least another percentage point by the end of the year.

One of the results is that CD yields have climbed towards 3% on various maturities after being below 1% earlier in the year. According to Next Advisor, the average annual percentage yield (APY) over a one-year CD term is currently 2.87%. For three-year terms, the average is 2.94% and for five-year terms, the average is 3.21%.

These are the highest yields in years, and for that you can thank the Fed rate hikes. The question is, should you go ahead and buy a CD now, or wait for the next Fed interest rate hike, when yields could rise further?

In an Augusta interview with Forbes, Ken Tumin, founder and editor of DepositAccounts, said the highest yields for five-year CDs could be in the 4.00% to 4.50% range. by the end of 2023, based on the expectation that the Fed would raise a total of seven times this year and three or four times next year. CD yields could even reach 5.00% in 2023 if the Fed remains aggressive and raises rates more than expected.

“If you’re worried about being locked into a low-rate CD if rates start to rise, choose long-term CDs with early withdrawal penalties of no more than six months’ interest,” Tumin said.

CDs with reduced or no withdrawal penalties allow you to move your money elsewhere with little financial hardship if returns increase in the coming months. Some banks and credit unions also offer supplemental CDs that allow you to invest a certain amount now at one interest rate, with the option to add more money at a later date at the same rate.

If you’re determined to go ahead and open a CD account now, with yields already at their highest in years, take the time to research the best rates.

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“Investors looking to get the highest possible rate on a bank CD should look beyond national averages and seek out the best rate,” said Kevin Mirabile, professor of finance and business economics at the Gabelli School. of Business from Fordham University in New York. Forbes.

Here are some of the best CD rates by term and bank this week, according to Next Advisor:

1 year

  • CFG Bank: 3.20%
  • Sallie Mae: 3.05%
  • Allied Bank: 3.00%

3 years

  • Savings on bread (formerly Comenity Direct): 3.55%
  • CFG Bank: 3.50%
  • Sallie Mae: 3.30%

5 years

  • Savings on bread (formerly Comenity Direct): 3.65%
  • CFG Bank: 3.60%
  • Synchronous Bank: 3.50%

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30 years of PC games: Why can’t I play on a CD booklet?


Twenty years of PC gaming is the longest I’ve ever lived. At this point, I can’t wait to look back on my childhood, which was very long, but also long.

It’s Saturday, the fridge is empty, so I have to do the shopping again. Even though I have an uninspired shopping list, I wander unmotivated to the nearest supermarket in my lightest clothes and buy only the right items for you. I walk through the candy aisle and get special offers. My metabolism needs to be able to balance the large amounts of sugar I ate when I was nine. Even though I feel like walking out of the store again, I can’t resist a swerve with the heavy noise. I see this book has an opportunistic look at my heart. As soon as I look at magazine racks, I notice how my simple knitted brain releases dopamine. After women’s magazines and meaningless TV, I move on to gaming magazines. The selection has decreased drastically in recent years, but I only compose a few specimens.

I still can’t grasp this and go home empty-handed. Of course, I receive articles and magazines from my work or write them myself. The most valuable experience I hope to drag on the magazine shelf goes so far.

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Put on what you can get.

My last experience was not as much as I was a kid. See in video game magazines, the best demos available and full versions of what I saw it was. Without real money to earn his own, and without the argumentative skills of a teenager who keeps his parents’ deception a secret, until he finds what he wants, there were plenty of options.

A magazine has always let its own owner out of the ribs of its parents. The question of weekly shopping when I was young was always a new question. What are the best magazines with the best CD-ROM?

I can’t say how many games I’ve tried without having full versions. But what I do know is that I got everything from the demos. Every corner was scrutinized down to the last speck of dust.

Even today, almost twenty years later, I have a detailed scene in mind. I want to unbox the game-related titles again, but I forgot the game names for the stages a long time ago. No wonder they come from a time when the same age as yours was still in single digits. And as far as I can remember the names, the supposed masterpieces don’t seem to be on any gaming charts, and in my professional opinion, they were most definitely genre defining.

To this is added the distorted memory of these which were to be quasi-photorealistic games. If, in the unlikely event that I put games back on the road, I would definitely be disappointed.

Unfortunately, most of the CD-ROMs of the time were victims of relocations, but the parents would have made the unfortunate decision not to need them. Thus, we really have nothing left of the collection.

After my cold dead hands helped me.

Today I call my few records unique. I can’t make some magazines a worn paper cover. The fact that the full version is Rollercoaster Tycoon is surprisingly easy to recognize.

Rollercoaster was a cool game in my day. If I remember correctly, I was playing good art on the park grounds. How far I got the roller coaster gondola, before it hit the ground and burst into flames, certainly didn’t help my parents classify video games as non-violent entertainment.

Next page next page next page.

10 progressive rock bands that went pop


Progressive rock bands going pop are a well-established phenomenon. And it’s one that still happens today, believe it or not.

Do you have a favorite prog band that later dabbled in popular music? While the traditional rock world may seem anathema to progressive rockers, the journey many have taken from side to side seems to betray that notion.

What groups can you think of that made the change? Looking back, there was undoubtedly an era in rock music that apparently saw more proggers go pop than any other.

This would be the 1980s, which was by far the most visible period where progressive rock bands went into mainstream pop. Maybe the lure of ’80s hit music was too much for some progressive bands to bear — it was a decade filled with crossover progressive rockers.

After all, the late ’70s were “a tough time to be a progressive rocker,” as uDiscoverMusic explained. “The delicate time signatures, epic concept sequels, and jaw-dropping riffs that defined progressive rock during its heyday in the early to mid-’70s have fallen out of favor.”

Of course, a progressive rock band doing pop doesn’t mean they can’t go back long-term plan. This is the case with many progressive artists who have tried their hand at pop.

Anyway, without further ado, here are 10 of those progressive rock bands that went pop. Who would you add to the list?

10 progressive rock bands that went pop

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Advantages of slag waste for soil acidity correction


Structural characterization of slag samples

The FTIR spectra of granulated blast furnace slag (sample 1), landfilled waste slag (sample 2) and the combination of 50% granulated blast furnace slag + 50% landfilled waste slag (sample 3) are shown in Fig. 1 .

Figure 1

FTIR spectra of slag samples.

By analyzing the spectrum (detailed figure) in the range from 700 to 1100 cm−1, it is seen that there are obvious absorption peaks in the spectra of all the slag samples. The granulated blast furnace slag shows the characteristic absorption bands at 3640, 1418, 980, 944, 861, 753 and 710 cm−1. The band at 3640 cm−1 is attributed to the stretching vibration of the hydroxyl group from the weakly absorbed water molecules on the surface of the slag24. The characteristic absorption bands at 1418, 861 and 710 cm−1 are attributed respectively to the asymmetric stretching mode and to the bending mode of the carbonate group and to the band at 980 cm−1 are attributable to the stretching vibrations of Si–O25. The band at 944 and 752 cm−1 represent the internal vibration of [SiO4]4− and [AlO4]5− tetrahedral and arises from the Si(Al)–O-antisymmetric stretching vibration26.

The different vibrational modes of the waste slag sample can be observed in the FTIR spectrum. Absorption bands shown are at 1418, 873, 712, 667 and 419 cm−1. The peak at 1418 cm−1 is attributed to the asymmetric stretching mode and bending mode of the carbonate group. The calcite phase is confirmed by characteristic peaks at 712 cm−12 CO out-of-plane bending vibration3−2 ions) and 873 cm−1 peak (ʋ2 split the bending vibrations in the CO plane3−2 ion27. The calcium aluminate phase is identified by a characteristic peak at 419 cm−128. Peak around 667 cm−1 is described as an absorption band for different M–O (metal oxide) such as Al–O, Fe–O, Mg–O, etc.29.

In the case of a combination of 50% granulated blast furnace slag and 50% landfill residual slag, the intensity of the absorption peaks is lower compared to sample 1 and sample 2 slag. The characteristic absorption peaks (978 and 753 cm−1) that correspond to characteristic peaks of sample 1 are offset from sample 1, attributed to Si–O stretching vibration and antisymmetric Si(Al)–O stretching vibration, respectively, can provide important evidence of the chemical interaction between Sample 1 and Sample 2. The decrease in the intensity of the bands appearing at 875 and 709 cm−1 can be attributed to CO vibration overlap3−2 calcite phase ion.

Figure 2 shows the SEM micrographs of the slag samples (sample 1 to 3). One can see the characteristic morphology – the sizes and shapes of the slag samples.

Figure 2
Figure 2

SEM images of slag samples.

At higher magnifications, the surface can be observed to be rough and uneven, and jagged formations resembling rounded grains can be noticed. The slag samples show aggregated particles with an average diameter of a few microns. Moreover, in these rounded formations, one can see different morphologies like spheres, rods, planks specific to each compound/phase of the metallurgical slag.

Figure 3 illustrates the EDX elemental analysis of granulated blast furnace slag (sample 1), waste slag dumped in a landfill (sample 2) and a combination of 50% granulated blast furnace slag + 50% waste dumped in a landfill (sample 3).

picture 3
picture 3

Elemental EDX map of slag samples.

It can be observed that the predominant elements in the examined area are found in carbon, oxygen, calcium and iron, confirming the FTIR spectra.

Figure 4 shows the EDX spectra of slag samples recorded on different selected spot areas, to get more information about the elemental composition of specific areas. Because all the slag samples tested have similar element contents.

Figure 4
number 4

Analysis of EDX spectra of slag samples.

The selected point areas are highlighted as follows: the spherical structure is in yellow line and the plank structure is in green line for all the slag samples analyzed. In the case of sample 1 for both structures, the values ​​of the chemical elements present are similar and silicon has a higher value at the spherical structure which can be correlated with the presence of silica (SiO2). The higher calcium content reveals that Sample 1 is a blast furnace slag dominated by calcium and silicon compositions. In the case of the slag dumped in a landfill (sample 2), the carbon content increases for both structures and certain chemical elements like titanium, barium, manganese do not appear in the EDX spectra and the explanation of this phenomenon is that the slag has been dumped in landfill for over 30 years. It can be observed for the combination of 50% granulated blast furnace slag + 50% landfill waste slag (sample 3) that the values ​​of all chemical elements for the spherical and plank structure lie between the first two samples, confirming the FTIR spectra regarding the chemical interaction between sample 1.

The XRD patterns of the slag samples with the identified phases are shown in Fig. 5. Sample 1 shows minor peaks of free CaO and MgO, which can be harmful and cause a reduction in strength. The phases and the amorphous content of the granulated blast furnace slag of sample 1 are generally in accordance with the literature30. Slag sample 3 consists of crystalline phase – Ca2mg2SiOsevenCalifornia2Fe2AlO5CaCO3 and CaO as observed by XRD analysis. From the point of view of phase thermal equilibrium relationships, the identified compounds form an isomorphic series of melilite specific to basic metallurgical slags.

Figure 5
number 5

X-ray diffraction patterns of slag samples.

Table 1 shows the values ​​expressed in ppm of chemical element detected in the slag samples (samples 1, 2 and 3).

Table 1 XRF analysis of slag samples.

The results show a large amount of calcium in all three slag samples. Moreover, the detected elements such as Fe, Al, Mg and Si are consistent with the XRD spectra.

Physico-chemical characterization of soil-slag mixtures

The chemical composition of the main elements that make up the soil, soil slag and slag samples were determined by XRF. The values ​​expressed in ppm of chemical elements are presented in table 2. In the case of a soil sample, the content of the main constituents is iron, titanium, manganese and potentially toxic elements (PTE) such as arsenic, zinc, copper and cobalt. . For soil-slag 1 with a soil:slag weight ratio (1:1), one can observe the disappearance of potentially toxic elements (PTEs) found in the soil sample and the decrease in the zinc concentration value. As the slag weight ratio increases to 3 (soil-slag sample 2), the principal component values ​​increase with the slag sample values, but in the case of soil-slag sample 3 where the weight ratio soil is larger (3 ) the presence of cobalt can be observed. Based on these XRF results, we can say that there is a removal of potentially toxic elements in contaminated soils by applying slag in a greater proportion.

Table 2 XRF analysis of soil-slag samples.

Using a pH meter, CONSORT C 533, important parameters of soil and slag solutions were measured such as: pH, conductivity and salinity as shown in Table 3. The data presented in Table 3 suggest that the sampled soil has pH = 5.2 corresponding to a moderately acidic soil, which does not maintain high fertility and is not able to provide favorable conditions for crops. In addition, soil pH has an important influence on soil fertility, decreases the availability of essential elements and the activity of soil microorganisms that can determine calcium and magnesium deficiency in plants and decreases the availability phosphorus. The pH value of the slag solution (12.5) corresponds to a strongly basic character which is beneficial in the process of improving acidic soils and the presence of this type of slag also supports the improvement of soil characteristics. For soil-slag samples, the pH value increases with increasing slag weight ratio and the resulting soil-slag mixtures can be classified as weakly alkaline soils.

Table 3 Physico-chemical characteristics of soil and slag solutions.

The data presented in Table 4 shows that soil moisture is greater and decreases in soil-slag samples with the addition of slag content. The values ​​of the total soil-slag porosity are between 40 and 50% and depend on the density and bulk density of the soil being influenced by the mineralogical composition, the content of organic matter and the degree of compaction and loosening of the soil. , the crystal structure structure of soil minerals.

Table 4 Physico-chemical characteristics of soil-slag samples.

Considering the structural and morphological characterization of the studied slag samples, we propose a recipe for blast furnace slag and landfill waste slag according to the Waste Directive 2008/98/EC regarding the strategic objective of the of a complete elimination of the elimination. of waste. Galati steel plant slag dump contains a huge amount of unused slag waste which can be mixed with granulated blast furnace slag, to save natural resources used as raw materials in the metallurgical technological process.

The presence of Ca2+ in the composition of slag can maintain high alkalinity in the soil for a long time in the natural environment. Alkaline soil pH can contribute to a decrease in the available concentration of heavy metals by reducing metal mobility and binding metals into more stable moieties. One of the objectives of this research is to improve the quality of the environment by using the mixture between two different slags on agricultural lands and reintroducing them into the agricultural center, especially in acidic soils. Acidic soils are characterized by an acidic pH that has spread in recent years due to excessive fertilizer or overly aggressive work.31. The production is significantly influenced and the treatment of acidic soils is usually done using a series of natural materials (lime, dolomite), the consumption being approx. 20 t/hectare depending on the acidity of the soil and the nature of the plants grown on the respective surfaces.

Our research consists in improving the characteristics and qualities of acidic soils and contributing to their reintroduction into the agricultural circuit by transforming waste into a new environmentally friendly material, the mixture of blast furnace slag and waste slag dumped.

How Charlotte Church spent a fortune of £25m as she faces ‘broke’ after her £1.5m hippie retirement dream hit a major hurdle


She was the star who found fame aged 11, spent her teenage years performing in prestigious concert halls – and amassed a fortune of £25million in the process.

But now singer Charlotte Church is at risk of ‘going bankrupt’ after her dream of turning a £1.5million 16th century mansion into a hippie welfare retreat hit a major snag.


Charlotte Church, pictured at a festival in AugustCredit: Avalon.red
Charlotte reportedly earned up to £25m early in her career


Charlotte reportedly earned up to £25m early in her careerCredit: Shiver Production

The 36-year-old has invested “almost” all of her savings in the eco-friendly Rhydoldog House project in Powys, mid Wales – the 47-acre former home of Laura Ashley – which she hoped to open in June.

But Charlotte is said to have faced backlash from Welsh environmental bigwigs over her waste disposal plans for her log cabins in the woods and withdrew her planning application, the Daily Mail reports. .

Charlotte had previously said that failing to complete the project by summer would leave her “broken”, the Times reported – and she filmed a documentary series on The Wall called Dream Build to help fund it.

So where did his multi-million pound fortune go?

Convertible and jewel encrusted bra

Singing Andrew Lloyd Webber’s hit, Pie Jesu on This Morning, at the age of 11, Charlotte sold more than 10 million records.

Charlotte was able to access her millions at the age of 18 – having accumulated a fortune during her six years of performing around the world and before President Bill Clinton, Pope John Paul II, the late Queen and King Charles.

In a BBC interview in 2004, when Charlotte was 18, she vowed not to get carried away with her huge fortune – which her mother said was around £7million.

The youngster with mum Maria and stepdad James - his father Stephen died of coronavirus last year


The youngster with mum Maria and stepdad James – his father Stephen died of coronavirus last yearCredit: Rex Features

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But the singer also claimed he was considering lavish purchases, including a Mini Cooper convertible.

Charlotte also told reporters she fancies buying a £1million ruby-encrusted bra to mark her 18th birthday.

While it’s unclear if she purchased the jeweled item, her parents kept her grounded with modest birthday gifts, including a CD player, clothes and jewelry.

£10,000 Girls Holiday

Charlotte with girlfriends after leaving Ibiza's Pashia nightclub at 7.30am, in 2004


Charlotte with girlfriends after leaving Ibiza’s Pashia nightclub at 7.30am, in 2004Credit: News Group Newspapers Ltd
The soprano sunbathes on Platya DeSelinas beach in Ibiza


The soprano sunbathes on Platya DeSelinas beach in IbizaCredit: Shutterstock
The singer with ex Kyle Johnson on a romantic vacation to the Maldives in 2004


The singer with ex Kyle Johnson on a romantic vacation to the Maldives in 2004Credit: News Group Newspapers Ltd

That same year, the singer enjoyed romantic trips to Dubai and the Maldives with her boyfriend Kyle Johnson.

She also took a group of girlfriends for a week’s vacation in Ibiza.

Good morning! The magazine reported that she spent more than £10,000 on the trip to Spain’s party capital where she and her friends enjoyed the nightlife until the early hours.

During the trip, Charlotte didn’t hold back – paying for a private villa for all and a full-time personal driver to take them.

She said at the time: “I’m just here for a girls vacation, having a great time.”

A source told The Sun that Charlotte was ‘very generous’ during the holidays and ‘bought all the drinks’ whenever friends went out.

In the years that followed, she was photographed sipping champagne and on several occasions appeared to fall asleep in bars.

Mansions and a yacht

Charlotte started dating Welsh rugby legend Gavin Henson in 2005 – they split five years later


Charlotte started dating Welsh rugby legend Gavin Henson in 2005 – they split five years laterCredit: Rex Features
The couple shared this house in the Vale of Glamorgan - which is now said to be worth £2.5million


The couple shared this house in the Vale of Glamorgan – which is now said to be worth £2.5million

A year later in 2005, while dating former Welsh rugby star Gavin Henson, Charlotte bought a house in Cardiff for around £500,000 which she later sold for £900,000.

The couple then bought a lavish mansion set in 20 acres of land in the Vale of Glamorgan – which is now said to be worth £2.5million.

Charlotte and Gavin, who separated in 2010, had a bar at the bottom of their garden where they indulged in binge drinking, according to the Daily Mail.

They were nicknamed the ‘Posh and Becks’ of rugby and at one time owned an £800,000 yacht, moored at Swansea Marina.

In 2013, Charlotte bought her ex a five-bedroom property so he could live closer to their children Ruby and Dexter, Wales Online reported.

finance the lifestyle

Charlotte shaking hands with the Queen at the 2005 Royal Variety Performance, Cardiff


Charlotte shaking hands with the Queen at the 2005 Royal Variety Performance, CardiffCredit: Corbis-Getty

After playing for presidents and royalty, it appears Charlotte suffered a mid-career slump in 2014.

The Sunday Times Rich List reported that his wealth fell to £11million that year.

In the documentary Charlotte Church: In Her Own Voice, she explained her concerns about money.

She said: “I will have to work for the rest of my life, not because I want to but because I have to.

“The taxman looks at my accounts wondering where I hide all my money.”

However, during an interview with Stylist, Charlotte claimed it was her expenses that meant she constantly needed to transplant.

She said, “I don’t have a lot of money. I have enough to be comfortable if I was reasonable for the rest of my life.

“But I’m not reasonable, so I’m going to have to find a way to maintain my lifestyle.”

Television works, commercials and books

The singer's Channel 4 show The Charlotte Church Show ran from 2006 to 2008.


The singer’s Channel 4 show The Charlotte Church Show ran from 2006 to 2008.Credit: Empics
Charlotte returned to fame on The Masked Singer


Charlotte returned to fame on The Masked SingerCredit: Instagram/therealcharlottechurch

Charlotte’s last album, Back To Scratch, was released in 2010. Since then, she has diversified her sources of income with television appearances.

She starred on The Charlotte Church Show, which aired on Channel 4 from 2006 for two years, and guest-starred on TV shows such as Hospital 24/7 and Under Milk Wood.

The singer has also turned to commercials, notably for Walkers crisps and Virgin Holidays.

Charlotte has also written two autobiographies, her last Keep Smiling came out in 2007 and a number of opinion pieces for The Guardian.

Charlotte married musician Johnny Powell in 2017 and had a daughter, Frida, on August 15, 2020.

Earlier this year, Charlotte returned to the spotlight on The Masked Singer as the Mushroom and came in second.

hippie commune

Charlotte bought this stunning £1.5million country house in Powys last year


Charlotte bought this stunning £1.5million country house in Powys last year1 credit
The singer married Jonathan Powell, her longtime musician partner, in 2017


The singer married Jonathan Powell, her longtime musician partner, in 2017Credit: Rex Features

Charlotte bought the large Rhydoldog house for £1.5million last year and invested the money to turn the house into a nature-based health and wellness retreat.

The seven-bedroom, three-story mansion has a helicopter landing pad and a 200-year-old barn set on its 47 acres.

Charlotte planned to offer cycling, archery, foraging, hiking and strength and conditioning classes on the estate, according to Wales Online.

The mum-of-three also wants to introduce a hot tub, plunge pool and outdoor cinema to the luxurious Welsh wilderness estate.

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She described the “inspiring wellness project” as “one of the biggest, riskiest and potentially most rewarding challenges” she has ever faced.

With this latest reported setback, this could be his costliest.

Charlotte met King Charles aged 12 at the Prince's Trust Comedy Gala in 1998


Charlotte met King Charles aged 12 at the Prince’s Trust Comedy Gala in 1998Credit: PA: Press Association
His last seven-bedroom property belonged to fashionista Laura Ashley


His last seven-bedroom property belonged to fashionista Laura Ashley1 credit

StackHawk Launches Deeper API Security Testing Coverage


StackHawk, the company that integrates application security testing into software delivery, has announced its Deeper API Security Test Coverage release.

This extends StackHawk’s solution to help developers analyze the entire API layer to uncover potential vulnerabilities.

“Today’s application architectures require different approaches to security testing, and legacy security testing tools result in untested parts of the application, or require tedious manual testing and are too slow for most modern publishing schedules,” the company says.

“With this release, StackHawk gives developers the ability to test APIs deeper and faster, so organizations can be confident that every version they release is secure.”

The StackHawk platform makes it easy for engineers to find and fix application security bugs at any stage of software development.

The API layer presents the highest level of security risk for software vendors. Still, API discovery can be a challenge for many security teams. The Deeper API Security Test Coverage version of StackHawk allows teams to leverage existing automated testing tools, such as Postman or Cypress, to guide path and endpoint discovery, provide custom test data to use during analyzes and cover proprietary use cases for security testing.

“Modern API and application security requires tools that integrate with existing engineering workflows and provide in-depth testing coverage for today’s application architectures,” said Scott Gerlach, co-founder and director of StackHawk security.

“With our recent release of Deeper API Security Test features, StackHawk continues to lead the market in the depth and accuracy of real-world API security testing, while staying true to our developer-centric security approach,” it said. -he declares.

Engineering teams have sophisticated automated CI/CD test suites to ensure quality is maintained as they push software changes to production, and security testing should be no different. By integrating with existing testing workflows, StackHawk provides developers with security testing in a familiar way, shifting security to the left.

StackHawk’s comprehensive analytics capabilities have expanded to address several key issues, including:

Custom test data for REST APIs
The ability to use realistic required variables for paths, request or request body is something that DAST tools have always struggled with, as using poorly formatted data can prevent parsing from reach the critical logic of the application.

Custom Analytics Discovery
The ability to use test scripts and data from developer tools such as Postman or Cypress to guide the scanner, resulting in more comprehensive and thorough testing without the need for API docs.

Custom test scripts
The ability to test specific use cases such as business logic, privacy laws, and sensitive data requires custom scripts. This feature also addresses tenancy checks, the top OWASP Top 10 vulnerability, and broken function level authorization tests, which are test cases not covered by the ZAP library.

CD Projekt Says Cyberpunk 2077 Now Attracts 1 Million Players Daily


Cyberpunk 2077 currently attracts over a million players daily, according to CD Projekt.

“Each day this week, Night City has been visited by 1 million players, new and returning,” reads one. message posted on the game’s official Twitter account on Wednesday.

“We wanted to take this opportunity to thank you for being with us and playing the game,” he added.

Cyberpunk 2077: Phantom Liberty — Official Trailer

Earlier today, Cyberpunk 2077 hit 86,130 concurrent players on Steam, its highest total since January 2021, the month after the game was released.

The recent player spike follows the launch of the game’s 1.6 patch, which added various new features and improvements, and coincides with a half-price discount on Steam.

The Cyberpunk 2077 anime, Edgerunners, also debuted on Netflix last week to strong reviews from critics and general audiences.

Responding to the game’s growing player base, Cyberpunk 2077 quest director Paweł Sasko said this week: “Thank you very much chooms for this second chance.”

Cyberpunk 2077 was touted as one of the biggest titles of the last console generation, but things took a turn for the worse upon release.

After three delays, the highly anticipated RPG was released for PC and consoles with a host of technical issues, resulting in refunds being offered and the game being pulled from the PlayStation Store.

After six months of patches designed to improve the game, it returned to Sony’s online marketplace in June 2021, when CD Projekt said it believed Cyberpunk 2077’s performance had reached a “satisfactory” level.

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In the 15 months since it has continued to deliver title updates designed to improve the experience, and Cyberpunk 2077 also released on PS5 and Xbox Series X/S in February.

CD Projekt claimed in April that Cyberpunk 2077 had sold over 18 million copies, up from 13 million reported in the game’s launch month.

Cyberpunk 2077’s first expansion, Phantom Liberty, was announced in early September. It will be released on PC, PS5, Xbox Series X/S and Stadia in 2023.

CD Projekt said Phantom Liberty is the only expansion planned for the game, but remains “fully committed” to building the Cyberpunk IP beyond the DLC release.

CD Projekt Says Cyberpunk 2077 Now Attracts 1 Million Players Daily

The company also said it made the “difficult decision” not to develop Phantom Liberty for PS4 and Xbox One “because the expansion’s scope makes its release for previous generation consoles technologically challenging without compromising the player experience”.

Phantom Liberty is billed as “a spy thriller expansion for Cyberpunk 2077 set in an all-new area of ​​Night City.”

VW releases final specs and details for ID. buzz


Over the past two years, we’ve seen lots of photos and learned lots of little details about Volkswagen’s ID. Buzz. But, the final details were only recently released in A press release by the company. In this article, I will share some of these details with you.

Volkswagen says the ID. Buzz reflects a new era for the automobile. Two versions are available to order: the ID. Buzz MPV for families, and the ID. Buzz Cargo van for commercial users. Sales of Volkswagen Commercial Vehicles have started in Europe, with the first vehicles expected to be delivered this fall.

Although it’s relatively big and tall (compared to most EVs), the efficiency picture isn’t great. The tight overhangs of the aerodynamic body (CD 0.29) are visually related to the agile driving characteristics. The 150 kW (201 horsepower) electric motor produces a maximum torque of 310 Nm (229 lb-ft) almost immediately after starting. Because it is rear-wheel drive, the steering is also free from any effect of the power system. To lower the center of gravity and minimize body roll, the 77 kWh (net) battery is embedded deep into the vehicle floor. With the weight evenly distributed throughout the car, handling is more precise. Additionally, with a tight turning radius of just 11.1 meters (36.4 feet), the ID. Buzz is perfect for those who frequently drive around town.

The identity. Buzz’s range on the combined WLTP cycle is 263 miles. The buzz range is up to 263 miles, while the ID. Buzz Cargo has a distance of 264 miles. Using an 11 kW on-board charger, the battery can be charged at home, at work or at public AC charging stations. IDENTIFIER. Buzz can draw up to 170kW from DC fast chargers, charging from 5% to 80% in just 30 minutes. Vehicles also have “Plug & Charge” capability; which enables automatic activation and billing when connected to an electric vehicle (EV) charger (included).

In early press releases, VW promised fully autonomous driving, but the industry has discovered in recent years that the problem is harder to solve than they thought. But that doesn’t mean it doesn’t have helpful automated systems. Assistance systems include Forward Collision Warning with Pedestrian and Cyclist Monitoring (Autonomous Emergency Braking), which provides automated emergency braking when an accident is imminent. Driver assistance technologies such as Car2X (immediate hazard alert) and Front Assist with pedestrian and cyclist monitoring are now available in Europe.

The ID is the vehicle identification number. The latest Volkswagen ID was installed in all Buzz vehicles during production. Over-the-air software updates allow these technologies to improve for existing cars without the need for modifications or a visit to the dealership.

“L identity. Buzz is aimed at all kinds of different customers – families, people who need a lot of space for their hobby, as well as business owners and manual trades,” says Thomas Schäfer , Board Member of Volkswagen AG and Head of the High Volume Brand Group “People who go for the ID. Buzz will be just as likely to come from an SUV or van world as fans of buses that want to go electric, so this model is of exceptional importance for Volkswagen and Volkswagen Commercial Vehicles.

Both vehicles are nearly identical in size. The length of the Buzz models is identical. The wheelbase is also long, at 177.7 inches. The area between the axles is used to its greatest potential. Depending on the variant, the ID. Buzz and ID. Buzz Cargo has a height of 75.9 to 76.8 inches (excluding exterior mirrors). The threshold for loading the ID. Buzz and ID .Buzz Cargo is weak.

The spacious ID. Buzz is suitable for both leisure and professional use. The driver and front passengers sit in individual seats with standard adjustable interior armrests. The 3-seater bench seat in the rear is split 40/60, with folding backrests. It is also possible to extend the two sections of the bench seat by 5.9 inches lengthwise for more legroom or additional luggage capacity. The MPV comes with two standard sliding doors. When five people are on board, there’s 39.6 cubic feet of luggage space behind the second row which expands to 77.9 cubic feet when the second row is folded down.

VW ID.Buzz

Buzz, on the other hand, is a bit stuffy. It is derived from the German word “buzz” and implies “intellectual buzz”. Originally created by transportation service Uber in 2012, Buzz Cargo was an attempt to merge two distinct ideas: “Uber-like technology for trucks,” according to Fortune magazine. The identity. Buzz is equipped with permanent magnet synchronous motors (PSM), power electronics units, single-speed automatic gearboxes, 12 lithium-ion battery modules and other components integrated into the front of the vehicle. The battery has a net energy capacity of 77 kWh (82 kWh gross). The high voltage energy routed between the motor and the battery is managed by power electronics which transform the stored direct current (DC) into alternating current (AC). The on-board electronics rely on a 12V power supply via a DC/DC converter.

The electric motor is located in the driving rear axle and has an output of 150 kW (201 hp). The immediate 229 lb-ft of torque ensures excellent acceleration, with a 0-62 mph time of 10.2 seconds. However, the top speed is electronically limited to 90 mph. In Germany, the ID. Buzz belongs to the highest efficiency class: (A+++, as in A Christmas Story).

The rear of the vehicle has a connection point which is used to charge the high voltage battery. At a charge rate of 11 kW, the battery can be charged from 0 to 100% in 7 hours 30 minutes on a level 2 charger. Identity. Buzz’s battery can be recharged on DC fast charging stations up to 170 kW. In this case, the battery is charged from 5 to 80% in about 30 minutes.

The vehicle is supposed to be equipped with a decent suspension that does not come off the bargain shelf at VW. Up front, there’s a strut-style setup with a sophisticated multi-link arrangement at the rear. Both axles are very compact but have wide track widths of 65.9 and 65.7 inches, respectively. The large track width at the rear provides ample space to pass loads between the wheel arches.

With all of these features, plus its retro look, this should prove to be a popular EV model once it opens to full international orders.

VW ID.Buzz

All images (including featured image) courtesy of VW.


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Preserving the History of LU – Journal


Library archives keep Liberty’s history alive for future generations to explore

When Abigail Sattler was hired as the first archivist at Liberty University in 2005, the physical documents that documented the university’s history were hidden away in a room filled with unopened boxes and shelves full of papers.

“They took me to this room on the first floor of the old library in DeMoss Hall, opened the door and said, ‘Here’s all this. Can you organize it? Sattler recalls. “There was a giant pile of cardboard boxes in the middle of the room, some were over my head, and no one knew what was in those boxes. Sometimes I cautiously climbed the mountain of cardboard, opened a box and discovered what was inside for the first time.

Over the years that followed, Sattler and his team sifted through boxes, leafed through pages, and collected significant numbers of memorabilia in a variety of formats to create the Jerry Falwell Library Archives and Special Collections. The assortment is proof of the university’s mission and allows anyone to follow the story of founder Jerry Falwell Sr.’s vision as it came to fruition.

The archive collection proved invaluable as Liberty prepared to celebrate its 50th anniversary in the 2021-22 school year. Sattler was able to verify historical information for the anniversary website (Liberty.edu/50) and for a special display on the library’s digital media wall. She served as a source for those exploring the university’s history for anniversary-related projects.

A memorabilia exhibit from Liberty’s history located in the Archives. (Photo by Joel Coleman)

“What Falwell Sr. accomplished was pretty incredible in every way,” Sattler said. “Only a strong faith in God could have led him to boldly start a small Baptist college in 1971 with only 154 students, and that same faith led to a now realized vision of it developing into a world-class university that trains students to live manifest their faith and serve the Lord in various vocations. At the Archives, we want to do our part to embrace and honor this mission by making available to the public documents that trace the history of the university and the ministries This can help us maintain our fundamental roots as we grow and progress as an institution.

The library archives, open to the public, are located on the terrace level of the Jerry Falwell Library. In the Archives Reading Room, visitors can peruse yearbooks, editions of the school newspaper or magazine, and many fascinating documents, such as Falwell Sr.’s notes that he took in preparation for a interview with Ronald Reagan in 1980 just before the presidential election. . There are also records from the Conservative Caucus, the Moral Majority (led by Falwell), and the Thomas Road Baptist Church (where Falwell was senior pastor). Visitors will find treasures as diverse as Liberty sports memorabilia – game books, team stats, schedules, and more. – and other unique items, such as a rare porcelain set bearing the name and logo of Liberty Baptist College (pictured above), the university’s name from 1974 to 1985. Protection for these items is a priority, with many books being placed in custom acid-free boxes and stored in the library’s temperature- and humidity-controlled robotic retrieval system.

Programs and other collectables from the Moral Majority, led by Dr. Falwell. (Photo by Joel Coleman)

The archives also include several audio and video recordings. Visitors can play anything from an LP to CD or VHS to DVD and listen to sermons by Falwell Sr., recordings of college bands or other Christian artists, the video-recorded lessons of Distance Learning Courses (Liberty’s online program predecessor), and Suite.

Several historical resources are publicly available online at Liberty.edu/Library/Archives. Many items from the physical collection have been digitized and uploaded to the site; most are searchable in full text. Select media recordings have also been digitized, including all of Falwell Sr.’s “Old Time Gospel Hour” sermons as well as oral histories of the university told by alumni, staff, and administrators. The collection includes interviews with Liberty co-founder Dr. Elmer Towns, Flames Baseball and MLB alumnus and player Sid Bream, and legendary Bible scholar and teacher Harold Willmington, among many others. There is also a series of veterans who served in World War II, Korea, Vietnam, the Gulf War, Iraq and Afghanistan.

A volume of The Hexaglot Bible (Photo by Joel Coleman)

Beyond the university’s own materials, there is an ongoing effort in the Special Collections section of the Archives to collect hymns, Bibles, and Sunday School lessons from throughout history, some in different languages. . The collection includes a hymn from 1779, an apostolic history book from 1672 and a volume of the Hexaglot Bible with six languages ​​printed in parallel – English, Hebrew, German, French, Greek and Latin. A page from an original 1611 King James Bible is loaned to the Archives and displayed on a wall in the reading room.

The Archives has also amassed a collection of Christian fiction as well as pieces of secular literary history, such as a first edition of Agatha Christie’s novel “The Mystery of the Blue Train” and an original 1891 copy of The Strand Magazine with a history of Sherlock Holmes inside. . Letters and other documents from historical figures can also be found, such as an 1844 letter from Samuel Morse to “the Honorable First Auditor of the Treasury”.

University archivist Abigail Sattler holds an original Strand magazine from 1891, the first publication to feature Sherlock Holmes short stories. (Photo by Joel Coleman)

As an alumnus of Liberty herself, Sattler said she enjoyed collecting and sharing LU’s story. She holds a master’s degree in information science from the University of Tennessee at Knoxville and is certified as a Digital Archives Specialist by the Society of American Archivists.

“My idea of ​​a good time is to take a random box of papers and organize it, figure out where they came from and where they need to go,” she said. “My family worked at Liberty, I went to Liberty and I think the people here are the best, so it’s really not hard to get involved in the history of the university.”

Sattler understands the importance of his role in preserving LU’s history for future generations.

“These materials can serve as an inspiration to our students as they seek to boldly serve the Lord by setting grand goals, just as Falwell Sr. did.”

Enter for a chance to win a wireless turntable with Bluetooth


CONTEST: Enter for a chance to win an ION Air LP wireless turntable with Bluetooth

It’s time to collect those dusty vinyl records that are taking up space in your closet/basement/attic/bedroom and actually to play them – after all, they are so much more than just eye candy. If you don’t have a turntable, you might feel a bit…lost.

Enter our new giveaway! One (1) lucky winner will receive a ION Air LP Wireless Record Player with Bluetooth, and will be able to play all their favorite albums on wax. (The turntable is also available in our Rock Cellar store, on sale now — click here).

New and existing Rock Cellar subscribers, enter the contest by joining the Rock Cellar community below – and good luck!

**Note: By entering this contest, you consent to being subscribed to the Rock Cellar Get Up to Speed ​​newsletter. You can unsubscribe at any time. Stay tuned for more news about more giveaways coming soon! **

Please note that entry is limited to one entry per email address – if you see a “value must be unique” message, it means you are already registered.

This little baby is soft, versatile and highly rated by consumer reviews!

Here are some more details about this ION Air LP wireless streaming turntable with Bluetooth, according to its official item description:

With this Ion Air LP turntable, you can stream your records wirelessly to any Bluetooth speaker! Free yourself from the restriction of bulky patch cables. Put Air LP where it’s convenient for you and place your Bluetooth speaker where it sounds best – sound is transmitted wirelessly and your days of fumbling with patch cables are finally over. Air LP is a complete turntable that gets the most out of your records and gives you endless possibilities for enjoyment. It reads 33 1/3, 45 and 78 rpm discs. A quiet belt drive system combines with auto shut-off for convenient operation. A 1/8″ (3.5mm) auxiliary input lets you connect other gear and also wirelessly transmit that sound to the Bluetooth speaker. Air LP comes with our EZ Vinyl/Tape Converter software which converts recordings to digital files when you connect Air LP to any computer with the included USB cable.A hinged protective cover completes the package.


Belt-driven turntable features a convenient auto-stop
Reads and converts 33 1/3, 45 and 78 RPM records
RCA outputs for connection to a stereo system
1/8″ (3.5mm) auxiliary input lets you connect other gear
Equipment connected to the auxiliary input is also streamed wirelessly
EZ Vinyl/Tape Converter software converts analog material to digital files via USB
45 RPM adapter, felt mat, aux and RCA cables included
Headphone output for private listening


Air PL
AC adapter
Protective cover
USB cable
RCA cable
1/8″ (3.5mm) auxiliary cable
45 rpm adapter
Felt Felt
Software CD
Quick Start Guide
Safety and Warranty Manual

Contest open to residents of the continental United States only. The contest begins on September 20, 2022 and ends on November 1, 2022. The winner will be selected at random. The winner will be contacted by email. By participating, you confirm that you are over the age of 18 and agree to these terms of use. Void where prohibited. No purchase necessary. Giveaway has no affiliation with ION Audio. Thanks for coming in!

For full terms/conditions click here

The “last floppy disk company” still has about 4 years of life • The Register


Floppy disks may have gone the way of the dodo and joined other defunct media such as punch cards and paper tape, but some people apparently still use them, and one company even continues to sell them.

Floppydisk.com is an American company specializing in the sale and recycling of floppy disks, and its founder, Tom Persky, describes himself as the “last man standing in the floppy disk business”. The company, which has been around for decades, provides other services such as disk-based data transfers, including CD and DVD duplication, but most of its revenue apparently comes from the sale of blank floppy disks.

Persky features in a recently published book, Floppy Disk Fever: Curious Legacy of Flexible Mediawhich examines how the venerable storage medium continues to be used for certain purposes, even though Sony, the last company to make new floppy disk media, ceased production over a decade ago.

But who on Earth still uses floppy disks? According to Persky, there are industrial equipment using machines that require floppy disks. (This writer remembers visiting a university that had lab equipment that still booted from an 8-inch floppy disk.)

Only last month, it was reported that the Japanese government had to change some laws because it still requires the use of floppy disks and CD-ROM media when sharing data with many government departments.

The airline industry is also a big customer, says Persky in a interview from the book. “Probably half of the airline fleet in the world today is over 20 years old and still uses floppy disks in some of the avionics,” he said.

Some medical equipment in the healthcare industry still requires floppy disks to transfer data, but the biggest customer would be the embroidery industry as there are a large number of embroidery machines still in use that were designed to load designs from from floppy disks.

Other customers include hobbyists, who typically wish to purchase 10, 20, or 50 floppy disks at a time, which may or may not include those involved in projects such as the Floppotron hardware orchestra.

While no one makes the media anymore, Floppydisk.com invested in a large amount – “a few million discs”, according to Persky – when production ended. Since then, the company has lived on this inventory, but is sometimes contacted by organizations that empty warehouses and discover pallets full of diskettes.

British Airways Boeing 747-400

Pen Test Partners: Boeing 747s receive critical software updates on 3.5″ floppy disks


The company now has around half a million discs in stock, comprising various formats including 3.5-inch, 5.25-inch and 8-inch types, as well as “a few rather rare floppy disks”. These are unspecified, but there were other formats available in the past, such as the 3-inch floppy disks used by Amstrad in the UK for its CPC home computers and PCW desktop systems.

The writing must be on the wall for the venerable floppy disk as software support is being phased out and the supply dries up. However, Persky said he expects his business to be in business for at least four years. ®

Released: RetroFlow-Launcher 4.0 for PS Vita


Developer jimbob4000 released RetroFlow-Launcher 4.0. This new version adds Flycast support for Dreamcast games, as well as quality of life improvements.

RetroFlow-Launcher is a nice little GUI to browse and launch your Retro games on the PS Vita, and is originally a fork of VitaHEX’s HexFlow-Launcher.

What is RetroFlow-Launcher for PS Vita

If you need a nice GUI to browse and run your retro games on the PS Vita, RetroFlow-Launcher is for you. From the readme file:

This is a modified version of HexFlow Launcher; a 3d coverflow like launcher for PS Vita.

This version includes categories of retro games that can be launched without bubbles for RetroArch, DaedalusX64 and Flycast. Playstation and PSP games can also be launched without having to create bubbles for each game!

This version also has categories for favorites and recently played games.

Display and launch your retro and homebrew games in style.
RetroFlow Launcher features a 3D UI to display your games with their box artwork and supports lots of customization options like custom covers and backgrounds.

Launch a game or application from RetroFlow Launcher will close the launcher automatically without asking.

Supported systems:

PS Vita, PSP, Playstation, Nintendo 64, Super Nintendo, Nintendo Entertainment System, Game Boy Advance, Game Boy Color, Game Boy, Sega Dreamcast, Sega CD, Sega 32X, Sega Mega Drive / Genesis, Sega Master System, Sega Game Gear, PC Engine, PC Engine CD, TurboGrafx-16, TurboGrafx-CD, Commodore Amiga, Commodore 64, WonderSwan, WonderSwan Color, MSX, MSX2, ZX Spectrum, Atari Lynx, Atari 600, Atari 5200, Atari 7800, ColecoVision, Vectrex , FBA 2012, MAME 2003 Plus, MAME 2000, Neo Geo (FBA 2012) and Neo Geo Pocket Color.

RetroFlow 4.0 – What’s New

New features

  • Dreamcast category added (Flycast must be installed).
  • Change ROM Folders – Go to “Scan Settings” then “Change Game Directories” to change the path to game folders. You can select your folder using the new built-in file browser.
  • Rename games – Press triangle then square on the game. (The file is unchanged, the name is only changed in the application).
  • Rescan function – Added to “Scan settings” menu. Now you can search for new games without restarting the app.


  • Replacing games is much faster.
  • Downloading Individual Covers – The cover now updates instantly if found.
  • Bulk upload of covers and snaps in the settings menu – Faster; it now only downloads missing images.
  • Better adrenaline bubble detection using titles. Bubbles are not imported into RetroFlow because iso or eboot is used.
  • Fixed file size information for games using cue files (directory size is now used).

Download and install RetroFlow-Launcher

You can download RetroFlow-Launcher from the project github here.

Reminder: you will need a hacked PS Vita to run this homebrew GUI and the underlying games.


1. Install RetroFlow VPKs.

Install the latest version of RetroFlow and additional VPK of RetroFlow adrenaline launcher from here.

‘RetroFlow Launcher’ is the application you will use to browse games. ‘RetroFlow Adrenaline launcher’ is required to launch Playstation and PSP games.

2. Rename your PSP games by following the steps below.

Renaming is necessary for coverage matching. RetroFlow will look for a title ID in the filename.

Windows users:

Please rename the PSP ISO and CSO files using Leecherman’s PSP ISO Renamer tool using the following settings:

The result should look like this (please note the square brackets):

Cars 2 (US) [UCUS-98766].iso

Games can also be named with just the title ID like this: “UCUS98766.iso” but this is not recommended.

Mac users:

See the FAQ section for a guide on changing the name on a mac.

More information about PSP and Playstation after the FAQ section.

3. Check that your PS1 and PSP are in the correct folders

PS1 and PSP games with eboot files must be registered here:

PSP ISO and CSO games should be saved here:

uma0 can also be used.

4. Add your retro games to RetroFlow

Option 1 – Use default folders: Launch RetroFlow for the first time, RetroFlow will create the folders where you can save your games.

When loading is complete; close RetroFlow and copy your favorite retro games to the corresponding subfolders below:


For PC Engine CD and TurboGrafx-CD, RetroFlow will search for “.cue” files for those CD systems. Please make sure all games are loose with system rom folder with .cue files.

For Dreamcast, both ‘.gdi’ and ‘.cdi’ games are supported.

Option 2 – Use your own game folders: If you don’t want to save your games in the RetroFlow data folder, you can use your own directories.

Go to “Scan settings” then “Change game directories” to change the path to game folders.

Once you’re done, select “Rescan” to find the games.

Point: It is important that your roms are named using the file naming convention with no intro, for example “Game Name (USA)”, otherwise the cover images will not be found.

5. Rescan to find your games

Press “Start” and navigate to “Scan Settings”, then select “Rescan”. Your retro games should now appear when you restart the app. “Startup scan” can be disabled once you are done adding your games, the app will start faster when disabled.

6. Download covers and backgrounds

To download cover images, tap Start, then choose the covers or backgrounds you want to download.

ABBA’s “Slipping Through My Fingers”


“Slipping Through My Fingers”, from ABBA’s album Visitors, is an indie-meets-folk-pop song that is anything but unknown. Having garnered hundreds of millions of streams, forming multiple TikTok trends, and hailing from one of pop’s most well-known groups, the song is definitely well-loved. Yet the song means more to me than just background music or a catchy melody. When I listen to this song, I can’t help but think of my parents and how they must be feeling now: how, for the first time in 23 years, their two children walked out of the house, when the silence now covers the walls, flowing from the melancholy ceilings. The song is about a mother’s realization of how quickly her daughter is growing up as she prepares for school – how she wishes to reach out and grab what is left of her daughter’s childhood and hold her close to his heart forever, but she can’t. The song reminds me of my own parents, but more specifically my father. Maybe it’s because my mom has always been more vocal about how she feels about us leaving. Maybe it’s because I never thought to ask myself how my father felt. Or maybe it’s just because he’s an ABBA fan. But whatever the reason, for those three minutes and 53 seconds, I can’t stop thinking about my dad and my relationship.

My dad never shared a lot of the music he listened to with us. For as long as I can remember, a silence during our car rides was averted by blasting out all the artists my brother and I had settled on at the time. It all started with the “Barney & Friends” soundtrack. Over time, we went from listening to Hannah Montana to listening to Nicki Minaj, before finally moving on to Faye Webster. My father didn’t complain too much about not having aux. He did, however, comment and criticize every song we played. He would praise my brother’s choice of Kanye West 808 and heartache album until he focused on the lyrics, when he criticized both the explicit nature of the song and us for choosing to listen to it. Other times he drummed forcefully on the steering wheel, missing every beat by a second, overpowering the sound of the actual beat when Selena Gomez & the Scene was on. Occasionally he would nod his head or gently pat his leg, making a crinkling noise from the fabric of his shorts, when I played Katy Perry. He would compliment Taylor Swift’s sweetness too much Folklore and asking him if this was his new album he heard about on the news and complaining about the volume of Icona Pop’s “I Love It” every time I played it in elementary school. But every once in a while he would line up for some Bon Jovi and ABBA, a Michael Jackson CD or some Tamil CDs of a movie he had made us watch many times and refused to change it no matter how much we begged him, pushing our hands away every time we tried to reach for his phone or the CD eject button. We complained, even more than he would about our music. To us, his music was antiquated, older than the second-hand dresser that sat in the guest bedroom my parents bought when they first moved to America. It’s older than the striped green Toyota Camry that sat for years in front of our house with broken brakes and an awfully loud engine that my dad somehow refuses to get rid of, and older than my mother’s collection of crumpled sarees that haven’t been worn in over 25 years, neatly tucked away in broken suitcases that smell of faded mothballs on top of my mother’s closet. It was old, and I, at seven, hated every second of it.

I can’t remember the first time I heard the song. I can’t remember if it was one of the few ABBA songs my dad played on a road trip, if it was on the way home after he picked me up from school. elementary school or if it was a song I stumbled upon on one of my long nights of building playlists, while searching my entire recommended Spotify for the perfect song to fall asleep to. But I remember the first time it meant anything.

I was sitting in my dad’s makeshift office that he first built for my brother and I to do our homework next to him while he worked. My father was cleaning and reorganizing the office, which had spent the last year with almost as much clutter as some of the houses in “Hoarders”. In the back corner of the room, above a huge roll of orange yarn too heavy for me to pick up, was the new vinyl player my brother and I had bought him for Christmas, which he had just to fix to the wall. It was mounted in the perfect spot as it covered all the imperfections in the faded sky blue wall that was painted with the remnants of my brother’s room. I was too afraid of breaking it to play anything. I think he was as scared as I was since he rushed over to show me how to turn it on. As you might guess by the title, “Slipping Through My Fingers” played. And while I’d heard the song a million times, I pretended it was the first, which I did with many songs my dad showed me recently.

The melody cools my skin, freezing it from the heat of the desk and the heat of the socket to which the record player and speaker are connected. It’s light and airy as if the second the fan swung towards me, I could float above the stale air of the office basement and into a blue sky, much darker but less faded than the old paint on the walls. But something comes out of the white carpet beneath me and tugs at my leg, slowly but still fast enough that I have no choice but to sink into it. The lyrics and the pain in the singers’ voices fill my heart with a heavy sorrow, too heavy to float in the carefree air. So I just stand there, half leaning on the table where I grew up writing spelling words next to my dad because my knees are too weak to stand as they flex slightly hearing the first note. The song consumes me, gnaws at me steadily, but not in the way that I can lose myself in the words or melt into the melody, but where the pain in its voice twists my body, twisting it until every drop of reality flows. , enough to get lost in my bittersweet memories. Where my body uses all the energy it has to fight it off and pull me back into the study, but subconsciously refuses the comfort the bittersweet memories bring.

And seconds into the song, I’m transported beneath my pink and purple cheetah print sheets that defined my elementary and middle school experience, where I got mad at my dad as he wiped a tiny little warm water on my face. to wake me up for school even though he was late for work. I’m now sitting in the backseat of the green Camry as it pulls up a few blocks before my elementary school and refuses to drop me off until I’ve finished breakfast which I didn’t touch . I now help him build countless IKEA furniture sets for the home because he lets me drill a nail or two. I cry at the entrance to the airport saying goodbye to him as we leave for India while he stays home to work. We choose paint colors at Walmart for my bedroom which he has repainted too many times since my favorite color changed every year. I pose for the hundreds of pictures he takes of me every time I try to leave the house wearing anything other than old pajamas. He slips packed food into my backpack to take it back to my college apartment because my parents don’t want me to worry about cooking and not eating enough. He helps me memorize my multiplication tables, then years later he helps me draw my physics diagrams, which he studied just so he could help me. He paints my nails because I can’t get the designs right and asks to do my hair or choose my outfit for the day (usually sarcastic to point out that he thinks his style is better than mine). And he constantly drives to Ann Arbor and back just so he and my mom can see me every weekend.

And after three minutes and 53 seconds, I can tear myself away from this now dark and watery place, but a part of me still remains there and always will, just like the residue of every command hook I have tried to tear from my apartment neatly, as the packaging promises, remains partly stuck to the wall for years. Where a part of me will never recover from the painful but oddly comforting experience. But it’s also a reminder that my father is more than my father. With every song he plays for me, I learn a new part of him. And because of that, I ask him to choose the music for our car rides to Ann Arbor, and every song means something. This is where he can choose a song and tell me about its meaning in his life or what the words mean to him. Where I can learn that the first English song he ever heard was surprisingly “Rasputin”, by Boney M., or that he likes the soundtrack of “Grease”, or how he likes “Bee Movie” because it contains “Here Comes the Sun”. “He’s a man with a whole life ahead of my brother and me and even my mum, and sometimes I forget that. And with music being such a big part of my life, being a way I feel and communicate, there’s no better way for us to bond. And since he has spent over 18 years listening to the music I have chosen, I will do the same. So when he plays me another song I’ve heard hundreds of times, I’ll pretend it’s the first.

MiC columnist Roshni Mohan can be reached at [email protected].

Osteogenesis in human periodontal ligament stem cell sheets is enhanced by protease-activated receptor 1 (PAR1) in vivo


We confirm that all methods have been carried out in accordance with ARRIVE guidelines and relevant guidelines and regulations.

Ethics statement

Informed consent was obtained from all subjects and ethics committee approval from the Ethics Committee Review Board of the University of São Paulo School of Dentistry (protocol number FO-USP 029/2018) was obtained prior to collection of the patient’s teeth at the hospital. clinic of the School of Dentistry of the University of São Paulo (FO-USP). The use of Balb/c nude mice in this research has also been approved by the Board of Directors of the Ethics Committee on the Use of Animals (CEUA) of the Institute of Chemistry of the University of Sao Paulo ( IQ-USP) under protocol number 98/2018.

Cell isolation

Periodontal ligament stem cells were harvested from third molars of 3 systemically healthy individuals (I1, I2, and I3—18-30 years old). The inclusion criteria were: partially or totally erupting third molars and absence of periodontal disease.

Periodontal ligament tissue samples were obtained by scaling the middle third of the root and PDLSCs were isolated using the explant technique12.48 in alpha-modified Eagle’s medium (α-MEM) (Thermo Fisher Scientific, Waltham, USA) supplemented with 10% fetal bovine serum (FBS) (Thermo Fisher Scientific, Waltham, USA), 100 μg/mL penicillin , 100 μg/mL streptomycin and 0.5 mg/mL amphotericin B (Gibco, Invitrogen, Carlsbad, USA) at 37°C in an atmosphere of 5% CO2 and 95% humidityseven. After 14 days, cells from the explants reached 70% confluence and PDLSC populations were used at passage 4 for all experiments.

Characterization of pluripotency

In order to identify the mesenchymal stem cell phenotype, approximately 5 × 105 PDLSCs were incubated in 5% bovine serum albumin (BSA)/phosphate buffered saline (PBS) (Gibco, Invitrogen, Carlsbad, USA) 1 × at 4°C in the dark for 1 h with the following monoclonal antibodies: PAR1-FITC (Abcam, Cambridge, UK), OCT4-FITC (Abcam, Cambridge, UK), SOX2-FITC (Abcam, Cambridge, UK), STRO-1-FITC (Abcam, Cambridge, UK Uni), CD14-FITC (eBioscience, San Diego, USA), CD90-FITC (eBioscience, San Diego, USA), CD31-PE (eBioscience, San Diego, USA), CD-44-PE (eBioscience, San Diego, USA), CD34-FITC (Biolegend, San Diego, USA) and CD146-PE (Biolegend, San Diego, USA) for 30 min at 4°C. An uncolored witness was used to define the gates. A total of 10-50,000 events were recorded and the data analyzed via FlowJo (Becton Dickinson, Oregon, USA).

Cell sheet culture and experimental design

PDLSC at 1×106 cells/cm2 were seeded in 100 mm plates for 24 h with α-MEM (Thermo Fisher Scientific, Waltham, USA) supplemented with 10% FBS (Thermo Fisher Scientific, Waltham, USA) and 50 μg/mL vitamin C to induce cell sheet formation, as previously describedseven. Subsequently, cell sheets were assigned to one of the following experimental groups: (1) control medium (CTRL) composed of α-MEM (Thermo Fisher Scientific, Waltham, USA) supplemented with 10% FBS (Thermo Fisher Scientific, Waltham, USA) and 50 μg/mL vitamin C (Sigma-Aldrich, St Louis, USA); (2) osteogenic medium (OST) (CTRL + 100 nM dexamethasone, 5 mM b-glycerophosphate and 50 µg/ml ascorbic acid (Sigma-Aldrich, St Louis, USA) and (3) osteogenic medium with the addition of BY1 agonist peptide (100 nM TFLLR-NH2) (Tocris Bioscience Inc., Bristol, UK) (OST + PAR1). The culture medium was changed every 3 days for 14 days.

Alizarin red staining

I2 PDLSCs were seeded in 6-well plates (5 × 104 cells/cm2), in triplicate. After processing with CTRL, OST and OST + PAR1 groups for 14 days, cell sheets were washed with 1 × PBS (Sigma-Aldrich, St Louis, USA), fixed with 4% paraformaldehyde (Sigma-Aldrich, St Louis, USA) for 15 min at room temperature ( TA), washed with 1 × PBS (Sigma-Aldrich, St Louis, USA) and incubated with a stirred solution of 2% Alizarin Red S (Sigma-Aldrich, St Louis, USA) in PBS (Sigma-Aldrich, St Louis , USA) (pH 4.2) (A5533) for 30 min at RT. For qualitative and macroscopic analysis, images were acquired using a CDD microscope camera (D7000, Nikon, Minato, Japan). For quantitative analysis, 10% ammonium hydroxide solution (Sigma-Aldrich, St Louis, USA) was used to dilute the calcium deposits and a spectrophotometer (Biotek, Winooski, USA) was used to measure the absorbance at 405 nm. The quantification of ARS was calculated using a standard curve.

Characterization of the cell sheet

Scanning electron microscopy

Cell sheets at 14 days of treatment were fixed with Karnovsky’s solution (Thermo Fisher Scientific, Waltham, USA) for 24 h. After this period, post-fixation was performed with osmium tetroxide (Sigma-Aldrich, St Louis, USA) for 2 h and dehydration, passing the material through an increasing series of alcohol (Sigma-Aldrich, St. Louis, USA) from 70 to 100%. The samples were then dried under critical point conditions and sputtered gold coated. Observations were then made using a scanning electron microscope (S-4800; Hitachi, Tokyo, Japan).

Histological profile

Hematoxylin and eosin (Sigma-Aldrich, St Louis, USA) staining of cell sheets was also performed. Briefly, after detachment and fixation in 4% paraformaldehyde (Sigma-Aldrich, St Louis, USA) for 24 h, specimens were embedded in paraffin and sectioned at 4 µm thickness. After the sectioning process, the histological specimens were placed in a 50°C water bath and captured on a histological slide and stored in a 65°C oven for 12 h to allow removal of paraffin remnants. Sequentially, the paraffin removal dehydration protocol was completed using a sequence of solutions of xylol (Sigma-Aldrich, St Louis, USA) and alcohol (Sigma-Aldrich, St Louis, USA) and specimens underwent routine H&E staining according to manufacturer’s guidelines.

Ectopic bone formation assays

Bone formation in vivo was assessed using transplantation of cell sheets pre-incubated with the experimental groups described above. At 14 days of incubation, the cell sheets were detached using a cell scraper (Corning, New York, USA), folded 4 times to acquire a cylindrical shape and each Balb/c nude mouse aged 6 weeks received 2 back grafts from the same experiment. group, bilaterally. A total of 25 mice were divided into the groups as follows: 11 (OST + PAR1), 11 (OST) and 3 (CTRL). After 60 days, mice were euthanized and subcutaneous samples were collected and processed for analysis described below.

Computerized microtomography

After fixation, only the subcutaneous sample from the left side of each animal was scanned using a micro-CT system (Skyscan 1176, Bruker Biospin, Billerica, USA) with the following acquisition parameters: 45 kV, 8.71 μm resolution and 550 μA. The data obtained were processed, reconstructed into three-dimensional images using reconstruction software (NRecon, Micro Photonics, Allentown, USA) and analyzed using system software (CTAn, Bruker Biospin, Billerica, USA).

Immunohistochemistry and histological analysis

Histological procedures were performed as previously described. H&E, Trichrome de Masson, Van Gieson and Von Kossa stains (Sigma-Aldrich, St Louis, USA) were performed according to the manufacturer’s protocol. For immunohistochemical analysis, after fixation in a 4% paraformaldehyde solution in PBS for 30 min, samples were embedded in paraffin and sectioned at 20 µm. Sections were subjected to deparaffinization, rehydration and permeabilized with 0.2% Triton X-100 (Sigma-Aldrich, St Louis, USA) for 10 min. Next, sections were blocked in 3% hydrogen peroxide solution (Sigma-Aldrich, St Louis, USA) for 10 min, followed by antigen retrieval with 10% citrate buffer ( Sigma-Aldrich, St Louis, USA) for 15 min and blocking in 5% BSA (Sigma-Aldrich, St Louis, USA) for another 30 min. Then, exposure to specific primary antibodies was performed for: integrin β1 – AB52971 (Abcam, Cambridge, UK), type I collagen – AB34710 (Abcam, Cambridge, UK) and BSP – AB8448 (Abcam, Cambridge, UK). Slides were then incubated with secondary conjugated anti-rabbit IgG antibody – AB205718 (Abcam, Cambridge, UK) followed by incubation of avidin-biotin complex (Abcam, Cambridge, UK) for 30 min. . Diaminobenzidine (DAB) solution (Abcam, Cambridge, UK) was applied every 2 min and the reaction observed under the microscope. Specimens were dehydrated, cleaned and mounted. Images of the specimens were obtained with an optical microscope (E600, Nikon, Tokyo, Japan) and three images of each sample were acquired and quantified using the J-frame (NIH, Bethesda, USA).

statistical analyzes

Experiments were performed in triplicate and data were expressed as mean ± standard deviation (SD). Data were analyzed based on the comparison between the experimental group (OST + PAR1) with osteogenic control group (OST) and control group (CTRL). A one-way ANOVA followed by Tukey’s post-hoc test was used. A meaning P-value of 0.05 was established for all tests and data analysis was performed (GraphPad Prism™ Version 6.0c, La Jolla, USA).

Small Lions tower over Mtn. lions | News, Sports, Jobs


Photo for the Mirror by Chuck Meyers Altoona Bron Mosley turns the corner against State College’s Will Stone on Friday night.

When he wins the toss, Altoona coach Vince Nedimyer usually likes to pick up the ball and build early momentum, but the strategy didn’t work Friday night against State College.

The Little Lions quickly turned an undefeated battle into a one-sided rout in the blink of an eye for a 55-14 win at Mansion Park. The mercy rule went into effect with 5:22 left in the third quarter.

“A lot of times we start the game with the football, and normally we were able to, if not score, get a few first tries,” Nedimyer said. “We weren’t able to get into any kind of groove, and the reason we couldn’t was because of them. Congratulations to them. They have a good team. »

The teams could possibly meet again in the District 6 playoffs.

“You really want to win your (games with) the opponents from District 6”, said state coach Matt Lintal. “You never know if we’ll see them again, so try to make sure we leave the pitch knowing we were the best team here tonight.”

Game of the game: As the final seconds of the first half ticked away, State College quarterback Finn Furmanek rolled left and threw himself into a crowded end zone for the receiver of Little Lion Michael Gaul invents it – despite the pass interference called on the play. The 35-yard touchdown gave the Little Lions a 35-7 lead.

Player of the Game: State freshman running back D’Antae Sheffy carried 13 times for 125 yards and two touchdowns.

Best run: After Altoona cut State College’s lead to 21-7, Sheffey ran 60 yards for a touchdown with 6:57 left in the second quarter.

Lintal on Sheffy: “D’Antae is special. We are really proud of him. Obviously, he’s very talented, but most importantly, he’s very humble, has a great work ethic and his football IQ is really high for a youngster. He can make games on the fly.

Best catch(es): Besides Gaul’s touchdown, State’s Donte Nastasi made a 30-yard juggle that set up Sheffy’s 60-yard juking TD, and the second student of Altoona’s Mark Harrington hit a fingertip snag on a 34-yard Brennen Freiwald yard in the third quarter.

Welcome back to basics: Furmanek and Nastasi have deep roots in Blair County. Furmanek’s grandfather is Bishop Guilfoyle’s former coach, Tom Irwin, and Nastasi’s grandfather, Joe, was a coach at Northern Bedford and later as an assistant at Altoona.

Furmanek, who completed 6 of 8 for 83 yards, rushed for another 37 and had three touchdowns: “I’m glad I came and I’m glad there are so many of my family here – my grandparents, uncles, aunts. I always remember coming to Mansion Park for the Bishop Guilfoyle games, and I always wanted to be here and play.

Nastasi, who caught six passes for 70 yards: “My teammates really got me excited, and I love that.”

Unsung Hero(es): The State’s Offensive and Defensive Lines.

Statistically speaking: State College racked up 16 first downs in the first half.

Near-perfect: State College kicked once and committed a penalty – both occurring late in the game.

Nedimyer on the slow start: “We didn’t tackle well and we didn’t adjust well. They played with more effort than us. They came here a little more excited than us, and that was the biggest disappointment. And it’s my fault for not preparing the children. We’ll go back to the drawing board.

Lintal on the game as you practice: “Our coaches did a great job preparing us for the triple option. I couldn’t be prouder of our coaches and their kids for their preparation. We had a great week of training and it showed.

Lintal point plug: “Vince is doing a great job and they will only get better. Lots of respect for Altoona.

Take the initiative early: “They can eat a lot of clock with the offense they run, so being able to get the first two touchdowns on the board was huge,” Linthal said. “Then they feel like they’re catching up, and that takes them out of their game a bit.”

Records: Altoona (3-1), State College (4-0)

Next week: Altoona visits Central Dauphin East; State College hosts Central Dauphin. Both games are Friday.

Nedimyer’s rebound mindset: “We have CD (East) next week, so it doesn’t get easier week by week. Much like our first three wins, we can’t be so excited about these. We can’t dwell on that. Obviously it was very unbalanced, but I’m confident in our kids and our coaches that we’ll be back on Monday and ready to go.

Notes: Freiwald hit Jimiere Hardison for 57 yards to set up Altoona’s first touchdown, a 5-yard run by Alex Yost…Colin Hite scored the Lions’ other TD on a 15-yard sweep…Branson Adams intercepted a passes for the Lions in the second quarter … Nastasi wears No. 21 – the same number his father, Joe, wore at Penn State; Joe is an assistant coach on the SC staff…Altoona freshman Julian Hazelwood returned a second-quarter kickoff 30 years…Altoona’s honorary captain was the former teacher of Altoona, Dawn Morden, who passed away in June. Morden founded the Brian Morden Foundation which is dedicated to raising funds and awareness for cancer research.


State College 14 21 13 7 — 55

Altoona 0 7 7 0 — 14

first quarter

SC – Furmanek 1 run (Kaszubowski kick), 7:48

Race SC – Sheffy 17 (Kaszubowski kick), 3:43

second quarter

SC – Furmanek 1 run (Kaszubowski kick), 8:59

A–Yost 5 run (Palilla kick) 7:45

Race SC – Sheffy 60 (Kaszubowski kick), 6:57

SC – Gaul 35 Furmanek pass (Kaszubowski kick), 0:00

Third quarter

Race SC – Yerka 2 (Kaszubowski kick), 5:22

A–Hite 15 run (Palilla kick), 1:30

Race SC – Wall 43 (missed kick), 0:11

Fourth trimester

SC – Wilson 15 run (Zipf kick), 4:25


First attempts 23 11

Total yards 388,172

Rush-yards 34-266 37-112

Passing yards 122 60

Assists (comp-attack-int) 10-14-122 3-5-94

Punts-avg. 1-35.0 6-21.0

Fumbles-lost 1-1 0-0

Penalties-yards 1-15 5-18


RUSHING–State College, Sheffy 13-125, Wall 6-53, Furmanek 6-37, Yerka 5-38, Scourtis 1-4, Nastasi 1-2, Stone 2-(-3). Altoona, Freiwald 10-30, Seward 3-22, Patterson 4-18, Hite 2-15, Yost 6-9, Emeigh-Ballos 1-7, Reid 2-5, Hardison 1-5, Dunkle 1-4, Mosley 2-3, Jackson-Shepard 3-1, LaRocco 2-(-7).

PASSAGE–State College, Furmanek 6-8-83, Yerka 4-6-39. Altoona, Freiwald 3-5-94.

RECEPTION–State College, Nastasi 6-70, Gaul 2-23, Scourtis 2-29, Altoona, Hardison 1-57, Harrington 1-34, Reid 1-3.

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10 Best Steam Alternatives for PC Gaming


Steam is undoubtedly the most used platform for buying and downloading video games. It is reliable and well managed, and you can find almost any game you are looking for on this platform. However, there may be times when you want to spice things up and try some new platforms.

Whether your country has blocked access to Steam or you just don’t want to use it to download your games, you might not want to launch Steam for a variety of reasons. Steam also doesn’t typically offer discounts on many newer titles.

If so, there are different alternatives that will allow you to buy and download games even without having to access Steam.

Best Alternatives for Steam

Epic Games Store

Epic Games Store is probably the most popular online game store after Steam. It has games like Valorant and Fortnite, which are growing in popularity day by day, and it also offers several free games at regular intervals (one game per week). If for some reason you don’t want to use Steam or it’s blocked in your region, Epic Games might be the best choice for you.

Epic Games Store has a nice and clean user interface and has almost all popular games available on Steam except for some that are exclusive to Steam or other platforms. The price is also similar. And on top of that, it only takes a 12% reduction in publisher revenue. It also has a section for user reviews for each game, but developers have the option to disable it.

Epic Games Store is a good marketplace for developers and gamers. If you only play truly exclusive titles, the Epic Games Store might have a better alternative.


Officially known as “Good Old Gamers”, it’s owned by CD Projekt, the same company that brought you games like the Witcher franchise and Cyberpunk 2077. Their website isn’t fancy and it doesn’t have much games, especially new titles. However, they have a lot of retro games like Starcraft and Fallout. You will also find many discounts on games on this platform.


You can find video games and movies without digital rights management (DRM) here. In terms of privacy, GOG.com is better than Steam or any other digital marketplace because it doesn’t verify or authenticate the games you buy. You can simply pay for the game and download it through your browser. You also don’t need to install their client app to download the game.

Unlike Steam, you can store your games on external drives and even play offline. And since this platform is owned by CD Project, you can buy their games like Witcher 3 and Cyberpunk 2077 at very cheap prices. There are also game sales several times a week.

Ubisoft Login

Ubisoft Connect is a digital distribution and digital rights management (DRM) platform owned by Ubisoft. It was developed by Ubisoft with the aim of providing all of their games under one platform so that gamers can find and download their games without much hassle.

ubisoft login 1

They use their own launcher to launch the games, and you can find all of their games here, such as Assassin’s Creed and Far Cry series. It also allows you to add your friends and follow each other’s progress and chat with each other. Ubisoft Connect offers video games exclusive to Ubisoft and not found on Steam, such as Assassin’s Creed Valhalla and other original titles.

It also has a feature called Ubisoft+, which is basically a subscription package that allows players to play all of their games on release day, as well as opt in to closed beta testing for upcoming games. It also allows you to import Ubisoft games that you have purchased from other platforms such as Steam or Epic Games Store.

The EA app

The EA app is Electronic Arts’ official digital store, where you can find all video games developed by EA Esports. If you are looking for a platform where you can find and buy EA games, there is no better platform than Origin.

EA App 2

It has its own launcher and features, which will allow you to chat with your game friends and join their games directly. It also has other features like cloud save, achievements and cross-platform services.

Users will also be able to subscribe to their subscription service, known as EA Play, so they can play their upcoming games sooner and participate in closed beta testing. EA Play also comes with a bunch of other premium features, like monthly rewards and game discounts, and upcoming game trials without purchase.


Battle.net is a digital platform developed by Blizzard Entertainment to provide easy access to its features and services to users. Here you can find all games and DLC developed by Blizzard Entertainment company. Blizzard’s most notable games are the World of Warcraft and Diablo series that you’ll be able to buy and download right away from a single platform.

battle net

It also offers other Battle.net exclusive games such as Overwatch, Starcraft franchise, Warcraft franchise, etc. You can also download and play Call of Duty: Warzone from this platform. It doesn’t have a large collection of games like Steam and its competitors, but the games on this platform are certainly popular and exclusive.

Like Steam, it provides its own social networking service and you can chat with your friends and join their games. It also has its own forum where you can ask different questions and get answers about them, and also get the latest news about your favorite games.


GamersGate is an online video game store where you can find and buy games from different developers and publishers. What sets GamersGate apart from its competitors is that it offers DRM-free games and also does not require a client application to download its games. You can directly download the games from their website after making a purchase.

player portal

GamersGate has a large collection of games from different publishers, and you can actually find games that aren’t listed on Steam. Of course, you can also add them later to their respective client’s library. GamersGate also offers game discounts from time to time. Even on games like Elden Ring, which has yet to receive a discount on Steam, you can usually find it for sale on GamersGate.

It has surprisingly clean and nice user interface with categories as well. There are separate categories for sales, top sellers as well as new games, so you won’t have to scour the entire site to find a game you’re looking for and end up buying a bunch of other games in the process.

green man game

This is another great website to buy games at a bargain price. It is also a web-based platform that offers DRM-free games, and you will be able to download them immediately after making a purchase. It offers games from multiple platforms such as PC, Xbox, and PlayStation, as well as various publishers.


It also offers different payment methods on games, so you don’t have to depend on Paypal or a credit card like on Steam. They have over 10,000 games on their websites, so you will be able to find almost every game available on Steam. Plus, every key they sell comes directly from the game’s publishers, so there’s a small chance you’ll get scammed.

Humble package

Humble Bundle is another digital storefront that offers a variety of games, software, and books to buy and download. It also uses web browsers as its main platform and does not require users to download their client application. You can directly buy games from their website and download them immediately after purchase.

humble package

It offers many games and software, including new AAA titles, on its store. They also sell games at a discount from time to time. Another notable thing about this website is that you can download different packs of the game and pay whatever price you want. They also work for the betterment of society by donating a portion of the sale to various charities.


G2A is a digital storefront that sells all kinds of electronics as well as video games. They also sell gift cards and software for all platforms. The best part of this website is that there are different sellers selling the same product at different prices, so you can choose the best price among them.


G2A’s products are also generally less expensive than those of its competitors. And everything is safe and legit as long as you buy from their official website, so there is a small chance of getting scammed as well. It is a good alternative to Steam, especially if you plan to buy different games and software on the same platform.


Fanatical is another web-based digital storefront that sells video games and bundles at a discount price to its users. It also allows you to buy these games using different payment options. Games are usually available at a discount on this website, which can be a good alternative to Steam, where you have to pay full price to download them.